Nicholas Bracewell befriends a young beggar who is trying to eke out a living as a counterfeit crank, pretending to have spectacular epileptic fits in order to get money from gullible bystanders. When the beggar is murdered inside Bridewell, Nicholas has to pose as a beggar himself in order to get inside the notorious institution so that he can solve the crime. Counterfeiting of all kinds is exposed.
The Elizabethan Underworld collects together sixteen of the more important tracts from the sixteenth and early seventeenth centuries dealing with the lives and misdoings of thieves, rogues, and tricksters. For the most part the original authors were men of experience - watchmen, constables and those who drifted into the London underworld and learnt its tricks. A thorough introduction contributes a full historical background and outlines contemporary social contexts.
What would English history look like from the gutter? The past is traditionally told from the viewpoint of kings and queens, politicians and pioneers. But what about the people struggling to survive at the very lowest levels of society? Surely the poor are just as much a part of our heritage? A Pauper's History of England covers 1,000 years of poverty from Domesday right up to the twentieth century, via the Black Death and the English Civil War. It uses contemporary sources creatively to give the reader an idea of just what life was like for the peasants, paupers, beggars and the working poor as England developed from a feudal society into a wealthy superpower. Experience the past from a different perspective: ¥ Tour the England of the Domesday Book ¥ Make a solemn Franciscan vow of Poverty ¥ Join the Peasant's Revolt of 1381 ¥ Converse with Elizabethan beggars' and learn their secret language ¥ Meet the inmates of Bedlam Hospital and Bridewell Prison ¥ Enjoy a gin-soaked Georgian night of debauchery ¥ Spend the night in a workhouse ¥ Go slumming in Victorian London
The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. This dictionary of fictional detectives helps readers learn about the series in which their favorite detectives are featured. Included are alphabetically arranged entries on roughly 150 fictional detectives, which provide information about the works in which the detective appears, the locales in which the detective operates, the detective's investigative methods, and other important information. Helpful bibliographical citations direct the reader to other interesting works. The volume closes with a selected, general bibliography; various appendices; and an extensive index. The enormous explosion of crime fiction over the last decade means that more people are looking for a good mystery than ever before. Many of the most popular mystery books appear in series, and these series feature carefully developed detectives.
This title was first published in 2003. In this new socio-cultural study of the history of the theatre in early modern England, author Paola Pugliatti investigates the question of why, in the Tudor and early Stuart period, unregulated and unlicensed theatrical activities were equated by the English law to unregulated and unlicensed begging. Starting with English vagrancy statutes and in particular from the fact that, from 1545 on, players were listed as vagrants, the book discusses from an entirely new perspective the reasons for the equation, in the early modern mind, of beggary with performing. Pugliatti identifies in players' aptitude for disguise and in the fear raised by their proteiform skills the issues which encouraged the assimilation of beggars and players; she argues that at the core of provisions against vagrancy was an attempt to marginalize people who, because of their instability in location and role (that is, in their theatrical quintessence), were seen as embodying potential for subversion. Placing the topic in a European context and relying on the reading of primary documents in several languages, Pugliatti discusses efforts to control beggary from Justinian's Codex to seventeenth-century statutes, locates the origin of anti-vagrancy and antitheatrical writings in anxieties about idleness and disguise, and analyzes the ways in which various kinds of representation demonized both beggars and players. Finally, by carefully distinguishing between the traditions of rogue pamphlets, conny-catching pamphlets and the picaresque, she offers fresh readings of a number of texts which appear to have been entirely disregarded by recent scholarship, such as pamphlets by Walker, Harman, Greene and Dekker.
