This work has been selected by scholars as being culturally important and is part of the knowledge base of civilization as we know it. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. To ensure a quality reading experience, this work has been proofread and republished using a format that seamlessly blends the original graphical elements with text in an easy-to-read typeface. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
An 1797 publication of Enlightenment era thought, read by virtually every American schoolboy in the early 19th century First published in 1797, The Columbian Orator helped shape the American mind for the next half century, going through some 23 editions and totaling 200,000 copies in sales. The book was read by virtually every American schoolboy in the first half of the 19th century. As a slave youth, Frederick Douglass owned just one book, and read it frequently, referring to it as a "gem" and his "rich treasure." The Columbian Orator presents 84 selections, most of which are notable examples of oratory on such subjects as nationalism, religious faith, individual liberty, freedom, and slavery, including pieces by Washington, Franklin, Milton, Socrates, and Cicero, as well as heroic poetry and dramatic dialogues. Augmenting these is an essay on effective public speaking which influenced Abraham Lincoln as a young politician. As America experiences a resurgence of interest in the art of debating and oratory, The Columbian Orator--whether as historical artifact or contemporary guidebook--is one of those rare books to be valued for what it meant in its own time, and for how its ideas have endured. Above all, this book is a remarkable compilation of Enlightenment era thought and language that has stood the test of time.
Expressly intended to demonstrate America's national progress toward utopia, the 1893 World's Columbian Exposition in Chicago pointedly excluded the contributions of African Americans. For them, being left outside the gates of the "White City" merely underscored a more general exclusion from America's bright future. Exhibits at the fair were controlled by all-white committees, and those that acknowledged African Americans at all, such as the famous Aunt Jemima pancake exhibit, ridiculed and denigrated them. Many African Americans saw the racist policies of the World's Columbian Exposition as mirroring, framing, and reinforcing the larger horrors confronting blacks throughout the United States, where white supremacy meant segregation, second-class citizenship, and sometimes mob violence and lynching. In response to the politics of exclusion that governed the fair, and of its larger implications, several prominent African Americans resolved to publish a pamphlet that would catalog the achievements of African Americans since the abolition of slavery while articulating the persistent political economy of apartheid in the American South. The authors of this remarkable document included the antilynching crusader Ida B. Wells, the former slave and abolitionist Frederick Douglass, the educator Irvine Garland Penn, and the lawyer and newspaper publisher Ferdinand L. Barnett. An eloquent statement of protest and pride, The Reason Why the Colored American Is Not in the World's Columbian Exposition reminds us that struggles over cultural representation are nothing new in American life. Robert Rydell's introduction provides insight into the sometimes conflicting strategies employed by African Americans as they strove to represent themselves at a cultural event that was widely regarded as a defining moment in American history.
Like a character in a Hitchcock movie, Dave McOmie travels the country breaking into bank vaults, cracking jewelry store safes, and decoding unbreakable codes secured deep in government facilities. He’s never been arrested or charged with a crime—because it’s his job! Safecracker reveals a shadowy world where tumblers are twirled, skeletons are exposed, and longstanding mysteries are solved. You’ll ride shotgun with Dave for one crazy week, beginning with an impenetrable vault in Vegas with a midnight deadline, and ending with Prince’s ultra-secure music vault in the basement of Paisley Park. In between are factual stories that read like fiction: drilling the same model ATM from the notorious episode of Breaking Bad, meeting a mystery man from the Department of Defense at a remote location to crack two high-security safes, chronicling the corruption and ineptitude that dogged efforts to develop the first electronic safe lock to guard our national secrets, tackling a hundred-year-old antique bank vault in downtown Salt Lake City, and more. What’s in all these safes and vaults? Gold and silver, drugs and cash, guns and ammo, family heirlooms and X-rated paraphernalia . . . and a few secrets that should have remained secret. Shhhhh!
Moore follows the history of the disease from its first recorded appearance in Asia and Africa to Arabia and finally to Europe and America. he then provides a history of treatment, including three chapters on the discovery and reception of inoculation. Moore was an early advocate of vaccination, and this book is dedicated to Edward Jenner. In 1810 Moore was appointed director of the National Vaccine Establishment.
Before midnight on March 19, 1950, several startled bystanders watched two men force a screaming young woman into a car and drive away from Saint Joseph's Hospital in Vancouver. One of them yelled out that she was his wife and was drunk. That was the last time anyone saw JoAnn Dewey alive. Her battered, naked body washed up on the banks of the Wind River seven days later. Suspicion quickly fell on two brothers, Turman and Utah Wilson, who fled town before police caught them in Sacramento. Their arrest and sensational trial captivated and divided the peaceful community. Author Pat Jollota uncovers the chilling details of this tragic story.
