Using the techniques and insights of clowning, this book draws on original workshops and research to provide practical clowning exercises to develop wider acting practice in innovative ways. The book offers guidance and explanation to key concepts in clowning, including the dynamics of the clown-audience relationship; the relationship between script, text and improvisation; and movement and voice, offering fresh and inspiring angles from which to view actor training. The Clowning Workbook for Actors and Performers is part of the acclaimed Theatre Arts Workbooks series and features its characteristic blend of student-focused exercises with pedagogical tips for teachers.
Using the techniques and insights of clowning to improve and expand the scope of classical actor training, this book draws on original workshops and research to provide practical clowning exercises to develop wider acting practice in interesting and innovative ways. Starting with practical workshops, the book offers guidance and explanation to key concepts in clowning including the dynamics of clown-audience relationship, improvisation, movement and voice, offering fresh and inspiring angles from which to view classical actor training. Written by Jon Davison, a lecturer and practitioner in clowning who has practised and trained at École Philippe Gaulier, Institut del Teatre de Barcelona, Royal Central School of Speech and Drama, London, and Rose Bruford College, London, The Clowning Workbook for Actors and Performers is part of the acclaimed Theatre Arts Workbooks series and features its characteristic blend of student-focused exercises complemented by pedagogical tips for teachers.
This rich collection of readings offers a wide-ranging and authoritative survey of clown practices, history and theory, from the origins of the word clown through to contemporary clowning. Covering clowns in theatre, circus, cinema, TV, street and elsewhere, the author's stimulating narrative challenges assumptions and turns orthodoxy on its head.
Introduction -- Part 1. Training -- Play and pleasure -- Clown and audience -- The flop and other clown dynamics (and the dynamics of eliciting laughter) -- Epilogue to Part 1. Noses and hats -- Part 2. Devising clown material -- An encyclopaedia of wrongness -- Structure -- Making shows -- Epilogue to Part 2. Conclusions
The Art of Clowning is the first book on clowning technique and offers a step-by-step process for actors and other theatrical enthusiasts to discover their inner clown. This fun and accessible guide expands on theories and exercises to help students and beginners develop solo and group performances. Now with even more ways to find your inner clown!
"THE CLOWN IN YOU" is a clowning manual for students, teachers and practitioners. It contains all kinds of valuable clown knowledge; both practical and theoretical. Within its pages readers will find all the basic principles of clowning, first-hand clowning experiences, tried and tested clown games and exercises, quotes from interviews Caroline held with professional clowns, examples of clown improvisations, and explanations of the clown philosophy underlying all the comic techniques used by clowns. The book thus provides an unprecedented insight into the heart of clowning and throws a fresh light on all the skills, audacity and dedication needed to encounter, encourage and set free one's clown. Caroline has worked with clowning from the inside out and the outside in. She writes from the perspective of a life spent investigating her art, both as a professional clown and as an international clown teacher. This is a must read for anyone wanting to learn more about the art and practice of clowning, or for anyone simply interested in becoming a healthier, happier and less inhibited person. ""Discovering your clown and allowing yourself complete freedom of expression is an addictive experience; an adventure sport, whose only drawback is that when you're on your way home you feel an urgent desire to keep on practising it."" CONTENTS The first three chapters introduce the reader to the art and craft of clowning as practiced by professional clowns throughout the world today. They also clarify all the misconceptions that have arisen around the clown that in reality hinder a student's ability to be funny. Chapters four to ten tackle specific areas of clown technique. Each chapter contains explanations of the reasons for, and reasoning behind, each element of the technique, plus guidelines and examples of how it all works on a practical level. Chapter eleven explores one of the least discussed aspects of clowning; the most common fears students face and how they can be dealt with. The final chapter examines the necessary ingredients for clowning success. It also covers the phenomenon of "flying," finding one's own unique comic wings. WHAT THE PROFESSIONALS HAVE SAID ABOUT THIS BOOK: " The Clown in You cuts past all the jargon and unhelpful generalizations about clowns and tackles the clown's creative process with the kind of insight that can only come from a seasoned performer. Highly recommended for both beginners and experienced clowns." "JOHN TOWSEN, author of "Clowns," director of The (Very) Physical Comedy Institute, U.S.A." "Caroline Dream's superbly documented 30 years of experience as a performer and trainer is an invaluable source of reference for professionals, hobbyists and teachers. One of the most illuminating and insightful clown development guidebooks that I have read." "ROB FLORENCE, physical theatre teacher at The Arts & Entertainment College, NL" "Every clown, aspiring or professional, should have this book in their library. It's a great resource for helping clowns discover deeper layers of their character and creating powerful material. Packed with invaluable gems for understanding and creating in the art of clowning." "ROB TORRES, clown, The Big Apple Circus, U.S.A." "In this book I've found fantastic exercises and material which will inspire clowns to play and, most importantly, help keep their idiot present." "AITOR BASAURI, Spymonkey, UK" "This book is a shortcut to your inner clown, a seductive invitation to joy and freedom, a lodestar for highly effective human development."" ANDRES AGUILAR, Clown, Founder of Risaterapia.org, MEX" "Caroline offers us her 30 years of clowning experience, disclosing a clown philosophy I fully concur with. I wholeheartedly recommend this book."" ANTON VALEN, clown with Cirque du Soleil (Alegria & Kurios), ESP
During the last 300 years circus clowns have emerged as powerful cultural icons. This is the first semiotic analysis of the range of make-up and costumes through which the clowns' performing identities have been established and go on developing. It also examines what Bouissac terms 'micronarratives' - narrative meanings that clowns generate through their acts, dialogues and gestures. Putting a repertory of clown performances under the semiotic microscope leads to the conclusion that the performances are all interconnected and come from what might be termed a 'mythical matrix'. These micronarratives replicate in context-sensitive forms a master narrative whose general theme refers to the emergence of cultures and constraints that they place upon instinctual behaviour. From this vantage point, each performance can be considered as a ritual which re-enacts the primitive violence inherent in all cultures and the temporary resolutions which must be negotiated as the outcome. Why do these acts of transgression and re-integration then trigger laughter and wonder? What kind of mirror does this put up to society? In a masterful semiotic analysis, Bouissac delves into decades of research to answer these questions.
