[PDF] Full The Civilian Conservation Corps In Colorado 1933 1942 Us Forest Service And Bureau Of Indian Affairs Camps Download eBook

The Civilian Conservation Corps in Colorado

Author: Robert W. Audretsch

Publisher:

Published: 2017

Total Pages: 234

ISBN-13: 9781457555206

The world was without hope for many of Colorado's young men in 1933. Youth unemployment was 25 percent and another 29 percent were working only part-time. Many quit school before graduation to work odd jobs to support their families. Others took to hitching rides on railroad cars desperate for a new opportunity. Even young men who finished their schooling were without work as they had no job experience or training. Then, in 1933, with the beginning of the Civilian Conservation Corps (CCC) young men could go to work in Colorado's national parks, state parks, national forests and other public lands. They no longer worried where their next meal would come from. Now they could learn new job skills. In Colorado CCC boys planted trees, erected fences and telephone lines and put out forest fires. Today we still use the roads and trails they built. CCC work was made to last. At the program's end in 1942 over 30,000 Colorado men served at over one hundred twenty camps. And work was completed in nearly every county in the state. Robert W. "Bob" Audretsch retired as a National Park Service ranger at Grand Canyon in 2009 after nearly 20 years of service. Since then, he has devoted himself full time to research and writing about the Civilian Conservations Corps (CCC). Bob grew up in Detroit, Michigan, and attended Wayne State University where he received a BA in history and a MS in library science. Prior to his work as a ranger, he was a librarian in Michigan, Ohio, and Colorado. Bob has a lifelong interest in history, nature, books, and art and has written numerous publications in the ﬁelds of library science, sports, and history. Bob is the author of Grand Canyon's Phantom Ranch (Arcadia Publishing, 2012), Shaping the Park and Saving the Boys: The Civilian Conservation Corps at Grand Canyon, 1933-1942 (Dog Ear Publishing, 2011), We Still Walk in Their Footprint: The Civilian Conservation Corps in Northern Arizona, 1933-1942 (Dog Ear Publishing, 2013), Selected Grand Canyon Area Hiking Routes, Including the Little Colorado River and Great Thumb (Dog Ear Publishing, June, 2014) and, with Sharon Hunt, The Civilian Conservation Corps in Arizona (Images of America) (Arcadia Publishing). He resides in Lakewood, Colorado.

The Civilian Conservation Corps and the National Park Service, 1933-1942

Author: John C. Paige

Publisher:

Published: 1985

Total Pages: 264

ISBN-13:

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The African-American Experience in the Civilian Conservation Corps

Author: Olen Cole

Publisher:

Published: 1999

Total Pages: 114

ISBN-13: 9780813016603

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BETWEEN 1933 and 1942, nearly 200,000 young African-Americans participated in the Civilian Conservation Corps (CCC), one of Franklin D. Roosevelt's most successful New Deal agencies. In an effort to correct the lack of historical attention paid to the African-American contribution to the CCC, Olen Cole, Jr., examines their participation in the Corps as well as its impact on them. Though federal legislation establishing the CCC held that no bias of "race, color, or creed" was to be tolerated, Cole demonstrates that the very presence of African-Americans in the CCC, as well as the placement of the segregated CCC work camps in predominantly white California communities, became significant sources of controversy. Cole assesses community resistance to all-black camps, as well as the conditions of the state park camps, national forest camps, and national park camps where African-American work companies in California were stationed. He also evaluates the educational and recreational experiences of African-American CCC participants, their efforts to combat racism, and their contributions to the protection and maintenance of California's national forests and parks. Perhaps most important, Cole's use of oral histories gives voice to individual experiences: former Corps members discuss the benefits of employment, vocational training, and character development as well as their experiences of community reaction to all-black CCC camps. An important and much neglected chapter in American history, Cole's study should interest students of New Deal politics, state and national park history, and the African-American experience in the twentieth century.

A New Deal for Native Art

Author: Jennifer McLerran

Publisher: University of Arizona Press

Published: 2022-08-16

Total Pages: 312

ISBN-13: 0816550379

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As the Great Depression touched every corner of America, the New Deal promoted indigenous arts and crafts as a means of bootstrapping Native American peoples. But New Deal administrators' romanticization of indigenous artists predisposed them to favor pre-industrial forms rather than art that responded to contemporary markets. In A New Deal for Native Art, Jennifer McLerran reveals how positioning the native artist as a pre-modern Other served the goals of New Deal programs—and how this sometimes worked at cross-purposes with promoting native self-sufficiency. She describes federal policies of the 1930s and early 1940s that sought to generate an upscale market for Native American arts and crafts. And by unraveling the complex ways in which commodification was negotiated and the roles that producers, consumers, and New Deal administrators played in that process, she sheds new light on native art’s commodity status and the artist’s position as colonial subject. In this first book to address the ways in which New Deal Indian policy specifically advanced commodification and colonization, McLerran reviews its multi-pronged effort to improve the market for Indian art through the Indian Arts and Crafts Board, arts and crafts cooperatives, murals, museum exhibits, and Civilian Conservation Corps projects. Presenting nationwide case studies that demonstrate transcultural dynamics of production and reception, she argues for viewing Indian art as a commodity, as part of the national economy, and as part of national political trends and reform efforts. McLerran marks the contributions of key individuals, from John Collier and Rene d’Harnoncourt to Navajo artist Gerald Nailor, whose mural in the Navajo Nation Council House conveyed distinctly different messages to outsiders and tribal members. Featuring dozens of illustrations, A New Deal for Native Art offers a new look at the complexities of folk art “revivals” as it opens a new window on the Indian New Deal.