The British Catalogue of Music
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Published: 2003
Total Pages: 176
ISBN-13:
DOWNLOAD EBOOKRead and Download eBook Full
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Published: 2003
Total Pages: 176
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DOWNLOAD EBOOKAuthor: Arthur James Wells
Publisher:
Published: 2002
Total Pages: 1190
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DOWNLOAD EBOOKAuthor: University of California (System). Institute of Library Research
Publisher:
Published: 1972
Total Pages: 900
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DOWNLOAD EBOOKAuthor: Daniel R. Melamed
Publisher: Oxford University Press
Published: 1998-04-30
Total Pages: 202
ISBN-13: 0195122313
DOWNLOAD EBOOKSubjects covered include bibliographic tools of Bach research and sources of literature; Bach's family; Bach biographies; places Bach lived and worked; Bach's teaching; the liturgy; Bach source studies and the transmission of his music; repertory and editions; genres and individual vocal and instrumental works; performance practice; the reception and analysis of Bach's music; and many others.
Author: Clifford Adelman
Publisher:
Published: 2006
Total Pages: 232
ISBN-13:
DOWNLOAD EBOOKThe Toolbox Revisited is a data essay that follows a nationally representative cohort of students from high school into postsecondary education, and asks what aspects of their formal schooling contribute to completing a bachelor's degree by their mid-20s. The universe of students is confined to those who attended a four-year college at any time, thus including students who started out in other types of institutions, particularly community colleges.
Author: Michael Burden
Publisher: PHP研究所
Published: 2013
Total Pages: 204
ISBN-13: 9780754669364
DOWNLOAD EBOOKRegina Mingotti was the first female impresario to run London's opera house. Michael Burden offers the first considered survey of Mingotti's London years, including material on Mingotti's publication activities, and the identification of the characters in the key satirical print 'The Idol'. Burden makes a significant contribution to the knowledge and understanding of eighteenth-century singers' careers and status, and discusses the management, finance, choice of repertory, and the pasticcio practice at The King's Theatre, Haymarket during the middle of the eighteenth century. He includes the complete texts of both of Mingotti's Appeals to the Publick, accounts of the squabble between Mingotti and Vanneschi.
Author: Donald Burrows
Publisher: Oxford University Press, USA
Published: 2002
Total Pages: 1268
ISBN-13: 9780198166542
DOWNLOAD EBOOKJames Harris (1709-80) was an author of philosophical treatises and an enthusiastic amateur musician who directed the concerts and music festivals at Salisbury for nearly fifty years. His family and social circle had close connections with London's music-making: his brother was a witness toHandel's will, and his correspondents sent him lively reports on all aspects of musical life in the capital-opera, oratorio, concerts, but also about the leading performers, music copyists, and instrument makers. In 1761 Harris became a member of Parliament and thereafter divided his time betweenLondon and Salisbury. His letters and diaries provide an unrivalled record of concert- and theatre-going in London, including exchanges of letters with David Garrick about a production at Drury Lane. As his children grew up an engaging family correspondence emerged. We learn of his daughters'involvement in concerts and amateur theatrical productions; his son, who pursued a diplomatic career, reported on operas, concerts, and plays in the court of Frederick the Great and Catherine the Great. Now, for the first time, it is possible to enjoy in full the lively first-hand descriptions fromHarris's family papers, which contribute fascinating insights into contemporary eighteenth-century musical and theatrical life.
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Published: 2000
Total Pages: 1592
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DOWNLOAD EBOOKAuthor: Benjamin Brand
Publisher: Cambridge University Press
Published: 2016-10-27
Total Pages: 379
ISBN-13: 131679895X
DOWNLOAD EBOOKIt has become widely accepted among musicologists that medieval music is most profitably studied from interdisciplinary perspectives that situate it within broad cultural contexts. The origins of this consensus lie in a decisive reorientation of the field that began approximately four decades ago. For much of the twentieth century, research on medieval music had focused on the discovery and evaluation of musical and theoretical sources. The 1970s and 1980s, by contrast, witnessed calls for broader methodologies and more fully contextual approaches that in turn anticipated the emergence of the so-called 'New Musicology'. The fifteen essays in the present collection explore three interrelated areas of inquiry that proved particularly significant: the liturgy, sources (musical and archival), and musical symbolism. In so doing, these essays not only acknowledge past achievements but also illustrate how this broad, interdisciplinary approach remains a source for scholarly innovation.