Fleeing the dark reign of Norman Osborn and his Dark Avengers, the X-Men have created a new home for themselves on the floating island of Utopia, where they begin to feel safe until they find themselves under attack by Emplate, an enemy from the past who is a vampiric mutant.
The Voice of Newfoundland studies cultural and political changes in Newfoundland from 1939 to 1949 by taking a close look at the Broadcasting Corporation of Newfoundland's radio programming and the responses of their listeners.
This volume provides a historical overview of the development and role of Anglo-Canadian folklore studies in Canada and their relationship to similar research conducted with respect to French Canadians, minority groups within Canada, within the wider Canadian context, and at the international level.
This bibliography endeavors to record every short story written in English by a Canadian author and first published during the period 1950–1983, and contains 20,000 citations to stories by more than 5,300 authors. Organized alphabetically by author's last name, it includes references to anthology and story-collection appearances by these authors, thus providing a complete publishing history of each story cited. Hundreds of Canadian periodicals and dozens of anthologies were searched; in addition, the bibliography cites appearances by Canadian stories in foreign books and periodicals.
p>This anthology offers readers a selection of Newfoundland writing which will illuminate the unfolding of the province’s history and culture and at the same time command respect as literature. It is comprised of 65 selections from literary and historical sources, which range in time from an extract from the Vinland sagas to a poem written in 1968 by a Newfoundlander. The selections are arranged in four parts: Discovery and Exploration; Transatlantic Outpost; Colonial Era; Breakers Ahead (contemporary). Each selection is prefaced by a brief introduction.
Musical media and the audio recording industry have an important and complex history in Newfoundland and Labrador: professional musicians, community songwriters, local institutions, and even politicians have gone on record. The result is a widespread body of work that undercuts the idea of recorded music as a cultural commodity and deepens the province's tradition of cultural activism. Drawing on contemporary testimony and over fifty years of interviews, On Record explores how recording projects have served as sonic signatures, forms of protest, homage, or parody of the foibles of those in power. Beverley Diamond examines how audio recording in Newfoundland and Labrador has been shaped not merely by creative individuals, but by such events as resettlement, residential schools, the cod moratorium, technological change, and disasters that have befallen those who live and work on the North Atlantic. A chapter by ethnomusicologist and musician Mathias Kom examines the widespread response to a unique annual "challenge" to make an audio recording. Spanning both commercial and community-oriented initiatives, this book reflects the vibrant, socially engaged, and resilient nature of communities that value simultaneously and equally the highest professional standards and the creative potential of every citizen. Encompassing music from both settler and Indigenous communities, On Record redefines the culture of a province that has most often been associated with traditional music, demonstrating that recording goes beyond the creation of a commodity: it responds to the present and to constructs of public memory.
This book is the first full-length volume to offer acomprehensive introduction to the English spoken in Britain's oldestoverseas colony, and, since 1949, Canada's youngest province. Within NorthAmerica, Newfoundland and Labrador English is a highly distinctive speechvariety. It is known for its generally conservative nature, having retainedclose ties with its primary linguistic roots, the traditional speech ofsouthwestern England and southern Ireland. It is also characterised by ahigh degree of regional and social variation. Over the past half century,the region has experienced substantial social, economic and cultural change. This is reflected linguistically, as younger generations of Newfoundlandersand Labradorians increasingly align themselves with 'mainland' NorthAmerican norms. The volume includes:*An accessible description of thephonological, grammatical, lexical and discourse features of thisvariety*Treatment of regional speech variation within the province, and itshistorical sources*Discussion of the social underpinnings of ongoinglanguage change *Language samples from both traditional and contemporaryspeakers*A survey of published work on Newfoundland and Labrador Englishfrom earlier centuries to the present day.
A native of Halifax, Malcolm MacLeod has lived in Newfoundland since the 1970s. He is a past president of the Newfoundland Historical Society and a long time member of the History Department at Memorial University of Newfoundland. Crossroads Country is a collection of life stories from people who grew up in Newfoundland before confederation. It examines the various ties that Newfoundland experienced with Canada, the United States, and Great Britain. Stories of communities and friendships, kin networks and education in Newfoundland and abroad are woven into a tapestry of Newfoundland culture of the 1920s, 30s, and 40s.
This book is the only comprehensive bibliography of Canadian folklore in English. The 3877 different items are arranged by genres: folktales; folk music and dance; folk speech and naming; superstitions, popular beliefs, folk medicine, and the supernatural; folk life and customs; folk art and material culture; and within genres by ethnic groups: Anglophone and Celtic, Francophone, Indian and Inuit, and other cultural groups. The items include reference books, periodicals, articles, records, films, biographies of scholars and informants, and graduate theses. Each items is annotated through a coding that indicates whether it is academic or popular, its importance to the scholar, and whether it is suitable for young people. The introduction includes a brief survey of Canadian folklore studies, putting this work into academic and social perspective. The book covers all the important items and most minor items dealing with Canadian folklore published in English up to the end of 1979. It is concerned with legitimate Canadian folklore – whether transplanted from other countries and preserved here, or created here to reflect the culture of this country. It distinguishes between authentic folklore presented as collected and popular treatments in which the material has been rewritten by the authors. Intended primarily for scholars of folklore, international as well as Canadian, the book will also be of use to scholars in anthropology, cultural geography, oral history, and other branches of Canadian culture studies, as well as to librarians, teachers, and the general public.