This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1976.
For thousands of years, Crete has been of paramount strategic importance, thanks to its location close to the junction of three continents and the heart of the eastern Mediterranean. It’s perhaps not surprising, therefore, that when they ruled Crete, the Greeks called it “Megalónisos” or the “Great Island.” Yet the island has been ruled for much of its history by foreign invaders—including Mycenaeans, Dorians, Romans, Byzantines, Arabs, Venetians, Ottoman Turks, and, briefly, the Third Reich. In A History of Crete, Chris Moorey explores the history of the Great Island from mythological Crete until today and sheds light on how the Cretans themselves have interacted with their conquerors. A History of Crete portrays the Cretans as fierce lovers of freedom who worked around and with the influence of foreign rule on their culture. In an engaging and lively style, Moorey emphasizes and contrasts two periods at either end of these three thousand years of domination: the dazzling apogee of the Minoan civilization from the Bronze Age, representing the first advanced civilization in Europe, and the brief period of autonomy before union with Greece at the beginning of the twentieth century. A History of Crete shows how the history of the contested island affected its people and made them to the Cretans of today.
"This marvelous and uniquely comprehensive book sets a new, high standard of excellence in the study of Greek archaeology."--Ronald S. Stroud, University of California, Berkeley
In this lively survey, Guy D. Middleton critically examines our ideas about collapse - how we explain it and how we have constructed potentially misleading myths around collapses - showing how and why collapse of societies was a much more complex phenomenon than is often admitted.
Before Sir Arthur Evans, the principal object of Greek prehistoric archaeology was the reconstruction of history in relation to myth. European travellers to Greece viewed its picturesque ruins as the gateway to mythical times, while Heinrich Schliemann, at the end of the nineteenth century, allegedly uncovered at Troy and Mycenae the legendary cities of the Homeric epics. It was Evans who, in his controversial excavations at Knossos, steered Aegean archaeology away from Homer towards the broader Mediterranean world. Yet in so doing he is thought to have done his own inventing, recreating the Cretan Labyrinth via the Bronze Age myth of the Minotaur. Nanno Marinatos challenges the entrenched idea that Evans was nothing more than a flamboyant researcher who turned speculation into history. She argues that Evans was an excellent archaeologist, one who used scientific observation and classification. Evans's combination of anthropology, comparative religion and analysis of cultic artefacts enabled him to develop a bold new method which Sir James Frazer called 'mental anthropology'. It was this approach that led him to propose remarkable ideas about Minoan religion, theories that are now being vindicated as startling new evidence comes to light. Examining the frescoes from Akrotiri, on Santorini, that are gradually being restored, the author suggests that Evans's hypothesis of one unified goddess of nature is the best explanation of what they signify. Evans was in 1901 ahead of his time in viewing comparable Minoan scenes as a blend of ritual action and mythic imagination. Nanno Marinatos is a leading authority on Minoan religion. In this latest book she combines history, archaeology and myth to bold and original effect, offering a wholly new appraisal of Evans and the significance of his work. Sir Arthur Evans and Minoan Crete will be essential reading for all students of Minoan civilization, as well as an irresistible companion for travellers to Crete.
