This volume contains the eight plays written by Albee during his first decade as a playwright, from 1958 to 1965. These range from the four one-act plays with which he exploded on the New York theatre scene in 1958-59 to his early masterpiece 'Who's Afraid of Virginia Woolf' in 1961-62.
"Powerful, probing, vivid and arresting, these eight plays -- the personal choices of Edward Albee -- are together for the first time in this exclusive members' edition."--The dust-jacket front flap
In 1960, Edward Albee electrified the theater world with the American premiere of The Zoo Story, and followed it two years later with his extraordinary first Broadway play, Who's Afraid of Virginia Woolf? Proclaimed as the playwright of his generation, he went on to win three Pulitzer Prizes for his searing and innovative plays. Mel Gussow, author, critic, and cultural writer for The New York Times, has known Albee and followed his career since its inception, and in this fascinating biography he creates a compelling firsthand portrait of a complex genius. The book describes Albee's life as the adopted child of rich, unloving parents and covers the highs and lows of his career. A core myth of Albee's life, perpetuated by the playwright, is that The Zoo Story was his first play, written as a thirtieth birthday present to himself. As Gussow relates, Albee has been writing since adolescence, and through close analysis the author traces the genesis of Who's Afraid of Virginia Woolf?, Tiny Alice, A Delicate Balance, and other plays. After his early triumphs, Albee endured years of critical neglect and public disfavor. Overcoming artistic and personal difficulties, he returned in 1994 with Three Tall Women. In this prizewinning play he came to terms with the towering figure of his mother, the woman who dominated so much of his early life. With frankness and critical acumen, and drawing on extensive conversations with the playwright, Gussow offers fresh insights into Albee's life. At the same time he provides vivid portraits of Albee's relationships with the people who have been closest to him, including William Flanagan (his first mentor), Thornton Wilder, Richard Barr, John Steinbeck, Alan Schneider, John Gielgud, and his leading ladies, Uta Hagen, Colleen Dewhurst, Irene Worth, Myra Carter, Elaine Stritch, Marian Seldes, and Maggie Smith. And then there are, most famously, Elizabeth Taylor and Richard Burton, who starred in Mike Nichols's acclaimed film version of Who's Afraid of Virginia Woolf? The book places Albee in context as a playwright who inspired writers as diverse as John Guare and Sam Shepard, and as a teacher and champion of human rights. Edward Albee: A Singular Journey is rich with colorful details about this uniquely American life. It also contains previously unpublished photographs and letters from and to Albee. It is the essential book about one of the major artists of the American theater.
Since 1960, a Broadway season without a Neil Simon play has been a rare one. For more than thirty years, Simon's wry and astute observations on life, love, and the human condition have been making audiences laugh uproariously even as his beautifully realized characters touch their hearts. These five plays, including the Pulitzer- and Tony-award-winning Lost in Yonkers, show Simon at the pinnacle of his extraordinary career. Rumors Lost in Yonkers Jake's Women Laughter on the 23rd Floor London Suite Including the author's introduction: "How to Stop Writing and Other Impossibilities"
America's most important living playwright, Edward Albee, has been rocking our country's moral, political and artistic complacency for more than 50 years. Beginning with his debut play, The Zoo Story (1958), and on to his barrier breaking works of the 1960s, most notably The American Dream (1960), Who's Afraid of Virginia Woolf? (1963), and the Pulitzer Prize-winning A Delicate Balance (1966), Albee's unsparing indictment of the American way of life earned him early distinction as the dramatist of his generation. His acclaim was enhanced further in the decades that followed with prize-winning dramas such as Seascape (1974) and Three Tall Women (1991), as well as recent works like The Play About the Baby (2001) and The Goat. (2002). Albee has brought the same critical force to his non-theatrical prose. Stretching My Mind collects for the first time ever the author's writings on theater, literature, and the political and cultural battlegrounds that have defined his career. Many of the selections were drawn from Albee's private papers, and almost all previously published material -- dating from 1960 to the present -- has never been reprinted. Topics include Samuel Beckett, Eugene Ionesco, Sam Shepherd, as well as autobiographical writings about Albee's life, work, and worldview.
