The Classical Hollywood Reader

The Classical Hollywood Reader

Author: Steve Neale

Publisher: Routledge

Published: 2012-11-12

Total Pages: 484

ISBN-13: 113572007X

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The Classical Hollywood Reader brings together essential readings to provide a history of Hollywood from the 1910s to the mid 1960s. Following on from a Prologue that discusses the aesthetic characteristics of Classical Hollywood films, Part 1 covers the period between the 1910s and the mid-to-late 1920s. It deals with the advent of feature-length films in the US and the growing national and international dominance of the companies responsible for their production, distribution and exhibition. In doing so, it also deals with film making practices, aspects of style, the changing roles played by women in an increasingly business-oriented environment, and the different audiences in the US for which Hollywood sought to cater. Part 2 covers the period between the coming of sound in the mid 1920s and the beginnings of the demise of the `studio system` in late 1940s. In doing so it deals with the impact of sound on films and film production in the US and Europe, the subsequent impact of the Depression and World War II on the industry and its audiences, the growth of unions, and the roles played by production managers and film stars at the height of the studio era. Part 3 deals with aspects of style, censorship, technology, and film production. It includes articles on the Production Code, music and sound, cinematography, and the often neglected topic of animation. Part 4 covers the period between 1946 and 1966. It deals with the demise of the studio system and the advent of independent production. In an era of demographic and social change, it looks at the growth of drive-in theatres, the impact of television, the advent of new technologies, the increasing importance of international markets, the Hollywood blacklist, the rise in art house imports and in overseas production, and the eventual demise of the Production Code. Designed especially for courses on Hollywood Cinema, the Reader includes a number of newly researched and written chapters and a series of introductions to each of its parts. It concludes with an epilogue, a list of resources for further research, and an extensive bibliography.


The Contemporary Hollywood Reader

The Contemporary Hollywood Reader

Author: Toby Miller

Publisher:

Published: 2009

Total Pages: 0

ISBN-13: 9780415452267

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This work is a selection of previously published work from a wide range of scholars on mainstream US film from the post-World War II period onwards.


The Hollywood Film Music Reader

The Hollywood Film Music Reader

Author: Mervyn Cooke

Publisher: Oxford University Press, USA

Published: 2010-11-04

Total Pages: 394

ISBN-13: 0195331184

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This wide-ranging, stimulating, and entertaining anthology of writings about the experiences of composers working in the high-pressure environment of the US film industry from the silent era to the present day includes both vivid first-hand accounts from the composers themselves and a representative selection of contemporaneous criticism and commentary.


The Silent Cinema Reader

The Silent Cinema Reader

Author: Lee Grieveson

Publisher: Psychology Press

Published: 2004

Total Pages: 448

ISBN-13: 9780415252843

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The Silent Cinema Reader brings together key writings on cinema from the beginnings of film in 1894 to the advent of sound in 1927, addressing the development of film production and exhibition technologies, methods of distribution, film form, and film culture during this critical period on film history. Thematic sections address: film projection and variety shows; storytelling and the Nickelodeon; cinema and reform; feature films and cinema programs; classical Hollywood cinema and European national cinemas. Each section is introduced by the editors, and contains suggestions for further readings and film viewings.


Classical Hollywood Cinema

Classical Hollywood Cinema

Author: James Zborowski

Publisher:

Published: 2016

Total Pages: 137

ISBN-13: 9780719083341

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A focused and well-written study of classic Hollywood films which zeroes in on close analysis.


Experimental Cinema

Experimental Cinema

Author: Wheeler W. Dixon

Publisher: Psychology Press

Published: 2002

Total Pages: 372

ISBN-13: 9780415277877

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Brings together key writings on American avant-garde cinema to explore the long tradition of underground filmmaking from its origins in the 1920s to the work of contemporary film and video artists.


Contemporary Hollywood Cinema

Contemporary Hollywood Cinema

Author: STEVE NEALE

Publisher: Routledge

Published: 2013-04-15

Total Pages: 361

ISBN-13: 1135108765

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A comprehensive overview of the film industry in Hollywood today, Contemporary Hollywood Cinema brings together leading international cinema scholars to explore the technology, institutions, film makers and movies of contemporary American film making.


The Genius of the System

The Genius of the System

Author: Thomas Schatz

Publisher: Henry Holt and Company

Published: 2015-06-02

Total Pages: 530

ISBN-13: 1627796452

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At a time when the studio is making a stunning comeback, film historian Thomas Schatz provides an indispensable account of Hollywood's tradional blend of business and art. This book lays to rest the persistent myth that businesspeople and producers stifle artistic talent and reveals instead the genius of a system of collaboration and conflict. Working from industry documents, Schatz traces the development of house styles, the rise and fall of careers, and the making-and unmaking-of movies, from Frankenstein to Spellbound to Grand Hotel. Richly illustrated and highly readable, The Genius of the System gives the definitive view of the workings of the Old Hollywood and the foundations of the New.


Hollywood Comedians, the Film Reader

Hollywood Comedians, the Film Reader

Author: Frank Krutnik

Publisher: Psychology Press

Published: 2003

Total Pages: 222

ISBN-13: 9780415235518

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Hollywood Comedians, The Film Reader brings together key writings on one of the most consistently popular genres of Hollywood cinema. Despite the cult reputations enjoyed by star performers such as Charlie Chaplin, Buster Keaton, the Marx Brothers and Woody Allen, comedians and the contexts within which they worked have not always received their due in scholarly discussions of cinema culture. Hollywood Comedians, The Film Reader seeks to fill this gap, combining distinguished work on comedian comedy produced since the early 1980s together with more recent material that explores the genre's contemporary revival. This reader provides a comprehensive guide to a range of comedians, contexts and issues: from the silent films of Chaplin and Keaton to the early sound comedy of Mae West and the Marx Brothers, and from the gender dynamics of Hope and Crosby, Lucille Ball and Jerry Lewis to contemporary comedians such as Jim Carrey and Chris Rock. In addition to exploring issues of genre, narrative, stardom and performance, the reader also traces how comedian films manage representations of otherness that are defined through ethnicity, race, class, gender and the body. Articles are grouped in thematic sections, each exploring a central issue to the study of comedian comedy, and featuring an editor's introduction outlining the context of issues and debates. Sections include: *Genre, narrative and performance *Approaches to silent comedy *Sound comedy, the vaudeville aesthetic and ethnicity *Comedian comedy and gender *Post-classical comedian comedy