Wilson, a Canadian jewel thief, claims to have met and befriended Klaus Barbie in South America and to have contracted with him to tell his "real story", based on his wartime scrapbook and taped interviews. Includes a lengthy memoir (pp. 130-198) in which Barbie admits his war crimes. Discusses, also, Barbie's postwar career and CIA connections, and the process which led to his exposure.
The true story of one of Hitler’s most feared and brutal killers: his life and crimes, postwar atrocities, and forty-year evasion of justice. During World War II, SS Hauptsturmführer Nikolaus “Klaus” Barbie earned a reputation for sadistic cruelty unmatched by all but a handful of his contemporaries in Adolf Hitler’s Gestapo. In 1942, he was dispatched to Nazi-occupied France after leaving his bloodstained mark on the Netherlands. In Lyons, Barbie was entrusted with “cleansing” the region of Jews, French Resistance fighters, and Communists, an assignment he undertook with unparalleled enthusiasm. Thousands of people died on Barbie’s orders during his time in France—often by his own hand—including forty-four orphaned Jewish children and captured resistance leader Jean Moulin, who was tortured and beaten to death. When the Allies were approaching Lyons in the months following the D-Day invasion, Barbie and his subordinates fled, but not before brutally slaughtering all the prisoners still being held captive. But the war’s conclusion was not the end of the Klaus Barbie nightmare. With the dawning of the Cold War, the “Butcher of Lyons” went on to find a new purpose in South America, just as tensions between the United States and the Soviet Union were escalating. Soon, Barbie had a different employer who valued his wartime experience and expertise as an anti-communist man hunter and murderer: the US intelligence services. In Klaus Barbie, investigative journalist and documentary filmmaker Tom Bower tells the fascinating, startling, and truly disturbing story of a real-life human monster, and draws back the curtain on one of America’s most shocking secrets of the Cold War.
This groundbreaking international bestseller lays to rest many myths about the Holocaust: that Germans were ignorant of the mass destruction of Jews, that the killers were all SS men, and that those who slaughtered Jews did so reluctantly. Hitler's Willing Executioners provides conclusive evidence that the extermination of European Jewry engaged the energies and enthusiasm of tens of thousands of ordinary Germans. Goldhagen reconstructs the climate of "eliminationist anti-Semitism" that made Hitler's pursuit of his genocidal goals possible and the radical persecution of the Jews during the 1930s popular. Drawing on a wealth of unused archival materials, principally the testimony of the killers themselves, Goldhagen takes us into the killing fields where Germans voluntarily hunted Jews like animals, tortured them wantonly, and then posed cheerfully for snapshots with their victims. From mobile killing units, to the camps, to the death marches, Goldhagen shows how ordinary Germans, nurtured in a society where Jews were seen as unalterable evil and dangerous, willingly followed their beliefs to their logical conclusion. "Hitler's Willing Executioner's is an original, indeed brilliant contribution to the...literature on the Holocaust."--New York Review of Books "The most important book ever published about the Holocaust...Eloquently written, meticulously documented, impassioned...A model of moral and scholarly integrity."--Philadelphia Inquirer
Murder By Madness 9/11 is not just the history of the most notorious attack upon American shores, it is a banking caper. Just who are the financiers of terrorism? As always, follow the money.
Germaine Tillion, Geneviève de Gaulle Anthonioz, Lucie Aubrac, and Raymond Aubrac were among a small number of French men and women who made the decision to resist early in the Occupation. In the summer of 1940, Marc Bloch analyzed the society in which he lived in order to identify and affirm allegiance to a France truly at odds with that which was taking shape in Vichy. Bloch died in the Resistance, but his life would take on new meanings in the collective memories of postwar France. Confrontation with the Aubracs’ account of their refusal to accept the unacceptable became another important way the French engaged with the Resistance and its legacy. The acts Tillion took during the French-Algerian War and de Gaulle Anthonioz took when confronted with poverty in the France of the trentes glorieuses, were of a piece with the radical nature of their earlier decision to resist. Evocation of the Resistance provided a basis for France to reconstitute itself with honor after the war. Yet memory of the Resistance could also pose difficult issues for future generations. Those who came of age in 1968 grappled with the memory of the intrepid resisters of the first years of the war, whose decision to resist stood as an inspiration and a challenge. Historians, with the imperative to take the mandate to narrate the past from historical actors, to make resisters figures of history, developed complex relationships with those who had resisted. The essays in this collection address how resisters made sense of the wartime and postwar world in terms of their resistance, and how others made sense of the Resistance itself and its legacy by engaging with resisters and their histories.
