The White Devil: A Critical Reader
The White Devil: A Critical Reader

Author:

Publisher: Bloomsbury Publishing

Published: 2016-11-17

Total Pages: 309

ISBN-13: 1472587413

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The White Devil is one of the most violent and most fascinating plays in English theatrical history. It is also a notoriously challenging work; this volume offers a practical, accessible and thought-provoking guide to the play, surveying its major themes and critical reception. It also provides a detailed and up-to-date history of the play's performance, beginning with its first staging in 1611 staging and ending with the RSC's 2014 revival. Moving through to four new critical essays, it opens up cutting-edge perspectives on the work, and finishes with a practical guide to pedagogical approaches and resources. Detailing web-based and production-related resources, and including an annotated bibliography of critical works, the guide will equip teachers and facilitate students' understanding of this complex play.

Webster: The White Devil
Webster: The White Devil

Author: Stephen Purcell

Publisher: Bloomsbury Publishing

Published: 2012-04-24

Total Pages: 213

ISBN-13: 1350316733

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The White Devil is one of the great plays of the Jacobean era. In this vibrant Handbook, Stephen Purcell offers an in-depth, performance-focused exploration of John Webster's thrilling, unsettling and darkly comic tragedy. The Handbook includes: - a scene-by-scene commentary on the play as it unfolds on stage - an overview of the play's cultural context - excerpts from historical sources - case studies of four modern productions, featuring interviews with directors - an outline of key critical writings on the play, from the seventeenth century through to today.

White Devil
White Devil

Author: Stephen Brumwell

Publisher: Hachette+ORM

Published: 2009-04-30

Total Pages: 338

ISBN-13: 0786736798

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"A fast-moving tale of courage, cruelty, hardship, and savagery."--Pittsburgh Post-Gazette In North America's first major conflict, known today as the French and Indian War, France and England--both in alliance with Native American tribes--fought each other in a series of bloody battles and terrifying raids. No confrontation was more brutal and notorious than the massacre of the British garrison of Fort William Henry--an incident memorably depicted in James Fenimore Cooper's The Last of the Mohicans. That atrocity stoked calls for revenge, and the tough young Major Robert Rogers and his "Rangers" were ordered north into enemy territory to exact it. On the morning of October 4, 1759, Rogers and his men surprised the Abenaki Indian village of St. Francis, slaughtering its sleeping inhabitants without mercy. A nightmarish retreat followed. When, after terrible hardships, the raiders finally returned to safety, they were hailed as heroes by the colonists, and their leader was immortalized as "the brave Major Rogers." But the Abenakis remembered Rogers differently: To them he was Wobomagonda--"White Devil."

The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore
The Duchess of Malfi, The White Devil, The Broken Heart and 'Tis Pity She's a Whore

Author: John Ford

Publisher: Penguin UK

Published: 2014-08-07

Total Pages: 640

ISBN-13: 014139224X

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These four plays, written during the reigns of James I and Charles I, took revenge tragedy in dark and ambiguous new directions. In The Duchess of Malfi and The White Devil, John Webster explores the role of women and the problems of power, sex and corruption in the Italian court, creating two unforgettable anti-heroines. In The Broken Heart, John Ford questions the value of emotional repression as his characters attempt to subdue their desires and hatreds in ancient Greece. Finally, Ford's masterpiece 'Tis Pity She's a Whore explores the taboo theme of incest and forbidden lust in a daring reworking of Romeo and Juliet. Jane Kingsley-Smith has edited the plays from the earliest quartos and added invaluable editorial material, including explanatory glosses and a new introduction that discusses how the playwrights explored issues around women, sex, power and violence. JOHN WEBSTER was born in about 1578 in London. He studied law at the Middle Temple before embarking on a career in the theatre, collaborating on many plays with contemporary dramatists. But it was his two solo-authored tragedies, The White Devil (1612) and The Duchess of Malfi (1614), which sealed his reputation. He died in the 1630s. JOHN FORD was born in 1586 in Devon. His early career was wholly concerned with poetry and philosophical works, and it was not until the 1620s that he began collaborating on stage plays. In the late 1620s, he began writing alone, producing the eight plays on which his reputation would be based, including The Broken Heart (1620) and 'Tis Pity She's a Whore (c.1630). Nothing more is known of Ford after the performance of his last play in 1638. JANE KINGSLEY-SMITH completed her PhD at the Shakespeare Institute, Stratford-upon-Avon and is the author of two monographs: Shakespeare's Drama of Exile (2003) and Cupid in Early Modern Literature and Culture (2010). She is a Reader at Roehampton University, London, and a regular guest speaker at Shakespeare's Globe.

English Association Bulletin
English Association Bulletin

Author: English Association

Publisher:

Published: 1926

Total Pages: 368

ISBN-13:

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Bibliographies of English language and literature, lists of new members of the association, and lists of publications of the association are included.