In 1920s London the Doctor and Rose find themselves caught up in the hunt for a mysterious murderer. But not everyone or everything is what they seem. Secrets lie behind locked doors and inhuman killers roam the streets. Who is the Painted Lady and why is she so interested in the Doctor? How can a cat return from the dead? Can anyone be trusted to tell or even to know the truth? With the faceless killers closing in, the Doctor and Rose must solve the mystery of the Clockwise Man before London itself is destroyed... Featuring the Doctor and Rose as played by Christopher Eccleston and Billie Piper in the hit series from BBC Television
When Rose is locked up in a teenage borstel and the Doctor in a scientific labor camp in Justicia, they are determined to find each other and escape, but their plans are complicated by the presence of fellow inmates who may be old enemies.
Book two in the New York Times–bestselling author’s world history–spanning epic that began with Isle of Woman. Piers Anthony’s Shame of Man is a towering saga of remarkable scope, retelling the story of humanity in a daring and exciting way. At once grand in scope and intimate in human detail, Shame of Man recounts the stunning journey of a single family reborn again and again throughout history. Beginning in the earliest origins of our ancient ancestors who emerged from the Eden of Africa millions of years ago, Shame of Man follows two lovers—Hugh, a dreamer and musician, and his beloved Ann, a beautiful dancer—as they struggle to preserve their family and their way of life during some of the most turbulent periods of our savage past. Their saga takes them from the caves of prehistoric Europe to the Holy Land in the time of King David, through the imperial court of third century Japan, and Damascus in the early days of Islam, to Central Asia in the era of Genghis Khan, and the fallen paradise of Easter Island, concluding with a harrowing glimpse of our future, in the wreckage of a world devastated by global ecological catastrophe. Through their eyes we experience humanity’s greatest triumphs, and witness its greatest shame, the relentless exploitation of nature that now threatens our very survival.
“A sustained shot of brilliance” (Boston Globe)—ten globetrotting stories exploring the complex relationships between men and women. A Best Book/Short Story Collection of the Year: O, The Oprah Magazine, Financial Times, Esquire, Lit Hub, Bustle, Electric Literature, Library Journal New York Times Editors’ Choice Nicole Krauss plunges fearlessly into the struggle to understand men and women and the tensions that have existed in all relationships from the beginning of time. Set in our contemporary moment and moving across the globe from Switzerland, Japan, and New York City to Tel Aviv, Los Angeles, and an unnamed country in South America, the stories in To Be a Man feature men as fathers, lovers, friends, children, seducers, and even a lost husband who may never have been a husband at all. The way these stories mirror one another and resonate is beautiful, with a balance so finely tuned that the book almost feels like a novel. Echoes ring through stages of life: aging parents and newborn babies; young women’s coming-of-age and the newfound, somewhat bewildering sexual power that accompanies it; generational gaps and unexpected deliveries of strange new leases on life; mystery and wonder at a life lived or a future waiting to unfold. With a fierce, unwavering light To Be a Man illuminates the forces driving human existence: sex, power, violence, passion, self-discovery, aging. Profound, poignant, and brilliant, Krauss’s stories, at once startling and deeply moving, are always revealing of all-too-human weakness and strength. “Superb. . . . Krauss’s depictions of the nuances of sex and love, intimacy and dependence, call to mind the work of Natalia Ginzburg. . . . Krauss’s stories capture characters at moments in their lives when they’re hungry for experience and open to possibilities, and that openness extends to the stories themselves: narratives too urgent and alive for neat plotlines, simplistic resolutions or easy answers.” —Molly Antopol, New York Times Book Review ”From a contemporary master, an astounding collection of ten globetrotting stories, each one a powerful dissection of the thorny connections between men and women. . . . Each story is masterfully crafted and deeply contemplative, barreling toward a shimmering, inevitable conclusion, proving once again that Krauss is one of our most formidable talents in fiction.” —Esquire
Say you're a time traveler and you've already toured the entirety of human history. After a while, the outside world might lose a little of its luster. That's why this time traveler celebrates his birthday partying with himself. Every year, he travels to an abandoned hotel in New York City in 2071, the hundredth anniversary of his birth, and drinks twelve-year-old Scotch (lots of it) with all the other versions of who he has been and who he will be. Sure, the party is the same year after year, but at least it's one party where he can really, well, be himself. The year he turns 39, though, the party takes a stressful turn for the worse. Before he even makes it into the grand ballroom for a drink he encounters the body of his forty-year-old self, dead of a gunshot wound to the head. As the older versions of himself at the party point out, the onus is on him to figure out what went wrong--he has one year to stop himself from being murdered, or they're all goners. As he follows clues that he may or may not have willingly left for himself, he discovers rampant paranoia and suspicion among his younger selves, and a frightening conspiracy among the Elders. Most complicated of all is a haunting woman possibly named Lily who turns up at the party this year, the first person besides himself he's ever seen at the party. For the first time, he has something to lose. Here's hoping he can save some version of his own life.
In 1920s London the Doctor and Rose find themselves caught up in the hunt for a mysterious murderer. But not everyone or everything is what they seem. Secrets lie behind locked doors and inhuman killers roam the streets. Who is the Painted Lady and why is she so interested in the Doctor? How can a cat return from the dead?
