"The Centenary Garland: Being Pictorial Illustrations of the Novels of Sir Walter Scott," edited by Charles Rogers, is a visual celebration of the renowned author's literary works. This captivating collection showcases a series of exquisite illustrations that bring to life the beloved characters, enchanting landscapes, and memorable scenes from Scott's novels. Each illustration is a masterful creation that captures the essence and atmosphere of Scott's storytelling, providing readers with a visual feast that enhances their reading experience. "The Centenary Garland" is a fitting tribute to Sir Walter Scott's enduring literary legacy, allowing readers to immerse themselves in the enchanting world he created.
Sir Walter was born in a house which has long ago disappeared; it stood at the head of the College Wynd, and was removed to make room for the northern front of the University buildings. On his father's side he was descended from the Scotts of Harden, the elder branch of the great Border sept of that name. In his personal aspects he much resembled his paternal ancestry, his features being of the Saxon type, rugged, massive, heavy,-almost stolid. Through his paternal grandmother, he traced an old lineage in the Haliburtons of Newmains, a considerable family of Berwickshire landowners. Of the Haliburtons he printed for family use a volume of "Memorials," and he rejoiced, through his descent from that sept, to possess a right of sepulture in Dryburgh Abbey. On his mother's side, his progenitors were likewise respectable; his maternal grandfather, Dr John Rutherford, was Professor of the Practice of Physic in Edinburgh University, and his mother's brother, Dr Daniel Rutherford, an eminent chemist, occupied the Chair of Botany. His mother possessed a vigorous intellect, which she had successfully cultivated. Of a family of twelve, six of whom survived infancy, Walter alone evinced the possession of genius. Born a healthy child, he became exposed to serious peril by being intrusted to a consumptive nurse. When under two years old, he was seized with an illness which impaired the use of his right limb, a misfortune which continued during his life. With the view of restoring his strength, he was placed with his paternal grandfather, Robert Scott, who rented the farm of Sandyknowe, near Smailholm Tower, Roxburghshire. At Sandyknowe, he narrowly escaped destruction through the violence of a servant who had become insane; but he had afterwards to congratulate himself on having formed an early acquaintance with rural scenes. No advantage arising to his lameness, he was, in his fourth year, removed to Bath, where he remained some time without experiencing benefit from the thermal waters. The three following years were chiefly spent at Sandyknowe. In his eighth year he returned to Edinburgh, with his mind largely stored with Border legends derived from his grandmother, a person of romantic humour and sprightly intelligence. At this period, Pope's translation of Homer, and the songs of Ramsay's "Evergreen," were his favourite studies; he took delight in reading aloud the more striking passages. In 1779 he was sent to the High School, where he had the advantage of being taught by Mr Luke Fraser, an able scholar, and Dr Adam, the erudite Rector. His scholastic progress was not equal to his talents; he was devoted to romance, and experienced greater pleasure in a country ramble, than in giving due attention to the business of the class-room. As he became older, his love of miscellaneous literature amounted to a passion; and as his memory was singularly retentive, he accumulated a store of knowledge.
Through her incomparable work on screen, stage, record, radio, and television, Judy Garland earned renown as "The World's Greatest Entertainer." It was as a motion picture star though, that she first rose to international fame. From her feature film debut in 1936 through the aptly titled I Could Go on Singing in 1963, she lit up the screen with a magic uniquely hers -- and dazzled world-wide audiences of all ages. Judy Garland starred in two dozen of the all-time classic movie musicals, among them A Star is Born, Meet Me in St. Louis, Babes in Arms, Easter Parade, For Me and My Gal, and The Harvey Girls. Her dramatic turns in Judgment at Nuremberg, The Clock, and A Child is Waiting won added acclaim. And perhaps most unforgettably, she starred as Dorothy Gale in the best-loved motion picture of all time: The Wizard of Oz. Judy: A Legendary Film Career tells the story of Garland's movie work in unprecedented detail. Hundreds of never-before-published photos, newly-assembled contemporary reviews, insight from her costars and coworkers, and production histories are provided for each film in which she appeared. Highlighting and complimenting the feature films is a definitive biography; an examination of Judy's short subjects; details of the movies she did not complete; and an enthralling compendium of film projects for which she was considered or rumored. The text is illustrated by more than five hundred photos, encompassing poster art; costume tests; behind-the-scenes candids; onstage and backstage glimpses of her theatrical successes; and personal snapshots. Judy is the exhaustively researched work of historian John Fricke. He celebrates as never before the heart, humor, and incandescent motion picture achievement of the one-and-only Judy Garland.
Vols. for 1871-76, 1913-14 include an extra number, The Christmas bookseller, separately paged and not included in the consecutive numbering of the regular series.
Dr. Alan Gribben, a foremost Twain scholar, made waves in 1980 with the publication of Mark Twain's Library, a study that exposed for the first time the breadth of Twain's reading and influences. Prior to Gribben's work, much of Twain's reading history was assumed lost, but through dogged searching Gribben was able to source much of Twain's library. Mark Twain's Literary Resources is a much-expanded examination of Twain's library and readings. Volume I included Gribben's reflections on the work involved in cataloging Twain's reading and analysis of Twain's influences and opinions. This volume, long awaited, is an in-depth and comprehensive accounting of Twain's literary history. Each work read or owned by Twain is listed, along with information pertaining to editions, locations, and more. Gribben also includes scholarly annotations that explain the significance of many works, making this volume of Mark Twain's Literary Resources one of the most important additions to our understanding of America's greatest author.
