First published in 1967. There are different ways of looking at the achievements of outstanding personalities. In reading this book, the reader will be in touch with some of Jung's best insights into artistic and literary creation. The essays are on Paracelsus, Freud, Richard Wilhelm, Picasso, and Joyce's Ulysses. There are also two chapters on poetry and literature.
As a current record of all of C. G. Jung's publications in German and in English, this volume will replace the general bibliography published in 1979 as Volume 19 of the Collected Works of C. G. Jung. In the form of a checklist, this new volume records through 1990 the initial publication of each original work by Jung, each translation into English, and all significant new editions, including paperbacks and publications in periodicals. The contents of the respective volumes of the Collected Works of C. G. Jung and the Gesammelte Werke (published in Switzerland) are listed in parallel to show the interrelation of the two editions. Jung's seminars are dealt with in detail. Where possible, information is provided about the origin of works that were first conceived as lectures. There are indexes of all publications, personal names, organizations and societies, and periodicals.
The Spirit in Man, Art and Literature offers unique and penetrating insights into the lives and opinions of some of the most significant players in the cultural life of the twentieth century. Carl Gustav Jung was at the heart of that cultural life, pioneering, along with Freud, a new interpretation of what it meant to be human in the modern age. This volume reveals the full range of Jung's involvement in this process, from his famous analysis of 'Psychology and Literature' to his landmark texts on Joyce's Ulysses and Picasso's paintings. Jung writes of Freud from the perspective of one who was "permitted a deep glimpse into the mind of this remarkable man," and through the memories and opinions recorded in The Spirit in Man, Art and Literature, the reader is offered a similar privilege.
Nine essays, written between 1922 and 1941, on Paracelsus, Freud, Picasso, the sinologist Richard Wilhelm, Joyce's Ulysses, artistic creativity generally, and the source of artistic creativity in archetypal structures.
