Contemporary Circus

Contemporary Circus

Author: Katie Lavers

Publisher: Routledge

Published: 2019-07-08

Total Pages: 296

ISBN-13: 1317190130

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In this volume, twenty-four creators come together with three scholars to discuss Contemporary Circus, bridging the divide between practice and theory. Lavers, Leroux, and Burtt offer conversations across four key themes: Apparatus, Politics, Performers, and New Work. Extensively illustrated with fifty photos of Contemporary Circus productions, and extensively annotated, Contemporary Circus thematically groups and contextualises extracts of conversations to provide a sophisticated and wide-ranging study supported by critical theory. Of interest to both practitioners and scholars, Contemporary Circus uses the lens of ‘contestation,’ or calling things into question, to provide a portal into ways of seeing today’s circus performance. Conversations with: Lachlan Binns and Jascha Boyce (Gravity and Other Myths), Tilde Björfors (Cirkus Cirkör), Kim ‘Busty Beatz’ Bowers (Hot Brown Honey), Shana Carroll (The 7 Fingers), David Clarkson (Stalker), Philippe Decouflé (Compagnie DCA), Fez Faanana (Briefs), Mike Finch (Circus Oz), Daniele Finzi Pasca (Compagnia Finzi Pasca), Sean Gandini (Gandini Juggling), Firenza Guidi (ElanFrantoio, NoFit State Circus), Jo Lancaster and Simon Yates (Acrobat), Johann Le Guillerm (Cirque Ici), Yaron Lifschitz (Circa), Chelsea McGuffin (Company 2), Phia Ménard (Compagnie Non Nova), Jennifer Miller (Circus Amok), Adrien Mondot (Compagnie Adrien M and Claire B), Charlotte Mooney and Tina Koch (Ockham’s Razor), Philippe Petit (high wire artist), and Elizabeth Streb (STREB EXTREME ACTION).


The Contemporary Circus

The Contemporary Circus

Author: Ernest Albrecht

Publisher: Scarecrow Press

Published: 2006-10-10

Total Pages: 294

ISBN-13: 1461706548

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The fun, energy, and hard work integral to the exciting world of the circus is lovingly captured in The Contemporary Circus: Art of the Spectacular, an in depth look at the creative process of today's circuses. Through numerous personal interviews with directors, designers, composers and performers, author Ernest Albrecht provides a unique inside view of the journey through which the most innovative and exciting modern circuses are produced, from the director and production team to the performers, and from designing the circus to setting it to music. Case studies of specific productions by the Big Apple Circus, Ringling Bros. and Barnum & Bailey, and Cirque du Soleil illuminate the artistic give-and-take necessary in such a collaborative process, proving the circus a true art form, one as artistic as theatre or dance. A variety of performers such as animal trainers, dancers, and clowns discuss their approach to their individual specialties, and the text concludes with an examination of the world's circuses and schools and their methods for training circus artists. A full photo spread of 30 beautiful photos will help inspire and enlighten artists and fans alike.


The Cambridge Companion to the Circus

The Cambridge Companion to the Circus

Author: Gillian Arrighi

Publisher: Cambridge University Press

Published: 2021-07

Total Pages: 329

ISBN-13: 1108485162

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An authoritative introduction to the specialised histories of the modern circus, its unique aesthetics, and its contemporary manifestations and scholarship, from its origins in commercial equestrian performance, to contemporary inflections of circus arts in major international festivals, educational environments, and social justice settings.


Cirque Global

Cirque Global

Author: Louis Patrick Leroux

Publisher: McGill-Queen's Press - MQUP

Published: 2016-05-01

Total Pages: 363

ISBN-13: 0773598707

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With a billion-dollar industry centred in Montreal, the province of Quebec has established itself as a major hub for contemporary circus. Cirque du Soleil has a global presence, and troupes such as Cirque Éloize and 7 doigts de la main are state-of-the-art innovators. The National Circus School of Montreal - the only state-funded elite training facility in North America - is an influential leader in artistry and technique. Montreal-based Cirque du Soleil’s Cirque du Monde supports arts for social change on many continents and is renowned for its social-circus training and research. Cirque Global is the first book-length study of this new variety of circus and its international impact. The contributors offer critical perspectives on this rapidly developing art form and its aesthetics, ethics, business practices, pedagogical implications, and discursive significations. Essays explore creative, entrepreneurial, and cultural forces that are shaping Quebec’s dynamic nouveau cirque. Lavishly illustrated with photographs from circus performances, the volume showcases Quebec circus’s hybrid forms, which have merged the ethos and aesthetics of European circuses with American commercial and industrial creativity. Cirque Global is the definitive study of the phenomenon of Quebec circus and is an important model for future research on contemporary circus.