To celebrate the centennial of his birth, the collected plays of America’s greatest twentieth-century dramatist in a beautiful bespoke hardcover edition In the history of postwar American art and politics, Arthur Miller casts a long shadow as a playwright of stunning range and power whose works held up a mirror to America and its shifting values. The Penguin Arthur Miller celebrates Miller’s creative and intellectual legacy by bringing together the breadth of his plays, which span the decades from the 1930s to the new millennium. From his quiet debut, The Man Who Had All the Luck, and All My Sons, the follow-up that established him as a major talent, to career hallmarks like The Crucible and Death of a Salesman, and later works like Mr. Peters’ Connections and Resurrection Blues, the range and courage of Miller’s moral and artistic vision are here on full display. This lavish bespoke edition, specially produced to commemorate the Miller centennial, is a must-have for devotees of Miller’s work. The Penguin Arthur Miller will ensure a permanent place on any bookshelf for the full span of Miller’s extraordinary dramatic career. The Penguin Arthur Miller includes: The Man Who Had All the Luck, All My Sons, Death of a Salesman, An Enemy of the People, The Crucible, A View from the Bridge, After the Fall, Incident at Vichy, The Price, The Creation of the World and Other Business, The Archbishop’s Ceiling, The American Clock, Playing for Time, The Ride Down Mt. Morgan, The Last Yankee, Broken Glass, Mr. Peters’ Connections, and Resurrection Blues.
The only American dramatist awarded the Nobel Prize for Literature, Eugene O’Neill wrote with poetic expressiveness, emotional intensity, and immense dramatic power. This Library of America volume (the first in a three-volume set) contains twenty-nine plays he wrote between 1913, when he began his career, and 1920, the year he first achieved Broadway success. Many of O’Neill’s early plays are one-act melodramas whose characters are caught in extreme situations. Thirst and Fog depict shipwreck survivors, The Web a young mother trapped in the New York underworld, and Abortion the aftermath of a college student’s affair with a stenographer. His first distinctive works are four one-act plays about the crew of the tramp steamer Glencairn that render sailors’ speech with masterful faithfulness. Bound East for Cardiff, In the Zone, The Long Voyage Home, and The Moon of the Caribbees portray these “children of the sea” as they watch over a dying man, sail though submarine-patrolled waters, take their shore leave in a London dive, and drink rum in a moonlit tropical anchorage. In Beyond the Horizon Robert Mayo begins a tragic chain of events by abandoning his dream of a life at sea, choosing instead to marry the woman his brother loves and remain on his family farm. The sea in “Anna Christie” is both “dat ole devil” to coal barge captain Chris Christopherson and a source of spiritual cleansing to his daughter Anna, an embittered prostitute. When a swaggering stoker falls in love with her, Anna becomes the apex of a three-sided struggle full of enraged pride, grim foreboding, and stubborn hope. Both of these plays won the Pulitzer Prize and helped establish O’Neill as a successful Broadway playwright. The Emperor Jones depicts the nightmarish journey through a West Indian forest of Brutus Jones, a former Pullman porter turned island ruler. Fleeing his rebellious subjects, Jones confronts his violent deeds and the tortured history of his race in a series of hallucinatory episodes whose expressionist quality anticipates many of O’Neill’s later plays. LIBRARY OF AMERICA is an independent nonprofit cultural organization founded in 1979 to preserve our nation’s literary heritage by publishing, and keeping permanently in print, America’s best and most significant writing. The Library of America series includes more than 300 volumes to date, authoritative editions that average 1,000 pages in length, feature cloth covers, sewn bindings, and ribbon markers, and are printed on premium acid-free paper that will last for centuries.