Klaus Barbie is considered the most important former Nazi who became a public figure and who established himself in South America where continued his unrepentant criminal activities in close alliance with other Nazis and government officials. The Devil's Agent, a new book by Peter McFarren and Fadrique Iglesias, reveals a startling inner and detailed portrait of this horrific figure known as the Butcher of Lyon using previously unpublished letters written from Barbie's cell in Lyon, France, documents released since the removal of the Berlin Wall confirming his work as a U.S. and West German spy and over a hundred photographs of his family, business associates and Nazi friends. This 624-page book also details Barbie's family history, the role he played as a Gestapo officer in German-occupied France, his responsibility for the murders of more than 14,000 Jews and French Resistance fighters during the Nazi Holocaust, his flight from Europe after the war with the backing of the U.S. Government, the Vatican and the International Red Cross, and his settlement in Bolivia with his wife Regine and two children. His nefarious past exemplifies "Collective and Personal Evil" that is also addressed in this book. How the book is different: The most recent books on Barbie are over twenty years old, and do not reveal his work with U.S. and German intelligence in South America. The Devil's Agent goes deep into Barbie's life in Bolivia and relays information that has never been written about or mentioned before, as some of his closest allies and friends have just recently exposed some of his darkest secrets. During 1942-1944, Klaus Barbie was a mid-level Nazi officer in charge of the Gestapo HQ in Lyon, France. His treatment of prisoners ranged from banal indifference to pleasure as he sadistically tortured and murdered his victims. After the war, what set him apart was the public role he played as an unscrupulous businessman and adviser to military rulers, and Western intelligence agencies, in close alliance with other escaped Nazis, while living in Bolivia. The unrepentant war criminal was the most important Nazi to continue operating as a public figure after World War II. In Bolivia, Barbie trafficked in tanks and weapons and supported the hunt for the Argentine-Cuban guerrilla leader "Che" Guevara. He collaborated with cocaine trafficking kingpin Roberto Surez Gmez, authoritarian right-wing military governments and a network of escaped Nazis, paramilitaries and mercenaries from Europe and South America to overthrow a Bolivian civilian government in 1980. The Devils Agent describes co-author Peter McFarren's personal encounters with Klaus Barbie in 1981, when McFarren and his colleague Maribel Schumacher were arrested in front of the Nazi's Bolivian home after trying to interview him for a story for The New York Times. McFarren obtained hundreds of Barbie's personal photographs and letters from prison that have never been made public before. Beyond their historical significance, these shine a light into Barbie's compartmentalized inner life: devoted husband, torturer, loving father, spy, adaptive businessman, anti-Semite, opportunist. Combined with extensive use of the wealth of historical materials released in the decades since the fall of the Berlin Wall, the authors connect the inner Barbie with his times to provide insight into how collective evil occurs. From crimes against humanity to Holocausts, it happens step by banal step. McFarren also worked on the documentaries Hotel Terminus: The Life and Times of Klaus Barbie and My Enemy's Enemy and wrote numerous articles about Barbie and the military regimes he supported. After an extensive, decades-long search by Nazi hunters Beate and Serge Klarsfeld, Barbie was identified, captured and extradited to France. He was one o
What happens when the international community simultaneously pursues peace and justice in response to ongoing conflicts? What are the effects of interventions by the International Criminal Court (ICC) on the wars in which the institution intervenes? Is holding perpetrators of mass atrocities accountable a help or hindrance to conflict resolution? This book offers an in-depth examination of the effects of interventions by the ICC on peace, justice and conflict processes. The 'peace versus justice' debate, wherein it is argued that the ICC has either positive or negative effects on 'peace', has spawned in response to the Court's propensity to intervene in conflicts as they still rage. This book is a response to, and a critical engagement with, this debate. Building on theoretical and analytical insights from the fields of conflict and peace studies, conflict resolution, and negotiation theory, the book develops a novel analytical framework to study the Court's effects on peace, justice, and conflict processes. This framework is applied to two cases: Libya and northern Uganda. Drawing on extensive fieldwork, the core of the book examines the empirical effects of the ICC on each case. The book also examines why the ICC has the effects that it does, delineating the relationship between the interests of states that refer situations to the Court and the ICC's institutional interests, arguing that the negotiation of these interests determines which side of a conflict the ICC targets and thus its effects on peace, justice, and conflict processes. While the effects of the ICC's interventions are ultimately and inevitably mixed, the book makes a unique contribution to the empirical record on ICC interventions and presents a novel and sophisticated means of studying, analyzing, and understanding the effects of the Court's interventions in Libya, northern Uganda - and beyond.
Unlike a conventional war waged against a standing army, a "dirty war" is waged against individuals, groups, or ideas considered subversive. Originally associated with Argentina's military regime from 1976-1983, the term has since been applied to neighboring dictatorships during the period. Indeed, it has become a byword for state-sponsored repression anywhere in the world. The first edition of this reference illustrated the concept by describing the regimes of Argentina, Chile (1973-1990), and Uruguay (1973-1985), which tortured, murdered, and disappeared thousands of people in the name of anticommunism while thousands more were driven into exile. The second edition expands the scope to include Bolivia (1971-1982), Brazil (1964-1985), and Paraguay (1954-1989). Includes a chronology, an introductory essay, a bibliography, and over 400 cross-referenced dictionary entries on the countries; guerrilla and political movements; prominent guerrilla, human-rights, military, and political figures; local, regional, and international human-rights organizations; and artistic figures (filmmakers, novelists, and playwrights) whose works attempt to represent or resist the period of repression.--Publisher.
