The Cinema of Lost Dreams

The Cinema of Lost Dreams

Author: Alli Sinclair

Publisher: Lyrical Press

Published: 2019-11-05

Total Pages: 424

ISBN-13: 151610918X

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In Alli Sinclair’s moving story of love, loss, and ambition, two independent women, born decades apart, strive to fulfill their dreams. In the movies, anything is possible. But as location manager Claire Montgomery knows, real life offers constant challenges, especially in an industry dominated by men. For her new project, Claire needs access to a beautiful Art Deco cinema located in Starlight Creek, a small town in northern Australia wine country. Though the movie theater and its elderly owner, Hattie, are both charming, Hattie’s handsome great-nephew isn’t so easy to convince. Claire must win their trust and permission, though even if she succeeds, she’ll face more complications that she could have anticipated . . . 1950s Hollywood: Lena Lee has worked hard to get ahead in Hollywood without getting caught up in backstabbing and infighting like so many other actors. In an era when censorship is rife and accusations of communism are rampant, Lena sees her star on the rise. But with increased visibility comes a greater awareness of what’s expected from women in her position. Lena is not willing to stay silent and go along with the game. Will she risk her career—and a newfound love—to stand up for what she thinks is right?


Forgotten Dreams

Forgotten Dreams

Author: Laurie Ruth Johnson

Publisher: Boydell & Brewer

Published: 2016

Total Pages: 314

ISBN-13: 1571139117

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Offers not only an analytical study of the films of Herzog, perhaps the most famous living German filmmaker, but also a new reading of Romanticism's impact beyond the nineteenth century and in the present.


The Cinema of David Lynch

The Cinema of David Lynch

Author: Erica Sheen

Publisher: Wallflower Press

Published: 2004

Total Pages: 220

ISBN-13: 9781903364857

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This is a study of one of Hollywood's most popular and critically acclaimed directors. Films discussed include 'Blue Velvet', 'Wild at Heart', 'The Straight Story' and 'Mulholland Drive'.


Mountain Of Lost Dreams

Mountain Of Lost Dreams

Author: Annelie Botes

Publisher: Penguin Random House South Africa

Published: 2012-10-01

Total Pages: 379

ISBN-13: 0143529439

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Set in the farming community of the Kammanassie mountains in the Eastern Cape, Annelie Botes's family saga takes us into the world of the Verryne family - Daniel the father, and Schoonraad the son. Both men are passionate about their land and about preserving the beauty of the wildlife and fynbos around them, but they are both headstrong individuals who share an uncompromising obstinacy. A single incident which neither of them can confront drives them apart, creating a rift which seems impossible to bridge ... Botes's evocative style, with its touches of magical realism, and her ability to bring her characters vividly to life, makes Mountain of Lost Dreams a thoroughly entertaining read.


Dreaming of Cinema

Dreaming of Cinema

Author: Adam Lowenstein

Publisher:

Published: 2014-11-11

Total Pages: 280

ISBN-13: 9780231166560

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Adam Lowenstein argues that Surrealism's encounter with film can help redefine the meaning of cinematic spectatorship in an era of popular digital entertainment. Video games, YouTube channels, Blu-ray discs, and other forms of ÒnewÓ media have made theatrical cinema seem Òold.Ó A sense of Òcinema lostÓ has accompanied the ascent of digital media, and many worry filmÕs special capacity to record the real is either disappearing or being fundamentally changed by new mediaÕs different technologies. The Surrealist movement offers an ideal platform for resolving these tensions, undermining the claims of cinemaÕs crisis of realism and offering an alternative interpretation of filmÕs aesthetics and function. The Surrealists never treated cinema as a realist medium and understood our perceptions of the real itself to be a mirage. Reading the writing, films, and art of Luis Bu–uel, Salvador Dal’, Man Ray, AndrŽ Breton, AndrŽ Bazin, Roland Barthes, Georges Bataille, Roger Caillois, and Joseph Cornell, and tracing their influence in the films of David Cronenberg, Nakata Hideo, and Atom Egoyan; the American remake of the Japanese Ring (1998); and a YouTube channel devoted to Rock Hudson, this innovative approach puts past and present cinema into conversation to recast the meaning of cinematic spectatorship in the twenty-first century.


Education in the School of Dreams

Education in the School of Dreams

Author: Jennifer Lynn Peterson

Publisher: Duke University Press Books

Published: 2013-05-22

Total Pages: 0

ISBN-13: 9780822354413

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In the earliest years of cinema, travelogues were a staple of variety film programs in commercial motion picture theaters. These short films, also known as "scenics," depicted tourist destinations and exotic landscapes otherwise inaccessible to most viewers. Scenics were so popular that they were briefly touted as the future of film. But despite their pervasiveness during the early twentieth century, travelogues have been overlooked by film historians and critics. In Education in the School of Dreams, Jennifer Lynn Peterson recovers this lost archive. Through innovative readings of travelogues and other nonfiction films exhibited in the United States between 1907 and 1915, she offers fresh insights into the aesthetic and commercial history of early cinema and provides a new perspective on the intersection of American culture, imperialism, and modernity in the nickelodeon era. Peterson describes the travelogue's characteristic form and style and demonstrates how imperialist ideologies were realized and reshaped through the moving image. She argues that although educational films were intended to legitimate filmgoing for middle-class audiences, travelogues were not simply vehicles for elite ideology. As a form of instructive entertainment, these technological moving landscapes were both formulaic and also wondrous and dreamlike. Considering issues of spectatorship and affect, Peterson argues that scenics produced and disrupted viewers' complacency about their own place in the world.


The Cinema of Michael Mann

The Cinema of Michael Mann

Author: Steven Rybin

Publisher: Lexington Books

Published: 2007

Total Pages: 250

ISBN-13: 9780739120439

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Examines the work of Michael Mann, Hollywood director through a critical study of his film style and its relationship to genre, film criticism, auteurism, and historical context. This book covers Mann's filmography, from his beginning in television to his film adaptation of the television series "Miami Vice".


Africa's Lost Classics

Africa's Lost Classics

Author: Lizelle Bisschoff

Publisher: Routledge

Published: 2017-07-05

Total Pages: 408

ISBN-13: 1351577387

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Until recently, the story of African film was marked by a series of truncated histories: many outstanding films from earlier decades were virtually inaccessible and thus often excluded from critical accounts. However, various conservation projects since the turn of the century have now begun to make many of these films available to critics and audiences in a way that was unimaginable just a decade ago. In this accessible and lively collection of essays, Lizelle Bisschoff and David Murphy draw together the best scholarship on the diverse and fragmented strands of African film history. Their volume recovers over 30 'lost' African classic films from 1920-2010 in order to provide a more complex genealogy and begin to trace new histories of African filmmaking: from 1920s Egyptian melodramas through lost gems from apartheid South Africa to neglected works by great Francophone directors, the full diversity of African cinema will be revealed.


The British Film Industry in the 1970s

The British Film Industry in the 1970s

Author: S. Barber

Publisher: Springer

Published: 2013-01-22

Total Pages: 234

ISBN-13: 1137305924

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Is there more to 1970s British cinema than sex, horror and James Bond? This lively account argues that this is definitely the case and explores the cultural landscape of this much maligned decade to uncover hidden gems and to explode many of the well-established myths about 1970s British film and cinema.