The New American Circus

The New American Circus

Author: Ernest J. Albrecht

Publisher:

Published: 1995

Total Pages: 258

ISBN-13: 9780813013640

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In the 1970s a group of men and women with few ties to the circus emerged from the counterculture revolution and took to the streets, where they discovered how to entertain an audience. At a time when the Big Top was beset by shabby excess, escalating costs, and competition from movies and TV, the young performers dedicated themselves to skill and intimacy, beginning the movement Ernest Albrecht describes as the "new American circus", a reinvention of the circus as an authentic form of art. The first - and most radical - aspect of this movement was its revival of the traditions of the great one-ring shows of Europe and Russia. Focusing on artistry, not spectacle, the new American circus incorporated such allied arts as music and dance and embraced a notion of ensemble that was compatible with the communal ethic of the seventies. Working from interviews and other primary sources, Albrecht traces this history to the present (including current controversies over animal performers and efforts to secure subsidies), sketching the leading players in the new circus and profiling the shows they founded.


The Routledge Circus Studies Reader

The Routledge Circus Studies Reader

Author: Peta Tait

Publisher: Routledge

Published: 2020-09-10

Total Pages: 618

ISBN-13: 1000156052

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The Routledge Circus Studies Reader offers an absorbing critical introduction to this diverse and emerging field. It brings together the work of over 30 scholars in this discipline, including Janet Davis, Helen Stoddart and Peta Tait, to highlight and address the field’s key historical, critical and theoretical issues. It is organised into three accessible sections, Perspectives, Precedents and Presents, which approach historical aspects, current issues, and the future of circus performance. The chapters, grouped together into 13 theme-based sub-sections, provide a clear entry point into the field and emphasise the diversity of approaches available to students and scholars of circus studies. Classic accounts of performance, including pieces by Philippe Petit and Friedrich Nietzsche, are included alongside more recent scholarship in the field. Edited by two scholars whose work is strongly connected to the dynamic world of performance, The Routledge Circus Studies Reader is an essential teaching and study resource for the emerging discipline of circus studies. It also provides a stimulating introduction to the field for lovers of circus.


Circus, Science and Technology

Circus, Science and Technology

Author: Anna-Sophie Jürgens

Publisher: Springer Nature

Published: 2020-06-22

Total Pages: 203

ISBN-13: 303043298X

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This book explores the circus as a site in and through which science and technology are represented in popular culture. Across eight chapters written by leading scholars – from fields as varied as performance and circus studies, art, media and cultural history, and engineering – the book discusses to what extent the engineering of circus and performing bodies can be understood as a strategy to promote awe, how technological inventions have shaped circus and the cultures it helps constitute, and how much of a mutual shaping this is. What kind of cultural and aesthetic effects does engineering in circus contexts achieve? How do technological inventions and innovations impact on the circus? How does the link between circus and technology manifest in representations and interpretations – imaginaries – of the circus in other media and popular culture? Circus, Science and Technology examines the ways circus can provide a versatile frame for interpreting our relationship with technology.


Thinking Through Circus

Thinking Through Circus

Author:

Publisher:

Published: 2019

Total Pages: 176

ISBN-13: 9789493146358

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Thinking Through Circus' gathers ten dialogues with and between circus artists. Each entry bears witness to how a specific circus practice is (also) a practice of critical thinking, revealing how feminism, queerness, dramaturgy, love, disobedience, posthumanism and the aesthetico-political imaginary are rethought in and through contemporary circus practice.00With this book, The Circus Dialogues wants to tend to the embodied relationships between contemporary circus and today?s world, defending circus as a field in which experimental thinking is already happening and can continue to happen. Doing so, we hope to contribute to a more sustainable circus, expanding both accountability and agency within our field.00The Circus Dialogues is a two-year artistic research project at KASK School of Arts Ghent (BE) led by Bauke Lievens (BE), Quintijn Ketels (BE), Sebastian Kann (US/DE) and accompanied by Vincent Focquet (BE). Our work delves into and makes space for encounters between theory and artistic circus practice. The Circus Dialogues aims to shine a light on the circus as a field in which experimental thinking is already happening, and we work to ensure the ongoingness of such thinking in an artistic and institutional ecology that?s long-term sustainable. We do this first and foremost through our diverse artistic practices. In parallel, we organize reading groups and collaborative gatherings for circus artists. We have also published several Open Letters to the Circus. Our activities are conceived with the intention of helping to imagine the circus field as both important and political. Most importantly, we defend circus as an open and undefinable form. Check out our website www.circusdialogue.com for the latest.


Art as an Agent for Social Change

Art as an Agent for Social Change

Author: Hala Mreiwed

Publisher: BRILL

Published: 2020-10-12

Total Pages: 280

ISBN-13: 9004442871

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Art as an Agent for Social Change explores through original research, experiences, and personal narratives the role of the arts in bringing forth social change within three interconnected themes: community building, collaborations, and teaching and pedagogy.