The Collected Works of Gerard Manley Hopkins

The Collected Works of Gerard Manley Hopkins

Author: Gerard Manley Hopkins

Publisher: Oxford University Press

Published: 2006

Total Pages: 780

ISBN-13: 0199534004

DOWNLOAD EBOOK

Gerard Manley Hopkins was not only one of the most gifted Victorian poets, he was a compelling diarist who used his journals for everything from daily to-do lists to the most intimate spiritual self-assessments. This volume represents Hopkins as a man of extremes, both emotionally and psychologically. There are mundane memoranda about neckties to purchase or letters to write, but also exacting revisions of poems. There are entries of quiet rapture, his attentioncaught by the beauty of the natural world. Paintings, sculptures, and works of literature are stringently assessed, his aesthetic principles freely exercised. There are also nightmares relived;undergraduate 'sins' unsparingly recorded; 'signs' of heavenly mercy carefully noted. This is the first unexpurgated edition of all extant diaries. The entries extend from September 1863, during his second term at Oxford, until February 1875, while studying theology as a Jesuit in his beloved Wales, and from February 1884 until July 1885, while Hopkins was living at a 'third remove' in Dublin.


The Collected Works of Gerard Manley Hopkins: Volume IV: Oxford Essays and Notes 1863-1868

The Collected Works of Gerard Manley Hopkins: Volume IV: Oxford Essays and Notes 1863-1868

Author: Lesley Higgins

Publisher: OUP Oxford

Published: 2006-10-05

Total Pages: 392

ISBN-13: 0191515884

DOWNLOAD EBOOK

The first of eight volumes of Hopkins's Collected Works to be published, Oxford Essays and Notes presents a remarkable cache of previously unpublished papers, including forty-five essays which Hopkins produced during his undergraduate career at Oxford (1863-1867), only seven of which were reproduced in the 1959 edition of Journals and Papers. Topics range from Platonic philosophy to theories of the imagination, from ancient history to then-contemporary politics and voting rights. Also included are notes from a commonplace book, a remarkable 'dialogue' about aesthetics (featuring a fictionalized John Ruskin figure), and the lecture notes Hopkins prepared in the winter of 1868 while teaching at John Henry Newman's Oratory School in Birmingham-writings in which he explores, for the first time, the theories of inscape and instress so central to his poetic practice. The edition is fully annotated and provides a detailed introduction that situates historically Hopkins's academic and creative efforts. The twelve notebooks represent Hopkins's intellectual and aesthetic development while studying with some of the greatest scholars of the era (Benjamin Jowett, Walter Pater, and T. H. Green), as well as the ethical and spiritual anxieties he wrestled with while deciding to convert to Catholicism (John Henry Newman received him into the Church in 1866). Hopkins never wrote to please his tutors or the university professors-he wrote vividly and searchingly in response to the challenges they presented. Whether evaluating Aristotle's Nicomachean Ethics, the role of 'neutral' England in the American civil war, or the comparative merits of classical sculpture, his first instinct was always to frame the difficult questions involved and work towards a 'counter' argument.


The Collected Works of Gerard Manley Hopkins: Volume IV: Oxford Essays and Notes 1863-1868

The Collected Works of Gerard Manley Hopkins: Volume IV: Oxford Essays and Notes 1863-1868

