Brill’s Companion to Classics in the Early Americas

Brill’s Companion to Classics in the Early Americas

Author:

Publisher: BRILL

Published: 2021-08-30

Total Pages: 449

ISBN-13: 900446865X

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Brill’s Companion to Classics in the Early Americas opens a window onto classical receptions across the Hispanophone, Lusophone, Francophone and Anglophone Americas during the early modern period, examining classical reception as a phenomenon in transhemispheric perspective for the first


The History of Cartography: Cartography in the European Renaissance

The History of Cartography: Cartography in the European Renaissance

Author: John Brian Harley

Publisher: History of Cartography

Published: 1987

Total Pages: 1264

ISBN-13:

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When the University of Chicago Press launched the landmark History of Cartography series nearly thirty years ago, founding editors J.B. Harley and David Woodward hoped to create a new basis for map history. They did not, however, anticipate the larger renaissance in map studies that the series would inspire. But as the renown of the series and the comprehensiveness and acuity of the present volume demonstrate, the history of cartography has proven to be unexpectedly fertile ground. Cartography in the European Renaissance treats the period from 1450 to 1650, long considered the most important in the history of European mapping. This period witnessed a flowering in the production of maps comparable to that in the fields of literature and fine arts. Scientific advances, appropriations of classical mapping techniques, burgeoning trade routes--all such massive changes drove an explosion in the making and using of maps. While this volume presents detailed histories of mapping in such well-documented regions as Italy and Spain, it also breaks significant new ground by treating Renaissance Europe in its most expansive geographical sense, giving careful attention to often-neglected regions like Scandinavia, East-Central Europe, and Russia, and by providing innovative interpretive essays on the technological, scientific, cultural, and social aspects of cartography. Lavishly illustrated with more than a thousand maps, many in color, the two volumes of Cartography in the European Renaissance will be the unsurpassable standard in its field, both defining it and propelling it forward.


Henricus Martellus’s World Map at Yale (c. 1491)

Henricus Martellus’s World Map at Yale (c. 1491)

Author: Chet Van Duzer

Publisher: Springer

Published: 2018-08-03

Total Pages: 223

ISBN-13: 3319768409

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This book presents groundbreaking new research on a fifteenth-century world map by Henricus Martellus, c. 1491, now at Yale. The importance of the map had long been suspected, but it was essentially unstudiable because the texts on it had faded to illegibility. Multispectral imaging of the map, performed with NEH support in 2014, rendered its texts legible for the first time, leading to renewed study of the map by the author. This volume provides transcriptions, translations, and commentary on the Latin texts on the map, particularly their sources, as well as the place names in several regions. This leads to a demonstration of a very close relationship between the Martellus map and Martin Waldseemüller’s famous map of 1507. One of the most exciting discoveries on the map is in the hinterlands of southern Africa. The information there comes from African sources; the map is thus a unique and supremely important document regarding African cartography in the fifteenth century. This book is essential reading for digital humanitarians and historians of cartography.


Charles Ives and the Classical Tradition

Charles Ives and the Classical Tradition

Author: Geoffrey Block

Publisher: Yale University Press

Published: 1996-01-01

Total Pages: 212

ISBN-13: 9780300105278

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Although Charles Ives has long been viewed as the quintessential American composer, he placed himself in the European classical tradition, drew on it heavily for his aesthetic philosophy and musical techniques, and extended it to create something new. This book illuminates Ives's music by comparing it with that of other composers in Europe and the United States. Edited by two highly regarded Ives scholars, the book begins with essays that examine the influences on Ives of his musical predecessors and concludes with essays that find extensive parallels between Ives and such European contemporaries as Mahler, Schoenberg, Berg, and Stravinsky, whose music he knew little or not at all, but with whom he shared influences and concerns. Taken together, these chapters demonstrate that even apparently strange or distinctively American aspects of Ives's music--from his penchant for quotation to his juxtaposition of disparate styles--have strong precedents and parallels among European composers. Ives emerges as a composer at home in the classical tradition, engaged in exploring the same issues that confronted composers of his generation on both sides of the Atlantic.


