The Classical Guitarist's Gig Book is an essential collection of classic works either written or transcribed for solo guitar. Many of the pieces are frequently requested for ceremonial or formal events. In addition to containing functional music, concert literature is also included which may be used for a wide spectrum of musical situations. Some of the works are presented as faithful transcriptions while others are treated with mild to generous artistic liberties.
This collection of 146 fingerstyle transcriptions and arrangements covers a wide variety of styles including dozens of popular and jazz standards as well as blues and country songs, sea chanteys, folk ballads, sacred, gospel and Christmas melodies, Celtic and patriotic tunes, children's songs, classical and wedding music, and select Piburn originals. the book is designed as a resource for guitarists in virtually any solo performance situation. the result of years of experience as an arranger/composer and performing guitarist, this book provides a goldmine of tunes for the fingerstyle player. from Greensleeves and the Girl I left Behind Me to 'Round Midnight and the Girl from Ipanema, this comprehensive anthology has it all. You'll be able to compile your set lists for a broad array of venues from this single source! Intermediate to advanced in difficulty with all tunes appearing in standard notation and tablature.
In this update of the Acoustic Guitar Answer Book, Sharon Isbin, the classical guitar virtuoso who heads the Juilliard School Guitar Department, answers 50 essential questions about performing, practicing, and choosing and caring for your guitar. The questions were asked by Acoustic Guitar magazine readers and answered by Isbin in four years of Master Class columns in the magazine. This book collects all this vital information together in an easy reference format - an absolute must for every classical guitar player. Includes new appendices of resources for classical guitarists and students. 88 pages, 9 inch. x 12 inch.
Offering essays by the world's top experts in a full-color, coffee-table quality book, this is the first work to tell the complete story of the classical guitar and its repertoire, players and makers - from its 19th century European roots to modern international interpretations. This handsome softcover volume features lavish photography of classical guitars made by the best luthiers in the world. Additional essays cover use of the classical guitar in pop music, different playing and teaching techniques, the collectors' market, and the science of the guitar. It also features profiles of legendary artists such as Andres Segovia, Julian Bream and John Williams, plus a full discography, a glossary, an index, a bibliography, and a guitar measurement chart.
Like Volume 1 of The Classical Guitarist’s Gig Book, this second volume contains 63 intermediate to advanced solo arrangements of pieces in various styles. From “The Water Is Wide” and Christmas and patriotic favorites to opera arias, “Julia Florida” by Agustín Barrios and Cello Suite No. 1 by J. S. Bach, all the music in this book is written in standard notation only. The author, award-winning composer, university professor, 2013 Winfield Fingerstyle Champion and 2022 Indiana State Fingerstyle Guitar Competition winner, Mark Cruz, has added a few of his own engaging compositions to this exceptional collection—tailor made for the performing classic guitarist.
"Renowned luthier John S. Bogdanovich crafted the project shown inside for his own personal use. The design he presents is simple but elegant and is a composite of ideas borrowed from several different guitars admired for their tonal qualities and aesthetic details. In close-up photographs Bogdanovich invites you to stand by his side and follow the entire process from start to finish. He offers guidance through every step, and explains every decision, from the arrangement of his workbench and the selection of the wood, to tuning and setting up the instrument. Bogdanovich also provides a choice of alternative methods and materials -- to help you find your own style of working, and to enable you to add your personal touches to your project. By the time your instrument is finished, you'll have acquired a world of knowledge, from the difference between quartersawn and flat-sawn wood to the pros and cons of lacquer versus French polish. You'll have mastered dozens of skills, including bending and aminating wood and cutting and seating wire frets. Best of all, you'll have a beautiful instrument, designed to your own specifications, that will give pleasure to everyone who hears it." -- Book jacket.
Every guitarist needs a solid collection of classical pieces to successfully perform at weddings, private parties, restaurants, and other venues. The Huge Book of Classical Guitar Solos in TAB is your ticket to playing any of these occasions with ease. With over 150 solo guitar arrangements of the best-known classical pieces, this collection features both standard music notation and TAB to make learning the pieces quick and easy. It includes compositions from various parts of the world and numerous periods in music history---from the Renaissance to ragtime. With this book, you will be ready for every solo gig that comes your way.
This comprehensive, illustrated text offers an in-depth look at the mechanics and musical thought process of teaching the classical guitar the "why" rather than the "how" the classical guitarist does things a certain way. In the author's words, "Classical Guitar Pedagogy is the study of how to teach guitarists to teach." This university-level text will be of enormous assistance to the teacher in explaining the musical, anatomical, technical, and psychological underpinning of guitar performance. It contains ideas and techniques to help organize your teaching more efficiently, plus tips on career development as a classical guitar teacher and performer. If you make your living as a classical guitar teacher/performer you owe it to yourself and your students to get this book.
This original music for solo and duo guitar features beautiful melodies and convenient fingering and is very easy to perform. the author's comments explain how to move from classical style to jazz. the pieces, divided into two chapters, Etudes and Pieces, are written in different jazz styles: Swing, Bossa Nova, and Blues. Their melodies are perfect and their harmonies refined. Seven duets are included which may be played either by two guitars or by guitar and a melody instrument. They have fine melodies and are easy to perform. the first part can be played by the beginner. These duets can be used in teaching situations with teacher and student playing together. Written in notation only.