Author: Gerard Manley Hopkins

Publisher: Oxford University Press

Published: 2006-10-05

Total Pages: 393

ISBN-13: 0199285454

DOWNLOAD EBOOK

The first of eight volumes of Hopkins's Collected Works to be published, Oxford Essays and Notes presents a remarkable cache of previously unpublished papers, including forty-five essays which Hopkins produced during his undergraduate career at Oxford (1863-1867), only seven of which were reproduced in the 1959 edition of Journals and Papers. Topics range from Platonic philosophy to theories of the imagination, from ancient history to then-contemporary politics andvoting rights. Also included are notes from a commonplace book, a remarkable 'dialogue' about aesthetics (featuring a fictionalized John Ruskin figure), and the lecture notes Hopkins prepared in the winter of 1868 while teaching at John Henry Newman's Oratory School in Birmingham-writings in which he explores, forthe first time, the theories of inscape and instress so central to his poetic practice. The edition is fully annotated and provides a detailed introduction that situates historically Hopkins's academic and creative efforts.The twelve notebooks represent Hopkins's intellectual and aesthetic development while studying with some of the greatest scholars of the era (Benjamin Jowett, Walter Pater, and T. H. Green), as well as the ethical and spiritual anxieties he wrestled with while deciding to convert to Catholicism (John Henry Newman received him into the Church in 1866). Hopkins never wrote to please his tutors or the university professors-he wrote vividly and searchingly in response to the challenges theypresented. Whether evaluating Aristotle's Nicomachean Ethics, the role of 'neutral' England in the American civil war, or the comparative merits of classical sculpture, his first instinct was always to frame the difficult questions involved and work towards a 'counter' argument.


The Collected Works of Gerard Manley Hopkins

The Collected Works of Gerard Manley Hopkins

Author: Robert Kelsey Rought Thornton

Publisher: Collected Works of Gerard Manl

Published: 2013-05-08

Total Pages: 0

ISBN-13: 9780199653706

DOWNLOAD EBOOK

Hopkins's letters are his secular confessional and, if we wish to understand the man and his poetry, they cannot be ignored. For this edition the letters have been re-transcribed from their original manuscripts and are presented in chronological order with all deletions and corrections included, accompanied by scrupulous annotation.


The Collected Works of Gerard Manley Hopkins

The Collected Works of Gerard Manley Hopkins

Author: R. K. R. Thornton

Publisher: Oxford University Press, USA

Published: 2024-09-12

Total Pages: 0

ISBN-13: 9780192889140

DOWNLOAD EBOOK

This volume brings together for the first time two lesser-known aspects of Gerard Manley Hopkins's creative drive: his sketches and drawings and his musical compositions. The drawings are presented with a full introduction and annotations. The musical compositions feature as both manuscript facsimiles and new transcriptions.


The Collected Works of Gerard Manley Hopkins

The Collected Works of Gerard Manley Hopkins

Author: Gerard Manley Hopkins

Publisher: Oxford University Press, USA

Published: 2014-02

Total Pages: 327

ISBN-13: 0199534020

DOWNLOAD EBOOK

Hopkins's 'Dublin Notebook' brings us closer to Hopkins's life and times than any other volume, providing a digitized facsimile of the large journal he used for academic, personal, and religious notes, accompanied by a careful transcription of the hand-written text, and thorough explanatory notes to guide the reader.


The Playfulness of Gerard Manley Hopkins

The Playfulness of Gerard Manley Hopkins

Author: Joseph J. Feeney

Publisher: Routledge

Published: 2016-03-03

Total Pages: 228

ISBN-13: 1317021193

DOWNLOAD EBOOK

Renowned Hopkins expert Joseph J. Feeney, SJ, offers a fresh take on Gerard Manley Hopkins which shakes our understanding of his poetry and his life and points towards the next phase in Hopkins studies. While affirming the received view of Hopkins as a major poet of nature, religion, and psychology, Feeney finds a pervasive, rarely noticed playfulness by employing both the theory of play and close reading of his texts. This new Hopkins lived a playful life from childhood till death as a student who loved puns and jokes and wrote parodies, comic verse, and satires; as a Jesuit who played and organized games and had "a gift for mimicry;" and most significantly, as a poet and prose stylist who rewards readers with unexpected displays of whimsy and incongruity, even, strikingly, in "The Wreck of the Deutschland," "The Windhover," and the "Terrible Sonnets." Feeney convincingly argues that Hopkins's distinctive playfulness is inextricably bound to his sense of fun, his creativity, his style, and his competitiveness with other poets. In unexpected images, quirky metaphors, strange perspectives, puns, coinages, twisted syntax, wordmusic, and sprung rhythm, we see his playful streak burst forth to adorn those works critics consider his most brilliant. No one who absorbs this book's radical readings will ever see and hear Hopkins's poetry and prose quite the way they used to.