This last volume contains the letters, reviews and other pieces which George Orwell wrote during the last five years of his life; they include Such, Such Were the Joys, a reminiscence of his preparatory school. Animal Farm had eventually relieved him of financial worry, but during the drafting and writing of Nineteen Eighty-Four he was increasingly handicapped by the illness of which he died, early in 1950.
George Orwell is a major figure in twentieth-century literature. During his lifetime he published ten books and two collections of essays. Orwell seldom "reported" and he never took a line other than the one himself felt at the moment of writing. His essays are certainly some of the greatest in that most difficult genre. His widow and her co-editor have collected everything Orwell would have considered an essay, all the journalism that was not purely ephemeral, and those letters which contribute to our understanding of his life and writing. The material is arranged chronologically, and gives a continuous picture of Orwell's life as well as his work. -- From publisher's description.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Why I Write, the first in the Orwell’s Essays series, Orwell describes his journey to becoming a writer, and his movement from writing poems to short stories to the essays, fiction and non-fiction we remember him for. He also discusses what he sees as the ‘four great motives for writing’ – ‘sheer egoism’, ‘aesthetic enthusiasm’, ‘historical impulse’ and ‘political purpose’ – and considers the importance of keeping these in balance. Why I Write is a unique opportunity to look into Orwell’s mind, and it grants the reader an entirely different vantage point from which to consider the rest of the great writer’s oeuvre. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
Beginning with a dilemma about whether he spends more money on reading or smoking, George Orwell’s entertaining and uncompromising essays go on to explore everything from the perils of second-hand bookshops to the dubious profession of being a critic, from freedom of the press to what patriotism really means. Throughout history, some books have changed the world. They have transformed the way we see ourselves – and each other. They have inspired debate, dissent, war and revolution. They have enlightened, outraged, provoked and comforted. They have enriched lives – and destroyed them. Now Penguin brings you the works of the great thinkers, pioneers, radicals and visionaries whose ideas shook civilization and helped make us who we are.
George Orwell set out ‘to make political writing into an art’, and to a wide extent this aim shaped the future of English literature – his descriptions of authoritarian regimes helped to form a new vocabulary that is fundamental to understanding totalitarianism. While 1984 and Animal Farm are amongst the most popular classic novels in the English language, this new series of Orwell’s essays seeks to bring a wider selection of his writing on politics and literature to a new readership. In Politics and the English Language, the second in the Orwell’s Essays series, Orwell takes aim at the language used in politics, which, he says, ‘is designed to make lies sound truthful and murder respectable, and to give an appearance of solidity to pure wind’. In an age where the language used in politics is constantly under the microscope, Orwell’s Politics and the English Language is just as relevant today, and gives the reader a vital understanding of the tactics at play. 'A writer who can – and must – be rediscovered with every age.' — Irish Times
George Orwell is a major figure in twentieth-century literature. During his lifetime he published ten books and two collections of essays. Orwell seldom "reported" and he never took a line other than the one himself felt at the moment of writing. His essays are certainly some of the greatest in that most difficult genre. His widow and her co-editor have collected everything Orwell would have considered an essay, all the journalism that was not purely ephemeral, and those letters which contribute to our understanding of his life and writing. The material is arranged chronologically, and gives a continuous picture of Orwell's life as well as his work. -- From publisher's description.
These years saw the publication of The Road to Wigan Pier, Homage to Catalonia, and Coming Up for Air. The most important document that has come to light regarding Orwell's Spanish experiences is the deposition charging him and Eileen with espionage and high treason, a charge unknown to them. This is fully analysed and can now be read in the context of the disputes that then divided the Left, well illustrated by the letters and documents printed here, notably his bitter response to Authors Take Sides on the Spanish War. The correspondence includes that with Yvonne Davet, who undertook the Translation of Orwell's books into French; George Kopp, Orwell's commandent in Spain; and a number of Eileen's letters. Orwell's Diary of Events Leading Up to the War' (2 July - 1 September 1939); his Domestic Diary (9 August 1938 - 29 April 1940), which records in detail his attempts at running a smallholding; his abstracts from Daily Worker and News Chronical reports on the Spanish Civil War; and his Marrakech Notebook with illustrations are reproduced. Many letters not previously published are included, and there is a large number of reviews. This volume also includes a sequence of letters that throws a completely new light on Orwell's personal relationships.
'This selection is a ceaseless delight ... there is a treat on almost every page' Daily Telegraph George Orwell wrote, in his words, from 'a desire to see things as they are'. This new collection of his journalism and other writings, including articles, essays, broadcasts, poems, book and film reviews from across his career, shows his unmatched genius for observing the world. Whether discussing Polish immigration or Scottish independence, railing against racism, defending the English language or holding an imaginary conversation with Jonathan Swift, these pieces reveal a clear-eyed, entertaining and eternally relevant chronicler of his age. Edited with an introduction by Peter Davison 'Orwell's luminous gift was for seeing things, for noticing what others missed, took for granted or simply found uninteresting, for discovering meaning and wonder in the familiarity of the everyday... Nothing escaped or seemed beneath his notice, which was what made him such a good reporter... Seeing Things As They Are is intended to be a collection first and foremost of his journalism, with preference given to lesser-known pieces and reviews as well as some of the poems he wrote. It is full of interest and curiosities' Jason Cowley, Financial Times 'Peter Davison gives us a feast of [Orwell's] shorter writings, showing how from such hesitant beginnings he evolved into the writer of enduring importance we know, committed to decency, equality and political honesty, who could nevertheless wax lyrical over the first signs of spring or an imaginary English pub' Gordon Bowker, Independent