Sovereignty and the Denial of International Equality

Sovereignty and the Denial of International Equality

Author: Xavier Mathieu

Publisher: Routledge

Published: 2021-08-11

Total Pages: 181

ISBN-13: 0429560400

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This book asks whether sovereignty can guarantee international equality by exploring the discourses of sovereignty and their reliance on the notions of civilisation and savagery in two historical colonial encounters: the French explorations of Canada in the 16th century and the domestic troubles linked to the Wars of Religion. Presenting the concept of ‘civilised sovereignty’, Mathieu reveals the interplay between the domestic and external claims to sovereignty, and offers a dynamic analysis of the theory and practice of the concept. Based on extensive archival research, this book provides an in-depth intellectual picture of the theory and practice of sovereignty in early modern France by focusing on the discourses deployed by French political theorists. Mathieu applies performativity in order to denaturalise these discourses of statehood and reveals how the domestic and international constructions of sovereignty feed into one another and equally rely on appeals to civilisation and savagery. Overall, the book questions the ‘myth of sovereignty as equality’ and reflects on the persistence of this association despite the overwhelming empirical evidence that it institutes international hierarchies and inequalities. Representing a major intervention in the existing IR debates about sovereignty, this book will be a valuable resource for researchers working on issues of sovereignty and equality in IR.


Making Ballet American

Making Ballet American

Author: Andrea Harris

Publisher: Oxford University Press

Published: 2018

Total Pages: 289

ISBN-13: 0199342245

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Situating ballet within twentieth-century modernism, this book brings complexity to the history of George Balanchine's American neoclassicism. It intervenes in the prevailing historical narrative and rebalances Balanchine's role in dance history by revealing the complex social, cultural, and political forces that actually shaped the construction of American neoclassical ballet.


The Old World and the New

The Old World and the New

Author: J. H. Elliott

Publisher: Cambridge University Press

Published: 1992-01-31

Total Pages: 140

ISBN-13: 9780521427098

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This 1992 book shows how the discovery of the new world affected Europe intellectually, economically, and politically.


The Routledge Handbook on the Reception of Classical Architecture

The Routledge Handbook on the Reception of Classical Architecture

Author: Nicholas Temple

Publisher: Routledge

Published: 2019-11-01

Total Pages: 583

ISBN-13: 1351693859

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This is the first comprehensive study of the reception of classical architecture in different regions of the world. Exploring the impact of colonialism, trade, slavery, religious missions, political ideology and intellectual/artistic exchange, the authors demonstrate how classical principles and ideas were disseminated and received across the globe. By addressing a number of contentious or unresolved issues highlighted in some historical surveys of architecture, the chapters presented in this volume question long-held assumptions about the notion of a universally accepted ‘classical tradition’ and its broadly Euro-centric perspective. Featuring thirty-two chapters written by international scholars from China, Europe, Turkey, North America, Mexico, Australia and New Zealand, the book is divided into four sections: 1) Transmission and re-conceptualisation of classical architecture; 2) Classical influence through colonialism, political ideology and religious conversion; 3) Historiographical surveys of geographical regions; and 4) Visual and textual discourses. This fourfold arrangement of chapters provides a coherent structure to accommodate different perspectives of classical reception across the world, and their geographical, ethnographic, ideological, symbolic, social and cultural contexts. Essays cover a wide geography and include studies in Italy, France, England, Scotland, the Nordic countries, Greece, Austria, Portugal, Romania, Germany, Poland, India, Singapore, China, the USA, Mexico, Brazil, New Zealand and Australia. Other essays in the volume focus on thematic issues or topics pertaining to classical architecture, such as ornament, spolia, humanism, nature, moderation, decorum, heresy and taste. An essential reference guide, The Routledge Handbook on the Reception of Classical Architecture makes a major contribution to the study of architectural history in a new global context.