Bring on the Books for Everybody

Bring on the Books for Everybody

Author: Jim Collins

Publisher: Duke University Press

Published: 2010-06-30

Total Pages: 300

ISBN-13: 082239197X

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Bring on the Books for Everybody is an engaging assessment of the robust popular literary culture that has developed in the United States during the past two decades. Jim Collins describes how a once solitary and print-based experience has become an exuberantly social activity, enjoyed as much on the screen as on the page. Fueled by Oprah’s Book Club, Miramax film adaptations, superstore bookshops, and new technologies such as the Kindle digital reader, literary fiction has been transformed into best-selling, high-concept entertainment. Collins highlights the infrastructural and cultural changes that have given rise to a flourishing reading public at a time when the future of the book has been called into question. Book reading, he claims, has not become obsolete; it has become integrated into popular visual media. Collins explores how digital technologies and the convergence of literary, visual, and consumer cultures have changed what counts as a “literary experience” in phenomena ranging from lush film adaptations such as The English Patient and Shakespeare in Love to the customer communities at Amazon. Central to Collins’s analysis and, he argues, to contemporary literary culture, is the notion that refined taste is now easily acquired; it is just a matter of knowing where to access it and whose advice to trust. Using recent novels, he shows that the redefined literary landscape has affected not just how books are being read, but also what sort of novels are being written for these passionate readers. Collins connects literary bestsellers from The Jane Austen Book Club and Literacy and Longing in L.A. to Saturday and The Line of Beauty, highlighting their depictions of fictional worlds filled with avid readers and their equations of reading with cultivated consumer taste.


The Claims of Literary Culture: An Address Introductory to the Preliminary Course in the Hahnemann Medical College of Philadelphia, Delivered Septembe

The Claims of Literary Culture: An Address Introductory to the Preliminary Course in the Hahnemann Medical College of Philadelphia, Delivered Septembe

Author: Hiram Corson

Publisher: Wentworth Press

Published: 2019-03-21

Total Pages: 54

ISBN-13: 9781010546276

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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.


Stanley Cavell and the Claim of Literature

Stanley Cavell and the Claim of Literature

Author: David Rudrum

Publisher: JHU Press

Published: 2013-11-11

Total Pages: 301

ISBN-13: 1421410494

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An analysis of the significance of literature in the work of one of America's most influential contemporary philosophers. Stanley Cavell is widely recognized as one of America's most important contemporary philosophers, and his legacy and writings continue to attract considerable attention among literary critics and theorists. Stanley Cavell and the Claim of Literature comprehensively addresses the importance of literature in Cavell's philosophy and, in turn, the potential effect of his philosophy on contemporary literary criticism. David Rudrum dedicates a chapter to each of the writers that principally occupy Cavell, including Shakespeare, Thoreau, Beckett, Wordsworth, Ibsen, and Poe, and incorporates chapters on tragedy, skepticism, ethics, and politics. Through detailed analysis of these works, Rudrum explores Cavell's ideas on the nature of reading; the relationships among literary language, ordinary language, and performative language; the status of authors and characters; the link between tragedy and ethics; and the nature of political conversation in a democracy.


Literary Freedom

Literary Freedom

Author: Heather Katherine McRobie

Publisher: John Hunt Publishing

Published: 2013-12-13

Total Pages: 103

ISBN-13: 1780998791

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Literary Freedom: a Cultural Right to Literature is a non-fiction study of literary freedom from a political-philosophical perspective. It adds an original perspective on the issue of literary freedom as it synthesizes debates from human rights as well as providing a new way of addressing the question 'How do we mitigate against the harm caused by hate speech?' by applying Amartya Sen's capability approach to this question. ,


Writing and Madness

Writing and Madness

Author: Shoshana Felman

Publisher: Stanford University Press

Published: 2003

Total Pages: 308

ISBN-13: 9780804744492

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This is the author's most influential work of literary theory and criticism in which she explores the relations between literature, philosophy, and psychoanalysis.


Dead Souls

Dead Souls

Author: Sam Riviere

Publisher: Catapult

Published: 2022-07-19

Total Pages: 305

ISBN-13: 1646221338

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For readers of Roberto Bolaño's Savage Detectives and Muriel Spark's Loitering with Intent, this "sublime" and "delightfully unhinged" metaphysical mystery disguised as a picaresque romp follows one poet's spectacular fall from grace to ask a vital question: Is everyone a plagiarist? (Nicolette Polek, author of Imaginary Museums). A scandal has shaken the literary world. As the unnamed narrator of Dead Souls discovers at a cultural festival in central London, the offender is Solomon Wiese, a poet accused of plagiarism. Later that same evening, at a bar near Waterloo Bridge, our narrator encounters the poet in person, and listens to the story of Wiese's rise and fall, a story that takes the entire night—and the remainder of the novel—to tell. Wiese reveals his unconventional views on poetry, childhood encounters with "nothingness," a conspiracy involving the manipulation of documents in the public domain, an identity crisis, a retreat to the country, a meeting with an ex-serviceman with an unexpected offer, the death of an old poet, a love affair with a woman carrying a signpost, an entanglement with a secretive poetry cult, and plans for a triumphant return to the capital, through the theft of poems, illegal war profits, and faked social media accounts—plans in which our narrator discovers he is obscurely implicated. Dead Souls is a metaphysical mystery brilliantly encased in a picaresque romp, a novel that asks a vital question for anyone who makes or engages with art: Is everyone a plagiarist?