St. Louis has been the heartbeat of American soccer for years, dominating in club, high school, and college soccer. To this day, St. Louis University has the most NCAA Division I men's soccer national championship titles. Yet, in 1996, when Major League Soccer kicked off its inaugural season, there was no team to represent the Gateway to the West. How did this happen? Author Shane Stay guides you through St. Louis soccer's journey, from its past to the present, including the launch of St. Louis CITY SC. The story will start 100 years in the past and follow the major achievements—and setbacks—of St. Louis soccer. Shane recounts not only the history of soccer at the club, high school, college, and professional levels, but he also provides some helpful hints for which are the best local attractions for soccer fans, and he even goes so far as to predict the future successes of St. Louis CITY SC. This is one book soccer fans will want to have on their shelves!
Growing up dwarfed by peers is a common problem, one faced by many and conquered by almost that number. In the grand scheme, it's a small predicament. But when your hometown is Humongopolis, smallness becomes a dilemma of giant proportions. Meet Obstaclēs, a giant born without the most basic quality of his kind...size. Taking lonely nature walks and delaying bully beat downs gets old. Even his friendship with Griff, a fugitive from the Land of Men, isn't enough to make things right...even if Griff's hideout does double as an underground library. Obstaclēs will have to hack through the Forest of Future Regret, span the Lake of Lost Souls, tangle with the lizard king, mix it up with Wasp Warriors, escape the Wendigo's claws, and put the clamps on Changelings. Will Obstaclēs overcome? Or will the littlest giant let his deferred dream explode and embrace a fresh start?
Showcasing a robust conceptual model primed for use in future studies, this work offers a close analysis of the culture of the fast-moving football club ownership world, football fandom and consumption, and what it might mean for the future of the sport.
A riveting memoir of disco-era nightlife and the outrageous goings-on behind the doors of New York City’s most famous and exclusive nightclub In the disco days and nights of New York City in the 1970s and 1980s, the place to be was Studio 54. Andy Warhol, Liza Minnelli, and Bianca Jagger were among the nightly assortment of A-list celebrity regulars consorting with New York’s young, wild, and beautiful. Studio 54 was a place where almost nothing was taboo, from nonstop dancing and drinking beneath the coke-dusted neon moon to drugs and sex in the infamous unisex restrooms to the outrageous money-skimming activities taking place in the office of the studio’s flamboyant co-owner Steve Rubell. Author Anthony Haden-Guest was there on opening night in 1977 and over the next decade spent many late nights and early mornings basking in the strobe-lit wonder. But The Last Party is much more than a fascinating account of the scandals, celebrities, crimes, and extreme excesses encouraged within the notorious Manhattan nightspot. Haden-Guest brings an entire era of big-city glitz and unapologetic hedonism to breathtaking life, recalling a vibrant New York night world at once exhilarating and dangerous before the terrible, sobering dawn of the age of AIDS.
The mysterious and haunting Grail makes its first appearance in literature in Chrétien de Troyes' Perceval at the end of the twelfth century. But Chrétien never finished his poem, leaving an unresolved story and an incomplete picture of the Grail. It was, however, far too attractive an idea to leave. Not only did it inspire quite separate works; his own unfinished poem was continued and finally completed by no fewer than four other writers. The Complete Story of the Grail is the first ever translation of the whole of the rich and compelling body of tales contained in Chrétien's poem and its four Continuations, which are finally attracting the scholarly attention they deserve. Besides Chrétien's original text, there are the anonymous First Continuation (translated here in its fullest version), the Second Continuation attributed to Wauchier de Denain, and the intriguing Third and Fourth Continuations - probably written simultaneously, with no knowledge of each other's work - by Manessier and Gerbert de Montreuil. Two other poets were drawn to create preludes explaining the background to Chrétien's story, and translated here also are their works: The Elucidation Prologue and Bliocadran. Only in this, The Story of the Grail's complete form, can the reader appreciate the narrative skill and invention of the medieval poets and their surprising responses to Chrétien's theme - not least their crucial focus on the knight as a crusader. Equally, Chrétien's original poem was almost always copied in conjunction withone or more of the Continuations, so this translation represents how most medieval readers would have encountered it. Nigel Bryant's previous translations from Medieval French include Perlesvaus - the High Bookof the Grail, Robert de Boron's trilogy Merlin and the Grail, the Medieval Romance of Alexander, The True Chronicles of Jean le Bel and Perceforest.