The Clarinet

The Clarinet

Author: Jane Ellsworth

Publisher: Boydell & Brewer

Published: 2021

Total Pages: 309

ISBN-13: 1648250173

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Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.


Notes for Clarinetists

Notes for Clarinetists

Author: Albert R. Rice

Publisher: Oxford University Press

Published: 2017

Total Pages: 300

ISBN-13: 0190205202

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Notes for Clarinetists: A Guide to the Repertoire offers historic and analytical information concerning thirty major works for solo clarinet, clarinet and piano, and clarinet and orchestra. This information will enhance performance and be useful in preparing and presenting concerts, and recitals.


Wind Talk for Woodwinds

Wind Talk for Woodwinds

Author: Mark C. Ely

Publisher: Oxford University Press

Published: 2009-08-20

Total Pages: 749

ISBN-13: 0199887039

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Wind Talk for Woodwinds provides instrumental music teachers, practitioners, and students with a handy, easy-to-use pedagogical resource for woodwind instruments found in school instrumental programs. With thorough coverage of the most common woodwind instruments - flute, oboe, clarinet, saxophone, and bassoon - the book offers the most topical and information necessary for effective teaching. This includes terminology, topics, and concepts associated with each specific instrument, along with teaching suggestions that can be applied in the classroom. Be sure to look to the back of the book for a "Practical Tips" section, which discusses common technical faults and corrections, common problems with sound (as well as their causes and solutions to them), fingering charts, literature lists (study materials, method books, and solos), as well as a list of additional resources relevant to teaching woodwind instruments (articles, websites, audio recordings). Without question, Wind Talk for Woodwinds stands alone as an invaluable resource for woodwinds!


The Cambridge Companion to the Clarinet

The Cambridge Companion to the Clarinet

Author: Colin Lawson

Publisher: Cambridge University Press

Published: 1995-12-14

Total Pages: 264

ISBN-13: 1139825240

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The Cambridge Companion to the Clarinet is a practical guide to the world of the clarinet. It offers students and performers a composite survey of the history and repertoire of the instrument from its origins to the present day, as well as practical guidance on teaching and performing. Special focus is made on the various members of the extensive clarinet family and specialist chapters provide advice on the mechanics of clarinet playing, the art of historical performance, contemporary techniques, and the clarinet in jazz. A chapter on the professional clarinettist introduces the world of the performing musician, while a survey of the clarinet on record provides the listener with a useful guide to the recording history of the instrument. Informed by the experience of distinguished performers and teachers, this book makes an essential and stimulating reference book for all clarinet enthusiasts.


Composers on Record

Composers on Record

Author: Frank Greene

Publisher: Scarecrow Press

Published: 1985

Total Pages: 644

ISBN-13: 9780810818163

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This index includes mainly composers of 'serious' music who are not to be found in any reference work, and others whose names have not appeared in any reference work since the last century.


NACWPI Journal

NACWPI Journal

Author: National Association of College Wind and Percussion Instructors

Publisher:

Published: 1998

Total Pages: 188

ISBN-13:

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The Clarinet Choir

The Clarinet Choir

Author: Friedrich K. Pfatschbacher

Publisher: tredition

Published: 2017-12-05

Total Pages: 128

ISBN-13: 3743974142

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I am very pleased to present a new edition of this book first published in 2005. I have taken the opportunity to include various suggestions and developments in the last ten years. Many new clarinet choirs have been established around the world during this time both in the cultural sector and as training ensembles. This last fact should not however detract from the fact that the clarinet choir as a medium is generally becoming more popular and is emerging as a permanent feature of the concert life in many countries. In the course of giving concerts at home and abroad with my own ensemble, the Austrian Clarinet Choir, I have had the opportunity of getting to know many new arrangements and original works, gaining new inspiration and learning to appreciate the rich possibilities the Clarinet Choir offers. These days, its tonal palette is not only evident to us connoisseurs. In recent times, the public has started to appreciate the scoring of this unique ensemble ranging from the now well-known E flat clarinet down to the Contrabass Clarinet. While I have seen increased interest in the genre in the course of delivering lectures on the subject in Europe, the USA, Latin- and South America, South Africa... it has become apparent that there is hardly any literature on the subject, so it was obviously important to me to have the book translated into English and Spanish and to include as much new information and additional research as I could.