Contra Dance Calling

Contra Dance Calling

Author: Tony Parkes

Publisher:

Published: 2010-11

Total Pages: 309

ISBN-13: 9780963288035

DOWNLOAD EBOOK

Here is the first comprehensive entry-level book on contra dance calling, newly revised and updated for the Internet age. Every aspect of the caller's work is dealt with clearly and thoroughly: music, timing and phrasing, voice technique, dance notation, teaching, programming, sound equipment, event management, and working with special groups. The book includes an in-depth discussion of the basic movements (such as do-si-do), a selection of easy-to-call dances, a complete glossary, and a Resources section listing dance titles, tunes, books, recordings, videos, software, organizations, retailers, dance events, and websites.


Creolizing Contradance in the Caribbean

Creolizing Contradance in the Caribbean

Author: Peter Manuel

Publisher: Temple University Press

Published: 2011-10-14

Total Pages: 288

ISBN-13: 1592137350

DOWNLOAD EBOOK

The contradance and quadrille, in their diverse forms, were the most popular, widespread, and important genres of creole Caribbean music and dance in the nineteenth century. Throughout the region they constituted sites for interaction of musicians and musical elements of different racial, social, and ethnic origins, and they became crucibles for the evolution of genres like the Cuban danzón and son, the Dominican merengue, and the Haitian mereng. Creolizing Contradance in the Caribbean is the first book to explore this phenomenon in detail and with a pan-regional perspective. Individual chapters by respected area experts discuss the Spanish, French, and English-speaking Caribbean, covering musical and choreographic features, social dynamics, historical development and significance, placed in relation to the broader Caribbean historical context. This groundbreaking text fills a significant gap in studies of Caribbean cultural history and of social dance.


The Complete Book of Square Dancing (and Round Dancing)

The Complete Book of Square Dancing (and Round Dancing)

Author: Betty Casey

Publisher:

Published: 2000

Total Pages: 0

ISBN-13: 9781574411195

DOWNLOAD EBOOK

"Square dancing is friendship set to music," says author Betty Casey. Just take four couples, old or young, put 'em on a good floor, turn on the music, and you're all set. Whether you've done it before or you're just starting out, this book tells you everything you need to know--85 basic movements used all over the world, the spirited calls unique to square dancing, the costumes and equipment that are best, and music (from "Red River Valley" to "Mack the Knife") that will set your feet in motion. Down-to-earth details and anecdotes give a taste of the good times in store for you. Find out how native folk dances grew out of European quadrilles, jigs, and fandangos. Open this book and get ready to: "wipe off your tie, pull down your vest, and dance with the one you love best." This book includes: 50 basic movements, 35 advanced movements, variations, dances that are a part of the American heritage, Contra and Round Dances, polkas and reels, and calls, past and present.


Hoedowns, Reels, and Frolics

Hoedowns, Reels, and Frolics

Author: Phil Jamison

Publisher: University of Illinois Press

Published: 2015-07-15

Total Pages: 305

ISBN-13: 0252097327

DOWNLOAD EBOOK

In Hoedowns, Reels, and Frolics, old-time musician and flatfoot dancer Philip Jamison journeys into the past and surveys the present to tell the story behind the square dances, step dances, reels, and other forms of dance practiced in southern Appalachia. These distinctive folk dances, Jamison argues, are not the unaltered jigs and reels brought by early British settlers, but hybrids that developed over time by adopting and incorporating elements from other popular forms. He traces the forms from their European, African American, and Native American roots to the modern day. On the way he explores the powerful influence of black culture, showing how practices such as calling dances as well as specific kinds of steps combined with white European forms to create distinctly "American" dances. From cakewalks to clogging, and from the Shoo-fly Swing to the Virginia Reel, Hoedowns, Reels, and Frolics reinterprets an essential aspect of Appalachian culture.


Contra Dance Choreography

Contra Dance Choreography

Author: Mary McNab Dart

Publisher: Garland Publishing

Published: 1995

Total Pages: 304

ISBN-13:

DOWNLOAD EBOOK

Examines changes in the choreography over the past 20 years of the country dance style that was imported from the British Isles during the colonial period and developed into a popular entertainment in the US. Based on interviews with contra dance composers and leaders, describes how a dance is created, the factors that make it good and influence its reception, and how the recent trends parallel changing interests and priorities of the dancers. Revised from a Ph.D. dissertation for Indiana University in 1992. Annotation copyright by Book News, Inc., Portland, OR


New England Fiddler's Repertoire

New England Fiddler's Repertoire

Author: Randy Miller

Publisher:

Published: 2003-01-01

Total Pages: 96

ISBN-13: 9780977053001

DOWNLOAD EBOOK

A music source book of melodies used for contra dancing, which is a traditional New England folk dance form. 168 tunes are included in clear musical notation with accompaniment chords added. Fully indexed and cross-referenced; arranged alphabetically. Illustrated throughout with wood engravings by Randy Miller.


Chimes of Dunkirk

Chimes of Dunkirk

Author: Peter Amidon

Publisher:

Published: 2010-01-01

Total Pages: 50

ISBN-13: 9780990671619

DOWNLOAD EBOOK

2010 revision of New England Dancing Masters' classic collection of 20 traditional dances for children. First published in 1991, the editors have improved and updated the dance descriptions, and added several sections on teaching dance to children including tips on calling a dance and various strategies for choosing partners with children. Includes simple longways dances, circle dances, square dances and contra dances. Ideas for teaching dance successfully in schools, a glossary of dance terms and transcriptions of the dance tunes are included. CD recording features some of New England's finest dance musicians playing all the music needed to teach the dances. The revised CD includes three new recordings. Reels, jigs, polka and waltz are played dance length. The two square dances include singing calls on the recording.


Danzón

Danzón

Author: Alejandro L. Madrid

Publisher: Oxford University Press

Published: 2013-11-06

Total Pages: 298

ISBN-13: 0199965811

DOWNLOAD EBOOK

Initially branching out of the European contradance tradition, the danzón first emerged as a distinct form of music and dance among black performers in nineteenth-century Cuba. By the early twentieth-century, it had exploded in popularity throughout the Gulf of Mexico and Caribbean basin. A fundamentally hybrid music and dance complex, it reflects the fusion of European and African elements and had a strong influence on the development of later Latin dance traditions as well as early jazz in New Orleans. Danzón: Circum-Caribbean Dialogues in Music and Dance studies the emergence, hemisphere-wide influence, and historical and contemporary significance of this music and dance phenomenon. Co-authors Alejandro L. Madrid and Robin D. Moore take an ethnomusicological, historical, and critical approach to the processes of appropriation of the danzón in new contexts, its changing meanings over time, and its relationship to other musical forms. Delving into its long history of controversial popularization, stylistic development, glorification, decay, and rebirth in a continuous transnational dialogue between Cuba and Mexico as well as New Orleans, the authors explore the production, consumption, and transformation of this Afro-diasporic performance complex in relation to global and local ideological discourses. By focusing on interactions across this entire region as well as specific local scenes, Madrid and Moore underscore the extent of cultural movement and exchange within the Americas during the late nineteenth and early twentieth-centuries, and are thereby able to analyze the danzón, the dance scenes it has generated, and the various discourses of identification surrounding it as elements in broader regional processes. Danzón is a significant addition to the literature on Latin American music, dance, and expressive culture; it is essential reading for scholars, students, and fans of this music alike.