“Think The Sopranos meets Goodfellas—without the Americanized gloss . . . [A] not-for-the-faint-hearted novel by an Italian master” (Reading Matters). In The Colombian Mule, the author called “the reigning king of Mediterranean noir” (The Boston Phoenix) and “the best living Italian crime writer” (Il Manifesto) brings to riveting life the story of Arías Cuevas, who sets in motion a chain of bloody events when police catch him trying to carry a shipment of La Tía’s cocaine into Italy. The intended recipient of the coke appears to have been art smuggler Nazzareno Corradi. But Corradi has been set up. He hires a PI known as “the Alligator” to get him out of the mess he’s in. Meanwhile, La Tía, a notoriously ruthless figure in the Colombian drug trade, is determined to move her operation to Italy, where cocaine has become all the rage among the professional classes. There’s only one thing standing in her way: the Alligator. The Alligator, an ex-con-turned-investigator, and his two companions, former underworld heavy Beniamino Rossini and Max the Memory, are among Massimo Carlotto’s most vivid noir creations. Together, the three men will wade deep into a criminal world of few scruples, testing their own strict and specific moral code along the way. “The morally ambiguous tone makes this an intriguing read, and the suspense is well maintained.” —Manchester Evening News “A fascinating glimpse into Italian culture and justice system. It’s sparely written and though quite short, there’s a lot of action . . . dark and gritty.” —Euro Crime “[A] brilliant book.” —The Friendly Shelf
* Selected as One of the Best Books of the 21st Century by The New York Times * Winner of the Pulitzer Prize in History * “Extraordinary…a great American biography” (The New Yorker) of the most important African American of the 19th century: Frederick Douglass, the escaped slave who became the greatest orator of his day and one of the leading abolitionists and writers of the era. As a young man Frederick Douglass (1818–1895) escaped from slavery in Baltimore, Maryland. He was fortunate to have been taught to read by his slave owner mistress, and he would go on to become one of the major literary figures of his time. His very existence gave the lie to slave owners: with dignity and great intelligence he bore witness to the brutality of slavery. Initially mentored by William Lloyd Garrison, Douglass spoke widely, using his own story to condemn slavery. By the Civil War, Douglass had become the most famed and widely travelled orator in the nation. In his unique and eloquent voice, written and spoken, Douglass was a fierce critic of the United States as well as a radical patriot. After the war he sometimes argued politically with younger African Americans, but he never forsook either the Republican party or the cause of black civil and political rights. In this “cinematic and deeply engaging” (The New York Times Book Review) biography, David Blight has drawn on new information held in a private collection that few other historian have consulted, as well as recently discovered issues of Douglass’s newspapers. “Absorbing and even moving…a brilliant book that speaks to our own time as well as Douglass’s” (The Wall Street Journal), Blight’s biography tells the fascinating story of Douglass’s two marriages and his complex extended family. “David Blight has written the definitive biography of Frederick Douglass…a powerful portrait of one of the most important American voices of the nineteenth century” (The Boston Globe). In addition to the Pulitzer Prize, Frederick Douglass won the Bancroft, Parkman, Los Angeles Times (biography), Lincoln, Plutarch, and Christopher awards and was named one of the Best Books of 2018 by The New York Times Book Review, The Wall Street Journal, The Boston Globe, The Chicago Tribune, The San Francisco Chronicle, and Time.
This handsomely illustrated book is a welcome addition to the history of women during America’s Gilded Age. Wanda M. Corn takes as her topic the grand neo-classical Woman’s Building at the 1893 Columbian Exposition in Chicago, a structure celebrating modern woman’s progress in education, arts, and sciences. Looking closely at the paintings and sculptures women artists made to decorate the structure, including the murals by Mary Cassatt and Mary MacMonnies, Corn uncovers an unspoken but consensual program to visualize a history of the female sex and promote an expansion of modern woman’s opportunities. Beautifully written, with informative sidebars by Annelise K. Madsen and artist biographies by Charlene G. Garfinkle, this volume illuminates the originality of the public images female artists created in 1893 and inserts them into the complex discourse of fin de siècle woman’s politics. The Woman’s Building offered female artists an unprecedented opportunity to create public art and imagine an historical narrative that put women rather than men at its center.
