Paul McPharlin and the Puppet Theater

Paul McPharlin and the Puppet Theater

Author: Ryan Howard

Publisher: McFarland

Published: 2006-07-27

Total Pages: 257

ISBN-13: 0786424338

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Paul McPharlin is one of the 20th century's most important contributors to the art of puppetry. Over a period of nine years he created some 20 productions with marionettes, rod puppets, hand puppets and shadow figures. He was also a prolific writer whose technical, theoretical and historical works contributed significantly to a puppetry revival. His book The Puppet Theatre in America is considered the definitive history of American puppetry. Though shy and aloof, McPharlin was also energetic. He had an ability to bring people together and used this knack to found a national puppetry organization, Puppeteers of America. Besides the author's extensive research on McPharlin and puppetry, the book draws on significant contributions from McPharlin's wife, puppeteer and author Marjorie Batchelder McPharlin, who allowed the use of her 18-year correspondence with Paul in the creation of the book. Chapters take the reader through McPharlin's childhood as a loner in Detroit, his maturation and education in New York, and his early, erratic and often unsuccessful attempts at making a living. His puppeteering years, 1929 to 1937, are detailed, as are the later years that saw him first working for the WPA and then being drafted into the army to serve in World War II at age 38. He continued making important contributions to the art of puppetry until a brain tumor took his life at age 45 in 1948. Appendices present two of McPharlin's plays, The Barn at Bethlehem: A Christmas Play and Punch's Circus. Another appendix details puppetry imprints, including yearbooks, plays, handbooks, worksheets and books. A fourth lists Paul McPharlin's Puppeteers, members of the Marionette Fellowship of Detroit.


Puppetry Library

Puppetry Library

Author: University of New Mexico. Fine Arts Library

Publisher: Greenwood

Published: 1981-04-29

Total Pages: 208

ISBN-13:

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Red City, Blue Period

Red City, Blue Period

Author: Temma Kaplan

Publisher: Univ of California Press

Published: 1992

Total Pages: 282

ISBN-13: 0520084403

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"This is not just another book: it is a major achievement."—Eric R. Wolf, author of Europe and the People Without History


Puppets and Puppetry

Puppets and Puppetry

Author: Cyril William Beaumont

Publisher: Penguin Putnam

Published: 1958

Total Pages: 176

ISBN-13:

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Pictorial review of contemporary puppetry around the world.


Dolls and Puppets

Dolls and Puppets

Author: Max Von Boehn

Publisher: Walton Press

Published: 2010-11

Total Pages: 580

ISBN-13: 1446510379

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Many of the earliest books, particularly those dating back to the 1900s and before, are now extremely scarce and increasingly expensive. We are republishing many of these classic works in affordable, high quality, modern editions, using the original text and artwork.


Puppets, Masks, and Performing Objects

Puppets, Masks, and Performing Objects

Author: John Bell

Publisher: MIT Press

Published: 2001-04-27

Total Pages: 212

ISBN-13: 9780262522939

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This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. Puppets and masks are central to some of the oldest worldwide forms of art making and performance, as well as some of the newest. In the twentieth century, French symbolists, Russian futurists and constructivists, Prague School semioticians, and avant-garde artists around the world have all explored the experimental, social, and political value of performing objects. In recent years, puppets, masks, and objects have been the focus of Broadway musicals, postmodernist theory, political spectacle, performance art, and new academic programs, for example, at the California Institute of the Arts.This volume, which originally appeared as a special issue of TDR/The Drama Review, looks at puppets, masks, and other performing objects from a broad range of perspectives. The topics include Stephen Kaplin's new theory of puppet theater based on distance and ratio, a historical overview of mechanical and electrical performing objects, a Yiddish puppet theater of the 1920s and 1930s, an account of the Bread and Puppet Theater's Domestic Resurrection Circus and a manifesto by its founder, Peter Schumann, and interviews with director Julie Taymor and Peruvian mask-maker Gustavo Boada. The book also includes the first English translation of Pyotr Bogatyrev's influential 1923 essay on Czech and Russian puppet and folk theaters. Contributors John Bell, Pyotr Bogatyrev, Stephen Kaplin, Edward Portnoy, Richard Schechner, Peter Schumann, Salil Singh, Theodora Skipitares, Mark Sussman, Steve Tilllis