The Collected Poetry of Mary Tighe
The Collected Poetry of Mary Tighe

Author: Paula R. Feldman

Publisher: JHU Press

Published: 2016-10-09

Total Pages: 641

ISBN-13: 1421418770

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The most complete collection of Mary Tighe’s poetry published to date. Mary Blachford Tighe (1772–1810) was a crucial force in shaping British Romanticism. Her influential six-canto epic, Psyche, or the Legend of Love (1805), along with her shorter poems, engaged the central issues of the period, often in advance of writers now considered canonical. With remarkable vitality and virtuosity, Tighe wrote about the tensions between love and loss, duty and desire, the spiritual and the sensuous, nation and family, and the Irish and the British, all while struggling with the debilitating illness that eventually claimed her life. This scholarly edition collects for the first time dozens of recently discovered poems, accompanied by Tighe’s own illustrations, and identifies eight false attributions. A historical and biographical introduction from editors Paula R. Feldman and Brian C. Cooney discusses Tighe’s work within a larger social and political context, placing renewed emphasis on the conflicts she experienced as a Methodist with Anglo-Irish roots. Editorial annotations shed new light on Tighe’s life, revealing for the first time, for example, that her songs were performed during her lifetime on the Dublin stage. Meticulously edited, this volume builds on recent pioneering scholarship to restore and burnish Tighe’s reputation as a major Romantic-era poet.

The Collected Poems and Journals of Mary Tighe
The Collected Poems and Journals of Mary Tighe

Author: Mary Tighe

Publisher: University Press of Kentucky

Published: 2021-12-14

Total Pages: 451

ISBN-13: 0813193702

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Mary Blachford Tighe was born in Dublin in 1772 and became a poet by the age of seventeen. Her enormously popular 1805 epic poem "Psyche; or, The Legend of Love" made her a fixture of English literary history for much of the nineteenth century. For much of the twentieth century, however, Tighe was better known for her influence on Keats's poetry than the considerable merits of her own work. The Collected Poems and Journals of Mary Tighe restores Tighe to the general canon of English literature of the period. With over eighty-five poems, including the complete Psyche, and extracts from several journals, both by and about Tighe, Harriet Kramer Linkin's annotated edition is the most complete collection of Mary Tighe's work to be published in one volume.

The Collected Letters of Mary Blachford Tighe
The Collected Letters of Mary Blachford Tighe

Author: Harriet Kramer Linkin

Publisher: Rowman & Littlefield

Published: 2020-08-06

Total Pages: 543

ISBN-13: 1611462479

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This annotated edition provides a revelatory glimpse into the life and mind of Ireland’s premier Romantic-era woman poet, Mary Blachford Tighe (1772-1810), author of Psyche, Verses, and Selena. Although Tighe’s family burned most of her personal papers, 166 letters by and to her survived the flames, and are printed here for the first time. They offer rich insights into her thoughts and feelings about her writing, marriage, friendships, family, anxieties, aspirations, spirituality, politics, travels, and day-to-day activities, with beauty, poignance and wit. The letters written between 1786 and 1801 reveal stunning details about her complex relationship with her voyeuristic husband, about the years she spent in England developing her craft as a writer and acquiring her reputation as a much-admired beauty, and about the lived realities that ground the proto-feminist aesthetics of Psyche, the lyrics in Verses, and the narratives in Selena. The letters from 1802 through 1809 contain exceptional information about her reading habits and scholarly studies, resistance to publication, and friendships with other writers. The Collected Letters of Mary Blachford Tighe presents a rich archive of material that open up significant avenues for scholarship on Tighe: they document how actively she participated in her culture, shed autobiographical light on some of the least-known periods in her life, and illuminate her development as a poet and novelist.

Selena by Mary Tighe
Selena by Mary Tighe

Author: Harriet Kramer Linkin

Publisher: Routledge

Published: 2016-04-01

Total Pages: 871

ISBN-13: 1317057570

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Mary Tighe's unpublished novel Selena is one of the great unknown treasures of British Romanticism. Completed in 1803, this brilliant, compulsively readable, beautifully written, and psychologically astute courtship novel is finally available in a scholarly edition that reveals Mary Tighe to have been as talented a fiction writer as she was a poet. The history of this amazing work's long journey from manuscript to print is only one of the stories Harriet Kramer Linkin recounts in this scrupulously annotated edition based on the only known copy of the manuscript, currently part of the National Library of Ireland's holdings. Linkin's introduction situates the novel in its historical context, draws attention to significant aspects of the plots and characters, and makes a strong case for Selena's importance for understanding the history of the novel, fiction by women, Anglo-Irish fiction, silver-fork novels, and the Romantic period. Explanatory notes explain obscure references and contexts, identify allusions to other writers, and provide translations of any non-English or archaic words. Selena itself is a revelation in its frank treatment of the darker aspects of Tighe's world, including parents who mistreat, cheat, or fail their children and spouses who commit adultery or betray one another emotionally. At the same time, it is magnificent in its stunning and moving portrayals of romantic love, of the possibility and importance of female friendship, of the difficult necessity of choosing sense over sensibility, and of the need for women and men to choose self-enhancing vocations. This extraordinary novel is destined to open up new ways of thinking by scholars of the Romantic era and the history of the novel.

