As an age of empire and industry dawned in the wake of American Civil War, Southerners grappled with what it meant to be modern. The fair expositions popular at this time allowed Southerners to explore this changing world on their own terms. On a local, national, and global stage, African Americans, New South boosters, New Women, and Civil War soldiers presented their dreams of the future to prove to the world how rapidly the South had embraced and, in the words of Henry Grady in 1890, built "from pitiful resources a great and expanding empire." Nowhere was this more apparent than at the Atlanta and Nashville world's fairs held at the close of the nineteenth century. Here, Southerners presented themselves as modern and imperial citizens ready to spread the South's culture and racial politics across the globe. Unlike the World's Columbian Exposition held in Chicago in 1893, the Southern expositions also gave African Americans an opportunity to present their own vision of modernity within the fairs' "Negro Buildings." At the fairs, southern African Americans defined themselves as both a separate race and a modern people, as "New Negroes." In Dream of the Future, Cardon explores these assertions of Southern identity and culture, critically placing them within the wider context of imperialism and industrialization.
During the 1930s in the United States, the Works Progress Administration developed the Federal Writers’ Project to support writers and artists while making a national effort to document the country’s shared history and culture. The American Guide series consists of individual guides to each of the states. Little-known authors—many of whom would later become celebrated literary figures—were commissioned to write these important books. John Steinbeck, Saul Bellow, Zora Neale Hurston, and Ralph Ellison are among the more than 6,000 writers, editors, historians, and researchers who documented this celebration of local histories. Photographs, drawings, driving tours, detailed descriptions of towns, and rich cultural details exhibit each state’s unique flavor. The beautiful landscape as well as the significant role of the coal mining industry are both detailed in the WPA Guide to West Virginia. The essay “Country Folk and Country Ways” gives the reader an idea of how rural life was in the Mountain State in the early 20th century and the descriptions of Charleston, Clarksburg, and other cities are complete with stunning photographs of classic Southern architecture.
compiled by workers of the Writers' Program of the Work Projects Administration in the state of Washington ; sponsored by the Washington State Historical Society. Rev. ed. /$bwith added material by Howard McKinley Corning.
Scotty's Castle is a study in contrasts, much like its setting in Death Valley. While the castle is known worldwide and has been visited by hundreds of thousands of tourists, many myths persist. It is not a castle, nor was it owned by Walter E. Scott, known as "Death Valley Scotty." But the Spanish-style hacienda, also known as Death Valley Ranch, has always been linked to Scott. This book explores the fascinating history of Death Valley Scotty, Albert and Bessie Johnson (the true owners and builders of the castle), and the castle itself from construction to private living quarters to a tourist facility owned and operated by the National Park Service.