Ice hockey has featured in North American films since the early days. Hockey's sizable cinematic repertoire explores different views of the sport, including the role of aggression, the business of sports, race and gender, and the role of women in the game. This critical study focuses on hockey themes in more than 50 films and television movies from the U.S. and Canada spanning several decades. Depictions of historical games are discussed, including the 1980 "Miracle on Ice" and the 1972 Summit Series. National myths that inform ideas of the hockey player are examined. Production techniques that enhance hockey as on-screen spectacle are covered.
This new volume in the Greenwood Press series Reference Guides to the World's Cinema discusses the films and personalities of the Canadian cinema. This guide encompasses the diverse output of both the English and French Canadian communities and includes 175 films and 125 filmmakers and actors. Alphabetically arranged entries discuss important films, actors, directors, shorts, and a number of experimental films. With few exceptions, films are included only if their production company was incorporated in Canada. Similarly, filmmakers and actors represent people who have worked primarily in Canada. This guide will interest scholars, students, and film buffs. Brief bibliographies after each entry provide sources for further reading. Three appendixes provide additional information regarding Canadian born filmmakers and actors excluded from the main text, winners of Canadian film awards, and a listing of the top ten Canadian films.
Contemporary Cuba is opening up to the rest of the world. Its colonial past and the Communist revolution have left a lasting imprint on society, yet there is a tangible sense of rapid change which is reflected in the island's national cinema. New screen technologies and digital distribution media have supported the efficacy and global reach of Cuban filmmakers whose work, somewhat in lieu of adequate distribution and traditional screening facilities in Cuba itself, is often disseminated via 'flash' (USB memory sticks).Channelling an energetic DIY attitude through grassroots movements and ad-hoc resourcefulness, the new filmmakers of Cuba have inspired the editors of this book to embrace their contagious enthusiasm through essays on authentic Cuban cinema. Whilst the book provides a comprehensive overview of the history behind current practices, it also moves beyond this to examine key case studies as well as 'snapshots' of individuals working within the industry today. Chapters celebrate the shared creativity as well as diversity of Cuban cinema, including both productions of the Cuban Film Institute's (ICAIC) as well as those from the industry margins. The films discussed demonstrate a driving cinematic force through social criticism, the emphasis of debate and historical change through film, reassessments of gender relations, the use of new technologies and much more.
Now a feature film produced by Academy Award-nominee Howard Baldwin and featuring Dylan Playfair, Jack Mulhern, Trevor Gretzky, and Elektra Kilbey! In his hilarious, gritty, and touching debut, Bill Keenan—a hockey star once on the fast-track to the NHL—tells of how he overcame multiple obstacles to find fulfillment and redemption in the strange world of European minor-league professional hockey. Keenan’s hockey obsession begins as a five-year-old on Lasker Rink in New York’s Central Park—“love at first stride,” as he calls it. He then becomes the youngest, and skinniest, player on the New York Bobcats, a Junior B hockey team. Later, after his hockey career at Harvard doesn’t end as planned—with a fat NHL contract—Keenan decides to play in the minor leagues in Europe, where the glamour of professional sports is decidedly lacking. Part fish-out-of-water travelogue, part coming-of-age memoir, Odd Man Rush will capture the interest of not just hockey fans, but also fans of good writing. Throughout, Keenan’s deep affection for the game shines through, even as he describes fans who steal players’ clothes from the locker room or toss empty beer cans onto the rink after games. Abusive fans, cold showers, long bus rides—nothing diminishes his love for the sport. “Because that’s the way it works with me and hockey. Even when it’s horrible, it’s wonderful.” Skyhorse Publishing, as well as our Sports Publishing imprint, are proud to publish a broad range of books for readers interested in sports—books about baseball, pro football, college football, pro and college basketball, hockey, or soccer, we have a book about your sport or your team. Whether you are a New York Yankees fan or hail from Red Sox nation; whether you are a die-hard Green Bay Packers or Dallas Cowboys fan; whether you root for the Kentucky Wildcats, Louisville Cardinals, UCLA Bruins, or Kansas Jayhawks; whether you route for the Boston Bruins, Toronto Maple Leafs, Montreal Canadiens, or Los Angeles Kings; we have a book for you. While not every title we publish becomes a New York Times bestseller or a national bestseller, we are committed to publishing books on subjects that are sometimes overlooked by other publishers and to authors whose work might not otherwise find a home.
Female Olympian and Paralympian Events is a groundbreaking book that examines women’s sports in the Olympic and Paralympic Games, which have long been underappreciated and under-analyzed. The book begins with a brief background on women’s participation in the Olympic Games and their role relative to the International Olympic Committee, then introduces the underlying Gendered Critical Discourse Analysis theory used throughout the book’s analysis before delving into a literature review of female Olympians and Paralympians’ events. It includes a listing of noteworthy “firsts” in the field, followed by individual discussions of twenty-eight Summer and seven Winter events, analyzed according to their historical, rhetorical, and popular cultural representations. Women’s unique role(s) in the various events are discussed, particular athletes and Paralympic events are highlighted, and original tables are also included. At the end of each section, affiliated organizations and resources are included in this invaluable referential volume.
This in-depth companion guide celebrates movies centered on sports-oriented stories, characters, events, or backdrops, complete with more than 200 black-and-white movie stills.
Canadian National Cinema explores the idea of the nation across Canada's film history, from early films of colonisation and white settlement such as The Wheatfields of Canada and Back to God's Country, to recent films like Nô, LE ConfessionalMon Oncle Antoine, Grey Fox, Highway 61, Kanehsatake, and I've Heard the Mermaids Singing.
An auteur and the creator of multiple cinematic universes, James Wan has become one of the most successful directors in history, his films breaking box office records worldwide. Yet there is little scholarship on Wan's work. This collection of new essays fills the gap with contributions from around the globe offering analysis of his film and television productions, including Saw (2004), Aquaman (2018) and The Conjuring Universe franchise, along with less well-known works like Death Sentence (2007), Dead Silence (2007) and his pilot for the new MacGyver series. For the first time, Wan's films are explored in-depth from wide range of critical perspectives.
Like many a Canadian kid, Stephen Smith was up on skates first thing as a boy, out in the weather chasing a puck and the promise of an NHL career. Back indoors after that didn't quite work out, he turned to the bookshelf. That's where, without entirely meaning to, he ended up reading all the hockey books. There was Crunch and Boom Boom, Slashing! and High Stick; there was Max Bentley: Hockey's Dipsy-Doodle Dandy, Blue Line Murder, and Nagano, a Czech hockey opera. There was Blood on the Ice, Cracked Ice, Fire On Ice, Power On Ice, Cowboy On Ice, and Steel On Ice. In Puckstruck, Smith chronicles his wide-eyed and sometimes wincing wander through hockey's literature, language, and culture, weighing its excitement and unbridled joy against its costs and vexing brutality. In exploring his own lifelong love of the game, hoping to surprise some sense out of it, he sifts hockey's narratives in search of hockey's heart, what it means and why it should distress us even as we celebrate its glories. On a journey to discover what the game might have to say about who we are as Canadians, he seeks to answer some of its essential riddles.
