"Claire Wilkins is at her wits' end with her son, Brandon, a college dropout who spends his time lounging around the house. Tired of seeing him waste his life playing video games and trolling the Internet, Claire gives him an ultimatum: get a job, get back to school...or get out...." page [4] of cover.
With the same gripping tension of The Girl on the Train and The Good Girl, The Child Snatcher tells the suspenseful story of a mother trying to save her lazy son from himself and then from an enigmatic woman of dubious character who seems determined to systematically destroy her small family. Claire Wilkins is at her wits’ end with her son, Brandon, a college dropout who spends his time lounging around the house. Claire, tired of seeing him waste his life playing video games and trolling the internet, gives him an ultimatum: get a job, get back to school…or get out. Brandon decides to move in with a total stranger that he met in an online porn chat room. This mysterious young woman, Ava, abruptly leads him down a dark path into a dangerous world. Terrified for her now distant son, Claire tries to entice Brandon to return home and discovers the true nature of his toxic and abusive relationship with Ava. But her world explodes when Brandon does the unthinkable. Her only glimmer of hope is discovering that Brandon and Ava are expecting a child. Claire believes she coddled Brandon too much and that she was a terrible mother. But maybe she can get a second chance and be a much better grandparent. Unfortunately, Ava’s plan for hers and Brandon’s child does not include Claire. In fact, Ava’s plan is so nefarious that Claire is willing to risk everything, including her life, to save her innocent grandson. A spellbinding race against time, The Child Snatcher is a timely and terrifying thrill ride that will haunt you long after you’ve turned the final page.
Each year an estimated 100,000 children experience the trauma of being "stolen." Twenty percent of these children will never be heard from again. These children are not kidnapped by strangers. They are snatched by one of their divorced or separated parents. Often they are taken violently; sometimes they are taken at gunpoint; occasionally lives are lost. And always, a parent is left behind struggling with a legal system that prefers to look the other way. The Child Snatchers explores this widespread social problem, a problem that crosses all boundaries, in a deeply personal way, with insight and compassion. Part One is a true story that dramatizes the seemily inpenetrable maze the vicious act of child snatching erects. Part Two is an extensive information and resource guide that shows a clearer path through this maze.--Back cover
Are your kids glued to their screens? Here is a practical, step-by-step guide that gives parents the tools to teach children, from toddlers to teens, how to gain control of their technology use. As children spend more of their time on tablets and smartphones, using apps specially engineered to capture their attention, parents are becoming concerned about the effects of so much technology use—and they feel powerless to intervene. They want their kids to be competent and competitive in their use of technology, but they also want to prevent the attention and behavioral problems that can develop from overuse.In this guide, Lucy Jo Palladino doesn’t demonize technology; instead she gives parents the tools to help children understand and control their attention—and to recognize and resist when their attention is being "snatched." Palladino’s straightforward, evidence-based approach applies to kids of all ages. Parents will also learn the critical difference between voluntary and involuntary attention, new findings about brain development, and what puts children at risk for attention disorders.
Ivan lives in a land where the winter is dark and fearful. Starjik, King of Winter, steals Ivan's little brother and Ivan braves the bitter cold to find him.
What role does emotion play in child and family social work practice? In this book, researcher Matthew Gibson reviews the role of shame and pride in social work, providing invaluable new insights from the first study undertaken into the role of these emotions within professional practice. The author demonstrates how these emotions, which are embedded within the very structures of society but experienced as individual phenomena, are used as mechanism of control in relation to both professionals themselves and service users. Examining the implications of these emotional experiences in the context of professional practice and the relationship between the individual, the family and the state, the book calls for a more humane form of practice, rooted in more informed policies that take in to consideration the realities and frailties of the human experience.
"Children's rights": the phrase has been a legal battle cry for twenty-five years. But as this provocative book by a nationally renowned expert on children's legal standing argues, it is neither possible nor desirable to isolate children from the interests of their parents, or those of society as a whole. From foster care to adoption to visitation rights and beyond, Martin Guggenheim offers a trenchant analysis of the most significant debates in the children's rights movement, particularly those that treat children's interests as antagonistic to those of their parents. Guggenheim argues that "children's rights" can serve as a screen for the interests of adults, who may have more to gain than the children for whom they claim to speak. More important, this book suggests that children's interests are not the only ones or the primary ones to which adults should attend, and that a "best interests of the child" standard often fails as a meaningful test for determining how best to decide disputes about children.
The 2014 winner of the Yale Drama Series “The play does not have a tragic ending, though you will be certain that it must. But it is a tragic story. It is the tragedy of lives lived without hope of deliverance. . . . I will leave you to read the play and determine how on earth we get to a satisfying ending to this tragic tale of a woman without a chance. But that ending is the genius of Nabers’s work, her faith in the ability of people with no chance, to find one.”—Marsha Norman, from the Foreword The year is 1979 and a serial killer in Atlanta is abducting and murdering young black children. Against a backdrop of fear and uncertainty, playwright Janine Nabers explores the emotional battleground where an African-American single mother wars with her teenage daughter, each coping in her own way with personal tragedy and loss. The volatility of their situation is intensified when a severely damaged and devastatingly handsome stranger becomes an integral part of their lives. Serial Black Face is the seventh winner of the DC Horn Foundation/Yale Drama Series Prize, selected by Pulitzer Prize–winning playwright Marsha Norman. At once startling, engrossing, suspenseful, and exhilarating, Nabers’s powerful drama employs a real-life nightmare, the Atlanta Child Murders of the late 1970s, to incisively examine human frailty and the prickly complexities of a mother-daughter relationship. A stunning theatrical work, both thoughtful and profoundly moving, Serial Black Face is richly deserving of this year’s prize.
George, his dragon and a dragon egg stand in the way of an evil wizard who wants to get rid of the dragons forever. Created in consultation with a literacy specialist, this edition contains the complete story, designed to support children who are gaining confidence in reading.
Christmas is coming and the Turtles are psyched. But then they learn of a villain called the Santa Snatcher, who is set on ruining the holidays for everyone by nabbing Santa. Can the Turtles save Christmas? Full color.