"In December 1807, Alexander I granted a commission ot Nadezhada Durova who, in male guise, served nearly ten years in the Russian light cavalry during the Napoleonic wars. The cavalry maiden, a selection of the edited journals of her military service, first published in 1836 with Pushkin's encouragement, is a lively narrative of Russian life on and off the battlefield in the Alexandrine era. Durova's story appeals in our own time as a unique and gripping contribution to the literature of female experience"--
First Published in 1998. This volume will surely be regarded as the standard guide to Russian literature for some considerable time to come... It is therefore confidently recommended for addition to reference libraries, be they academic or public.
On Easter Monday 1916, a disciplined group of Irish Volunteers seized the city's General Post Office in what would become the defining act of rebellion against British rule. This book unravels the events in and around the GPO during the Easter Rising of 1916, revealing the twists and turns that the myth of the GPO has undergone in the last century.
The definitive history of women in war, revealing how women have always been an essential part of combat From Boudicca’s rebellion to the war in Ukraine, battlefields have always contained a surprising number of women. Some formed all-female armies, like the Dahomey Mino of West Africa; some fought disguised as men; some mobilized in times of national survival, like the Soviet flying aces known as the Night Witches. International relations expert Sarah Percy unearths the stories of these forgotten warriors. She sets the historical record straight, revealing that women’s exclusion from active combat in the late nineteenth and early twentieth centuries is a blip in a much longer narrative of female inclusion. Deeply researched and brilliantly told, Forgotten Warriors turns the notion of war as a man’s game on its head and restores women to their rightful place on the front lines of history.
These original essays comprise a fascinating investigation into women's strategies for writing the self—constructing the female subject through autobiography, memoirs, letters, and diaries. The collection contains theoretical essays by Donna Stanton, Sandra Gilbert, and Susan Gilbert, and Susan Gubar; chapters on specific issues raised by women's autographs, such as Richard Bowring's study of tenth-century Japanese diaries or Janel Mueller's on The Book of Margery Kempe; and annotated autobiographical fragments, including texts by Julia Kristeva, by a woman who became a czarist cavalry officer, and by a contemporary Palestinian poet. There are also chapters on the seventeenth-century painter Artemisia Gentileschi; Mme de. Sévigné; Mendelssohn's sister, Fanny Hensel; the black minister Jarena Lee; Virginia Woolf; and Eva Peron. The result is a "conversation" between writers and critics across cultural and temporal boundaries. Stanton's essay plays off Virginia Woolf's A Room of One's Own. Kristeva begins with a reading of de Beauvoir, while a self-published French woman writes to defend the joys of family life against the author of Memoirs of a Dutiful Daughter.
