The Covent Garden Journal
Author:
Publisher:
Published: 1810
Total Pages: 386
ISBN-13:
DOWNLOAD EBOOKPosts
The Covent Garden Journal ...
Author: John Joseph Stockdale
Publisher:
Published: 1810
Total Pages: 838
ISBN-13:
DOWNLOAD EBOOKThe Covent-garden journal, by sir Alexander Drawcansir. by sir Alexander Drawcansir, otherwise Henry Fielding
Author:
Publisher:
Published: 1752
Total Pages: 224
ISBN-13:
DOWNLOAD EBOOKMiscellaneous: Covent-Garden journal. Essay on nothing. Charge delivered to the Grand jury, 29th June, 1749. Journal of a voyage to Lisbon. Fragment of a comment on Lord Bolingbroke's Essays. An enquiry into the causes of the late increase of robbers
Author: Henry Fielding
Publisher:
Published: 1806
Total Pages: 484
ISBN-13:
DOWNLOAD EBOOKThe Works of Henry Fielding, Esq;: Two essays. Covent-garden journal. A charge. Voyage to Lisbon. Fragments of a comment on Lord Bolingbroke's essays
Author: Henry Fielding
Publisher:
Published: 1766
Total Pages: 418
ISBN-13:
DOWNLOAD EBOOKCovent-Garden Journal
Author: Henry Fielding
Publisher: DigiCat
Published: 2022-08-10
Total Pages: 68
ISBN-13:
DOWNLOAD EBOOKThe Covent-Garden Journal (modernised as The Covent Garden Journal) was an English literary periodical published twice a week for most of 1752. It was edited and almost entirely funded by novelist, playwright, and essayist Henry Fielding, under the pseudonym, "Sir Alexander Drawcansir, Knt. Censor of Great Britain". It was Fielding's fourth and final periodical, and one of his last written works.
The Covent-Garden Journal
Author: Covent-Garden Journal
Publisher:
Published: 1915
Total Pages:
ISBN-13:
DOWNLOAD EBOOKThe Covent Garden Journal
Author: Henry Fielding
Publisher:
Published: 1915
Total Pages: 322
ISBN-13:
DOWNLOAD EBOOKThe Spring-Garden Journal
Author: Bonnell Thornton
Publisher:
Published: 1752
Total Pages: 110
ISBN-13:
DOWNLOAD EBOOKMelodramatic Tactics
Author: Elaine Hadley
Publisher: Stanford University Press
Published: 1995
Total Pages: 326
ISBN-13: 9780804724036
DOWNLOAD EBOOKThis pathbreaking work analyzes melodrama as not merely a theatrical genre but as a behavioral paradigm of the nineteenth century, manifest in the theater, in literature, and in society. It shows how the melodramatic mode reaffirmed the familial, hierarchical, and public grounds for ethical behavior and identity that characterized models of social exchange and organization.
