When Sir Rupert Hart-Davis's magnificent edition of The Letters of Oscar Wilde was first published in 1962, Cyril Connolly called it "a must for everyone who is seriously interested in the history of English literature - or European morals." From this edition, long out of print, Hart-Davis has culled a representative sample of the letters from each period of Wilde's life, "giving preference," as he says in his Introduction, "to those of literary interest, to the most amusing, and to those that throw light on his life and work." The long letter to Lord Alfred Douglas, known as De Profundis is printed in its entirety.
Wilde the writer is known to us from his plays and prose fiction, but apparently it was in his conversation that his genius reached its summit. His talk is lost and his autobiography was never written, but his letters reveal him at his spontaneous, sparkling best.
Serving prison time with hard labor for the crime of gross indecency, Oscar Wilde wrote some of his most powerful works. A savage indictment of society, and testimony to private sufferings, his prison writings--illuminated by Nicholas Frankel's notes--reveal a different man from the dandy and aesthete who shocked or amused the English-speaking world.
De Profundis and Other Prison Writings is a new selection of Oscar Wilde's prison letters and poetry in Penguin Classics, edited and introduced by Colm Tóibín. At the start of 1895, Oscar Wilde was the toast of London, widely feted for his most recent stage success, An Ideal Husband. But by May of the same year, Wilde was in Reading prison sentenced to hard labour. 'De Profundis' is an epistolic account of Oscar Wilde's spiritual journey while in prison, and describes his new, shocking conviction that 'the supreme vice is shallowness'. This edition also includes further letters to his wife, his friends, the Home Secretary, newspaper editors and his lover Lord Alfred Douglas - Bosie - himself, as well as 'The Ballad of Reading Gaol', the heart-rending poem about a man sentenced to hang for the murder of the woman he loved. This Penguin edition is based on the definitive Complete Letters, edited by Wilde's grandson Merlin Holland. Colm Tóibín's introduction explores Wilde's duality in love, politics and literature. This edition also includes notes on the text and suggested further reading. Oscar Wilde was born in Dublin. His three volumes of short fiction, The Happy Prince, Lord Arthur Savile's Crime and A House of Pomegranates, together with his only novel, The Picture of Dorian Gray, won him a reputation as a writer with an original talent, a reputation enhanced by the phenomenal success of his society comedies - Lady Windermere's Fan, A Woman of No Importance, An Ideal Husband and The Importance of Being Earnest. Colm Tóibín is the author of five novels, including The Blackwater Lightship and The Master, and a collection of stories, Mothers and Sons. His essay collection Love in a Dark Time: Gay Lives from Wilde to Almodovar appeared in 2002. He is the editor of The Penguin Book of Irish Fiction.
This book presents Lady Wilde's letters to her son, Oscar Wilde, correspondence which began when Oscar left Trinity College, Dublin, to attend Oxford University and ended just before Oscar was charged in 1895 with offenses under Section Eleven of the Criminal Law Amendment Act of 1895. The letters provide insight into Oscar's relationship with his mother and indicate how much he helped her financially when she was unable to cope with the demands upon her dwindling income.
With extensive reference to and exposition on Wilde's theoretical writings and letters, Frankel shows that, far from being marginal elements of the literary text, these decorative devices were central to Wilde's understanding of his own writings as well as to his "aesthetic" theory of language. Extensive illustrations support Frankel's arguments.".
This collection of over 150 photographs and cartoons illuminates the life of Oscar Wilde, from his childhood, fame and imprisonment through to his death in Paris in 1900.
Letters to the Sphinx contains five main sections: the first is a typically characterful, cantankerous and yet appreciative essay of explanation by Oscar Wilde's literary executor and close friend, Robert Ross. Then follow three major essays of reminiscence by the Sphinx herself, the book's compiler, Ada Leverson, also a dear friend of Wilde: The Importance of Being Oscar gives an iconically witty introduction to how Wilde operated and who he was; The Last First Night gives an elegiac impression of the atmosphere Wilde generated at the zenith of his career; and, finally, Afterwards is a sombrely quiet reflection on Wilde's trials and imprisonment, his troubles, as he called them. Finally it becomes Wilde's turn to speak. In thirty letters, letter-excerpts and telegrams his nature is impressed upon us. From his highest manner which surprisingly lacked stiffness, and in his lowest spirits which were plainly humble, his facility with and mastery of words and epigram are clearly evident, providing a compelling portrait of a personality which was, as Ross claims, 'unique in English literature'. This slender volume was originally published as a limited edition in 1930 and has remained unavailable, except in the rare book market, ever since.
