A Commentary on The Complete Greek Tragedies. Aeschylus

A Commentary on The Complete Greek Tragedies. Aeschylus

Author: James C. Hogan

Publisher: University of Chicago Press

Published: 1984

Total Pages: 346

ISBN-13: 9780226348438

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"Classical scholar James C. Hogan provides a general introduction to Aeschylean theater and drama, followed by a line-by-line commentary on each of the seven plays. He draws on a vast range of scholarship and criticism to give modern readers the most accurate picture possible of what ancient audiences saw and understood in the spectacle of Greek tragedy. Hogan places Aeschylus in the historical, cultural, and religious context of fifth-century Athens, showing how the action and metaphor of Aeschylean theater can be illuminated by information on Athenian law, athletic contests, relations with neighboring states, beliefs about the underworld, demons, omens, and divination, and countless other details of Hellenic life. He clarifies terms that might puzzle modern readers, such as place names and mythological references, and gives special attention to textual and linguistic issues: controversial questions of interpretation; difficult or significant Greek words; use of style, rhetoric, and commonplaces in Greek poetry; and Aeschylus's place in the poetic tradition of Homer, Hesiod, and the elegiac poets. Practical information on staging and production is also included, as the author has kept in mind the need of modern readers to visualize the drama in order to understand the text. Though little is known about Greek choreography and music, Hogan stresses their central role and provides notes on entrances and exits, the use of extras, costuming, tableaux, masks, the use of a stage, the interaction of chorus and actors, tone, gesture, style of acting, and spectacle."--Back cover


Aeschylus II

Aeschylus II

Author: Aeschylus

Publisher: University of Chicago Press

Published: 2013-04-19

Total Pages: 189

ISBN-13: 0226311481

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This updated translation of the Oresteia trilogy and fragments of the satyr play Proteus includes an extensive historical and critical introduction. In the third edition of The Complete Greek Tragedies, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining their vibrancy for which the Grene and Lattimore versions are famous. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. Each volume also includes an introduction to the life and work of the tragedian and an explanation of how the plays were first staged, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. The result is a series of lively and authoritative translations offering a comprehensive introduction to these foundational works of Western drama.


Six Tragedies

Six Tragedies

Author: Lucius Annaeus Seneca

Publisher: Oxford University Press, USA

Published: 2010-01-14

Total Pages: 277

ISBN-13: 0192807064

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This is a lively, readable and accurate verse translation of the six best plays by one of the most influential of all classical Latin writers. The volume includes Phaedra, Oedipus, Medea, Trojan Women, Hercules Furens, and Thyestes, together with an invaluable introduction and notes.


Sophocles I

Sophocles I

Author: Sophocles

Publisher: University of Chicago Press

Published: 2013-04-19

Total Pages: 249

ISBN-13: 0226311538

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Sophocles I contains the plays “Antigone,” translated by Elizabeth Wyckoff; “Oedipus the King,” translated by David Grene; and “Oedipus at Colonus,” translated by Robert Fitzgerald. Sixty years ago, the University of Chicago Press undertook a momentous project: a new translation of the Greek tragedies that would be the ultimate resource for teachers, students, and readers. They succeeded. Under the expert management of eminent classicists David Grene and Richmond Lattimore, those translations combined accuracy, poetic immediacy, and clarity of presentation to render the surviving masterpieces of Aeschylus, Sophocles, and Euripides in an English so lively and compelling that they remain the standard translations. Today, Chicago is taking pains to ensure that our Greek tragedies remain the leading English-language versions throughout the twenty-first century. In this highly anticipated third edition, Mark Griffith and Glenn W. Most have carefully updated the translations to bring them even closer to the ancient Greek while retaining the vibrancy for which our English versions are famous. This edition also includes brand-new translations of Euripides’ Medea, The Children of Heracles, Andromache, and Iphigenia among the Taurians, fragments of lost plays by Aeschylus, and the surviving portion of Sophocles’s satyr-drama The Trackers. New introductions for each play offer essential information about its first production, plot, and reception in antiquity and beyond. In addition, each volume includes an introduction to the life and work of its tragedian, as well as notes addressing textual uncertainties and a glossary of names and places mentioned in the plays. In addition to the new content, the volumes have been reorganized both within and between volumes to reflect the most up-to-date scholarship on the order in which the plays were originally written. The result is a set of handsome paperbacks destined to introduce new generations of readers to these foundational works of Western drama, art, and life.


The Total Tragedy of a Girl Named Hamlet

The Total Tragedy of a Girl Named Hamlet

Author: Erin Dionne

Publisher: Penguin

Published: 2010-01-07

Total Pages: 304

ISBN-13: 1101155752

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All Hamlet Kennedy wants is to be a normal eighth grader. But with parents like hers - Shakespearean scholars who actually dress in Elizabethan regalia . . . in public! - it's not that easy. As if they weren't strange enough, her genius seven-year-old sister will be attending her middle school, and is named the new math tutor. Then, when the Shakespeare Project is announced, Hamlet reveals herself to be an amazing actress. Even though she wants to be average, Hamlet can no longer hide from the fact that she- like her family - is anything but ordinary.