Samuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland

Samuel Johnson, the Ossian Fraud, and the Celtic Revival in Great Britain and Ireland

Author: Thomas M. Curley

Publisher: Cambridge University Press

Published: 2009-04-16

Total Pages: 339

ISBN-13: 113947734X

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James Macpherson's famous hoax, publishing his own poems as the writings of the ancient Scots bard Ossian in the 1760s, remains fascinating to scholars as the most successful literary fraud in history. This study presents the fullest investigation of his deception to date, by looking at the controversy from the point of view of Samuel Johnson. Johnson's dispute with Macpherson was an argument with wide implications not only for literature, but for the emerging national identities of the British nations during the Celtic revival. Thomas M. Curley offers a wealth of genuinely new information, detailing as never before Johnson's involvement in the Ossian controversy, his insistence on truth-telling, and his interaction with others in the debate. The appendix reproduces a rare pamphlet against Ossian written with the assistance of Johnson himself. This book will be an important addition to knowledge about both the Ossian controversy and Samuel Johnson.


The Profane Book of Irish Comedy

The Profane Book of Irish Comedy

Author: David Krause

Publisher: Cornell University Press

Published: 2019-06-30

Total Pages: 349

ISBN-13: 1501744011

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A fierce mirth characterizes antic Irish comedy. To the degree to which everyone sympathizes with the need to mock repressive authority, everyone is potentially Irish. It is the Irish dramatists themselves, says David Krause, that are the true authors of the profane book of Irish comedy. The body of literature they have produced desecrates the sacred in Ireland and launches a sardonic attack on the queen of Irish nationalism, Cathleen Ni Houlihan, the old sow who, according to Joyce's tragicomic jest, tries to devour her creative farrow. Krause discusses the major works of fourteen Irish playwrights—Samuel Beckett, Brendan Behan, Dion Boucicault, William Boyle, Paul Vincent Carroll, George Fitzmaurice, Lady Gregory, Denis Johnston, Sean O'Casey, Lennox Robinson, Bernard Shaw, George Shields, J. M. Synge, and W. B. Yeats—and shows the ways in which these works are linked, emotionally and thematically, to early Gaelic literature and the tradition of the mythic pagan playboy Oisin or Usheen. As the last great pagan hero of Ireland, Oisin emerges as an archetype for the many playboys and paycocks of Irish comedy. Oisin was the antithesis of St. Patrick, the first great Christian saint of Ireland, who, condemning pleasure and threatening eternal damnation, came to represent all authority. The bearers of this dark and wild Celtic tradition, which Synge and O'Casey associated with a daimonic or barbarous impulse, laugh irreverently at their own creations. This laughter, the laughter of the culture's mythmakers, brings with it emotional relief, comic catharsis.


Celts, Romans, Britons

Celts, Romans, Britons

Author: Francesca Kaminski-Jones

Publisher: Oxford University Press

Published: 2020-09-29

Total Pages: 289

ISBN-13: 0192608142

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This interdisciplinary volume of essays examines the real and imagined role of Classical and Celtic influence in the history of British identity formation, from late antiquity to the present day. In so doing, it makes the case for increased collaboration between the fields of Classical reception and Celtic studies, and opens up new avenues of investigation into the categories Celtic and Classical, which are presented as fundamentally interlinked and frequently interdependent. In a series of chronologically arranged chapters, beginning with the post-Roman Britons and ending with the 2016 Brexit referendum, it draws attention to the constructed and historically contingent nature of the Classical and the Celtic, and explores how notions related to both categories have been continuously combined and contrasted with one another in relation to British identities. Britishness is revealed as a site of significant Celtic-Classical cross-pollination, and a context in which received ideas about Celts, Romans, and Britons can be fruitfully reconsidered, subverted, and reformulated. Responding to important scholarly questions that are best addressed by this interdisciplinary approach, and extending the existing literature on Classical reception and national identity by treating the Celtic as an equally relevant tradition, the volume creates a new and exciting dialogue between subjects that all too often are treated in isolation, and sets the foundations for future cross-disciplinary conversations.


The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

The Cambridge History of Literary Criticism: Volume 4, The Eighteenth Century

Author: H. B. Nisbet

Publisher: Cambridge University Press

Published: 2005-12-08

Total Pages: 978

ISBN-13: 9780521317207

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This is a comprehensive 1997 account of the history of literary criticism in Britain and Europe between 1660 and 1800. Unlike previous histories, it is not just a chronological survey of critical writing, but a multidisciplinary investigation of how the understanding of literature and its various genres was transformed, at the start of the modern era, by developments in philosophy, psychology, the natural sciences, linguistics, and other disciplines, as well as in society at large. In the process, modern literary theory - at first often implicit in literary texts themselves - emancipated itself from classical poetics and rhetoric, and literary criticism emerged as a full-time professional activity catering for an expanding literate public. The volume is international both in coverage and in authorship. Extensive bibliographies provide guidance for further specialised study.


The Invention of Scotland (Routledge Revivals)

The Invention of Scotland (Routledge Revivals)

Author: Murray G. H. Pittock

Publisher: Routledge

Published: 2014-07-17

Total Pages: 211

ISBN-13: 1317605268

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A dynasty of high ability and great charm, the Stuarts exerted a compelling fascination over their supporters and enemies alike. First published in 1991, this title assesses the influence of the Stuart mystique on the modern political and cultural identity of Scotland. Murray Pittock traces the Stuart myth from the days of Charles I to the modern Scottish National Party, and discusses both pro- and anti-Union propaganda. He provides a unique insight into the ‘radicalism’ of Scottish Jacobitism, contrasting this ‘Jacobitisim of the Left’ with the sentimental image constructed by the Victorians. Dealing with a subject of great relevance to modern British society, this reissue provides an extensive analysis of Scottish nationhood, the Stuart cult and Jacobite ideology. It will be of great interest to students of literature, history, and Scottish culture and politics.