Irish Literature in Transition, 1780–1830: Volume 2
Irish Literature in Transition, 1780–1830: Volume 2

Author: Claire Connolly

Publisher: Cambridge University Press

Published: 2020-03-12

Total Pages: 795

ISBN-13: 110863785X

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The years between 1780 and 1830 are vital decades in the history of Irish writing in English. This book charts the confluence of Enlightenment, antiquarian, and romantic energies within Irish literary culture and shows how different writers and genres absorbed, dispersed and remade those interests during five decades of political change. During those same years, literature made its own history. By the 1840s, Irish writing formed a recognizable body of work, which later generations would draw on, quote, anthologize and dispute. Questions raised by novels, poems and plays of the late eighteenth and early nineteenth centuries - the politics of language and voice; the relationship between literature and locality; the possibility of literature as a profession - resonated for many Irish writers over the centuries that followed and continue to matter today. This comprehensive volume will be a key reference for scholars and students of Irish literature and romantic literary studies.

The Routledge Companion to Romantic Women Writers
The Routledge Companion to Romantic Women Writers

Author: Ann R. Hawkins

Publisher: Taylor & Francis

Published: 2022-12-30

Total Pages: 609

ISBN-13: 1317041747

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The Routledge Companion to Romantic Women Writers overviews critical reception for Romantic women writers from their earliest periodical reviews through the most current scholarship and directs users to avenues of future research. It is divided into two parts.The first section offers topical discussions on the status of provincial poets, on women’s engagement in children’s literature, the relation of women writers to their religious backgrounds, the historical backgrounds to women’s orientalism, and their engagement in debates on slavery and abolition.The second part surveys the life and careers of individual women – some 47 in all with sections for biography, biographical resources, works, modern editions, archival holdings, critical reception, and avenues for further research. The final sections of each essay offer further guidance for researchers, including “Signatures” under which the author published, and a “List of Works” accompanied, whenever possible, with contemporary prices and publishing formats. To facilitate research, a robust “Works Cited” includes all texts mentioned or quoted in the essay.

A History of Irish Women's Poetry
A History of Irish Women's Poetry

Author: Ailbhe Darcy

Publisher: Cambridge University Press

Published: 2021-07-01

Total Pages: 853

ISBN-13: 1108802702

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A History of Irish Women's Poetry is a ground-breaking and comprehensive account of Irish women's poetry from earliest times to the present day. It reads Irish women's poetry through many prisms – mythology, gender, history, the nation – and most importantly, close readings of the poetry itself. It covers major figures, such as Máire Mhac an tSaoi, Eavan Boland, Eiléan Ní Chuilleanáin, as well as neglected figures from the past. Writing in both English and Irish is considered, and close attention paid to the many different contexts in which Irish women's poetry has been produced and received, from the anonymous work of the early medieval period, through the bardic age, the coterie poets of Anglo-Ireland, the nationalist balladeers of Young Ireland, the Irish Literary Revival, and the advent of modernity. As capacious as it is diverse, this book is an essential contribution to scholarship in the field.

Material Transgressions
Material Transgressions

Author: Kate Singer

Publisher: Liverpool University Press

Published: 2020-07-03

Total Pages: 360

ISBN-13: 1789627575

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Material Transgressions reveals how Romantic-era authors think outside of historical and theoretical ideologies that reiterate notions of sexed bodies, embodied subjectivities, isolated things, or stable texts. The essays gathered here examine how Romantic writers rethink materiality, especially the subject-object relationship, in order to challenge the tenets of Enlightenment and the culture of sensibility that privileged the hegemony of the speaking and feeling lyric subject and to undo supposedly invariable matter, and representations of it, that limited their writing, agency, knowledge, and even being. In this volume, the idea of transgression serves as a flexible and capacious discursive and material movement that braids together fluid forms of affect, embodiment, and textuality. The texts explored offer alternative understandings of materiality that move beyond concepts that fix gendered bodies and intellectual capacities, whether human or textual, idea or thing. They enact processes – assemblages, ghost dances, pack mentality, reiterative writing, shapeshifting, multi-voiced choric oralities – that redefine restrictive structures in order to craft alternative modes of being in the world that can help us to reimagine materiality both in the Romantic period and now. Such dynamism not only reveals a new materialist imaginary for Romanticism but also unveils textualities, affects, figurations, and linguistic movements that alter new materialism’s often strictly ontological approach. List of contributors: Kate Singer, Ashley Cross, Suzanne L. Barnett, Harriet Kramer Linkin, Michael Gamer, Katrina O’Loughlin, Emily J. Dolive, Holly Gallagher, Jillian Heydt-Stevenson, Mary Beth Tegan, Mark Lounibos, Sonia Hofkosh, David Sigler, Chris Washington, Donelle Ruwe, Mark Lussier.

Eighteenth-Century Women's Writing and the Methodist Media Revolution
Eighteenth-Century Women's Writing and the Methodist Media Revolution

Author: Andrew O. Winckles

Publisher: Liverpool University Press

Published: 2019-11-05

Total Pages: 288

ISBN-13: 1789624355

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This book traces specific cases of how evangelical and Methodist discourse practices interacted with major cultural and literary events during the long eighteenth century, from the rise of the novel to the Revolution controversy of the 1790s to the shifting ground for women writers leading up to the Reform era in the 1830s.