Presents results of a September 1996 conference held at Oxford University, re-evaluating the importance of the writings and inspiration of Marcel Mauss, the nephew and younger colleague of Emile Durkheim. Explores not only the context of Mauss' work and his influence on other writers, but also the resonance of some of his key themes for the concerns of today's anthropology and sociology. Papers are arranged in sections on the scholar and his time, foundations of Maussian anthropology, critiques of exchange and power, and materiality, body, and history. Annotation copyrighted by Book News, Inc., Portland, OR
Many years ago in Sicily, the legend of the “Coppa Florio” and “Targa Florio” road races became one of the most emotive and prestigious expressions in world motor racing, second only to the mythical Mille Miglia. “Coppa Florio” began in 1905 while “Targa Florio” in 1906, at the dawn of motoring civilisation and evolved over the years, hand-in-hand with the ever growing popularity of the car itself. The narrow and tortuous roads of the Sicilian mountains were testimony to the feats of Fiat, Bugatti, Alfa Romeo, Maserati, Lancia, Ferrari and Porsche: manufacturers who alternated year after year at the top of the final classification of one of the toughest races in history, a race rich in allure and an ever present peril. On the occasion of the Targa Florio Centenary the book retraces this charming epics thanks to a vivid text and hundred of pictures, many of them unpublished. The work is complemented by a rich appendix (150 pages) reporting the complete results of all the Coppa and Targa Florio editions.
This edition offers everything needed by the newcomer to this famous but intimating text: images, maps, footnotes, and introductory essays by eighteen leading Joyceans.
Centenary Subjects examines the ideological debates and didactic exercises in subject formation during the centenary era of independence (the decade of the 1910s)—the peak of arielismo—and proposes a new reading of the arielista archive that brings into focus the racial anxieties, epistemological and spiritual fissures, and iconoclastic agendas that structure, and at times smother, the ethos of that era. Arielismo takes its name from José Enrique Rodó’s foundational essay Ariel (1900), a wide‑ranging gospel dedicated to Latin American youth that incited a cultural awakening under the banner of the spirit throughout the Americas at an ominous juncture—when the US co-opted the Cuban War of Independence in 1898, effectively rebranding it as the Spanish‑American War. Rodó’s optimistic message of transcendence as an antidote to the encroaching empire quickly became one of the most pervasive and malleable paradigms of regional empowerment, reverberating throughout a range of Latin Americanist projects in the twentieth and twenty‑first centuries. Centenary Subjects recovers a series of important but understudied essays penned by arielista writers, radicals, pedagogues, prophets, and politicians of diverse stripes in the early twentieth century, and analyzes how, under the auspices of the arielista platform, young people emerged as historical subjects invested with unprecedented cultural capital, increasing political power, and an urgent mandate to break with the past and transform the sociopolitical and cultural landscape of their countries. But their respective designs harbor racial, epistemological, aesthetic, and anarchistic strains that bring into sharper relief the conflicting signals that the centenary subject had to parse with respect to race, reason, and rupture.
"The Centenary Garland: Being Pictorial Illustrations of the Novels of Sir Walter Scott," edited by Charles Rogers, is a visual celebration of the renowned author's literary works. This captivating collection showcases a series of exquisite illustrations that bring to life the beloved characters, enchanting landscapes, and memorable scenes from Scott's novels. Each illustration is a masterful creation that captures the essence and atmosphere of Scott's storytelling, providing readers with a visual feast that enhances their reading experience. "The Centenary Garland" is a fitting tribute to Sir Walter Scott's enduring literary legacy, allowing readers to immerse themselves in the enchanting world he created.
Reprint of the original, first published in 1871. The publishing house Anatiposi publishes historical books as reprints. Due to their age, these books may have missing pages or inferior quality. Our aim is to preserve these books and make them available to the public so that they do not get lost.
