The Country Dance Book: Thirty-five country dances from The English dancing master, described by Cecil J. Sharp and George Butterworth. 2d. 1927
Author: Cecil James Sharp
Publisher:
Published: 1927
Total Pages: 128
ISBN-13:
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Author: Cecil James Sharp
Publisher:
Published: 1927
Total Pages: 128
ISBN-13:
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Publisher:
Published: 1977
Total Pages: 712
ISBN-13:
DOWNLOAD EBOOKAuthor: Cleveland Public Library. John G. White Department
Publisher: Boston, Mass. : G. K. Hall
Published: 1978
Total Pages: 798
ISBN-13:
DOWNLOAD EBOOKAuthor: Cleveland Public Library. John G. White Department
Publisher:
Published: 1964
Total Pages: 738
ISBN-13:
DOWNLOAD EBOOKAuthor: Craig Mishler
Publisher: University of Illinois Press
Published: 1993
Total Pages: 268
ISBN-13: 9780252019968
DOWNLOAD EBOOKNamed for a popular local fiddle tune, The Crooked Stovepipe is a rollicking, detailed, first-ever study of the indigenous fiddle music and social dancing enjoyed by the Gwich'in Athapaskan Indians and other tribal groups in northeast Alaska, the Yukon, and the northwest territories. Though the music has obvious roots in the British Isles, French Canada, and the American South, the Gwich'in have used it in shaping their own aesthetic, which is apparent in their choice of fiddle tunings, bowing techniques, foot clogging, and a distinctively stratified tune repertoire. Craig Mishler treats this rural subarctic artistic tradition as a distinctive regional style akin to Cajun, bluegrass, or string-band music. He uses convergence theory as the framework for showing how this aesthetic came about. His skillful use of personal anecdotes, interviews, music examples, dance diagrams, and photographs will appeal to general readers interested in folk music and dance, as well as to specialists.
Author: Cecil James Sharp
Publisher:
Published: 1916
Total Pages: 0
ISBN-13:
DOWNLOAD EBOOKAuthor: Cecil James Sharp
Publisher:
Published: 1916
Total Pages: 108
ISBN-13:
DOWNLOAD EBOOKAuthor: Cecil James Sharp
Publisher: Literary Licensing, LLC
Published: 2014-08-07
Total Pages: 110
ISBN-13: 9781498180917
DOWNLOAD EBOOKThis Is A New Release Of The Original 1912 Edition.
Author: Ralph P. Locke
Publisher: Univ of California Press
Published: 1997-01-01
Total Pages: 384
ISBN-13: 9780520083950
DOWNLOAD EBOOK"The Victorian cup on my shelf--a present from my mother--reads 'Love the Giver.' Is it because the very word patronage implies the authority of the father that we have treated American women patrons and activists so unlovingly in the writing of our own history? This pioneering collection of superb scholarship redresses that imbalance. At the same time it brilliantly documents the interrelationship between various aspects of gender and the creation of our own culture."--Judith Tick, author of Ruth Crawford Seeger: A Composer's Search for American Music "Together with the fine-grained and energetic research, I like the spirit of this book, which is ambitious, bold, and generous minded. Cultivating Music in America corrects long-standing prejudices, omissions, and misunderstandings about the role of women in setting up the structures of America's musical life, and, even more far-reaching, it sheds light on the character of American musical life itself. To read this book is to be brought to a fresh understanding of what is at stake when we discuss notions such as 'elitism, ' 'democratic taste, ' and the political and economic implications of art."--Richard Crawford, author of The American Musical Landscape "We all know we are indebted to royal patronage for the music of Mozart. But who launched American talent? The answer is women, this book teaches us. Music lovers will be grateful for these ten essays, sound in scholarship, that make a strong case for the women philanthropists who ought to join Carnegie and Rockefeller as household words as sponsors of music."--Karen J. Blair, author of The Torchbearers: Women and Their Amateur Arts Associations in America
Author: David Harker
Publisher:
Published: 1985
Total Pages: 326
ISBN-13:
DOWNLOAD EBOOK"'Folksongs' interest many people nowadays, because they are meant to be the kinds of songs most of our ancestors sang, before industrialisation, before the mass media, before music and song became commodities, and before all the assorted evils associated with advanced capitalist society. 'Folksongs' and 'ballads' represent real values something honest and straightforward and beautiful to hang on to, and make us feel our roots in the Britain of 1900 or 1800 or even 1700. The only problem with this way of thinking is that it is based on myths. What we now know as 'folksongs' and 'ballads' were sought after, collected, edited and published by individuals who were either members of the rising bourgeoisie, or were ideologically sympathetic to bourgeois culture and values. The working people who sang their songs, and had them chopped up, amended and sometimes re-written or invented on their behalf, are remarkably absent from the story of 'folksong'. Before we can begin to piece together the real history of our ancestors' culture, we have to penetrate the 'mediations' of people like Cecil Sharp, Francis James Child and Albert Lancaster Lloyd, and to begin building again on firmer foundations. This book sets out to clear the ground"--Page 4 of cover.