The Cavalier Songs and Ballads of England from 1642 to 1684

The Cavalier Songs and Ballads of England from 1642 to 1684

Author: Various

Publisher: DigiCat

Published: 2022-08-01

Total Pages: 264

ISBN-13:

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DigiCat Publishing presents to you this special edition of "The Cavalier Songs and Ballads of England from 1642 to 1684" by Various. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.


The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800

The New Cambridge Bibliography of English Literature: Volume 2, 1660-1800

Author: George Watson

Publisher: Cambridge University Press

Published: 1971-07-02

Total Pages: 1698

ISBN-13: 9780521079341

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More than fifty specialists have contributed to this new edition of volume 2 of The Cambridge Bibliography of English Literature. The design of the original work has established itself so firmly as a workable solution to the immense problems of analysis, articulation and coordination that it has been retained in all its essentials for the new edition. The task of the new contributors has been to revise and integrate the lists of 1940 and 1957, to add materials of the following decade, to correct and refine the bibliographical details already available, and to re-shape the whole according to a new series of conventions devised to give greater clarity and consistency to the entries.


Victorian Songhunters

Victorian Songhunters

Author: E. David Gregory

Publisher: Scarecrow Press

Published: 2006-04-13

Total Pages: 458

ISBN-13: 1461674174

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Victorian Songhunters is a pioneering history of the rediscovery of vernacular song—street songs that have entered oral tradition and have been passed from generation to generation—in England during the late Georgian and Victorian eras. In the nineteenth century there were four main types of vernacular song: ballads, folk lyrics, occupational songs, and national songs. The discovery, collecting, editing, and publishing of all four varieties are examined in the book, and over seventy-five selected examples are given for illustrative purposes. Key concepts, such as traditional balladry, broadside balladry, folksong, and national song, are analyzed, as well as the complicated relationship between print and oral tradition and the different methodological approaches to ballad and song editing. Organized chronologically, Victorian Songhunters sketches the history of English song collecting from its beginnings in the mid-seventeenth century; focuses on the work of important individual collectors and editors, such as William Chappell, Francis J. Child, and John Broadwood; examines the growth of regional collecting in various counties throughout England; and demonstrates the considerable efforts of two important Victorian institutions, the Percy Society and its successor, the Ballad Society. The appendixes contain discussions on interpreting songs, an assessment of relevant secondary sources, and a bibliography and alphabetical song list. Author E. David Gregory provides a solid foundation for the scholarly study of balladry and folksong, and makes a significant contribution to our understanding of Victorian intellectual and cultural life.


The Late Victorian Folksong Revival

The Late Victorian Folksong Revival

Author: E. David Gregory

Publisher: Rowman & Littlefield

Published: 2010

Total Pages: 600

ISBN-13: 0810869888

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In The Late Victorian Folksong Revival: The Persistence of English Melody, 1878-1903, E. David Gregory provides a reliable and comprehensive history of the birth and early development of the first English folksong revival. Continuing where Victorian Songhunters, his first book, left off, Gregory systematically explores what the Late Victorian folksong collectors discovered in the field and what they published for posterity, identifying differences between the songs noted from oral tradition and those published in print. In doing so, he determines the extent to which the collectors distorted what they found when publishing the results of their research in an era when some folksong texts were deemed unsuitable for "polite ears." The book provides a reliable overall survey of the birth of a movement, tracing the genesis and development of the first English folksong revival. It discusses the work of more than a dozen song-collectors, focusing in particular on three key figures: the pioneer folklorist in the English west country, Reverend Sabine Baring-Gould; Frank Kidson, who greatly increased the known corpus of Yorkshire song; and Lucy Broadwood, who collected mainly in the counties of Sussex and Surrey, and with Kidson and others, was instrumental in founding the Folk Song Society in the late 1890s. The book includes copious examples of the song tunes and texts collected, including transcriptions of nearly 300 traditional ballads, broadside ballads, folk lyrics, occupational songs, carols, shanties, and "national songs," demonstrating the abundance and high quality of the songs recovered by these early collectors.


Political Communication and Political Culture in England, 1558-1688

Political Communication and Political Culture in England, 1558-1688

Author: Barbara J. Shapiro

Publisher: Stanford University Press

Published: 2012-11-07

Total Pages: 416

ISBN-13: 0804784582

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This book surveys the channels through which political ideas and knowledge were conveyed to the English people from the beginning of the reign of Elizabeth I to the Revolution of 1688. Shapiro argues that an assessment of English political culture requires an examination of all means by which this culture was expressed and communicated. While the discussion focuses primarily on genres such as the sermon, newsbook, poetry, and drama, it also considers the role of events and institutions. Shapiro is the first to explore and elucidate the entire web of communication in early modern English political life.


Mr. Pepys and the Turk

Mr. Pepys and the Turk

Author: Andrew C. Rouse

Publisher: SPECHEL

Published: 2014-07-08

Total Pages: 145

ISBN-13: 9630894556

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“Mr. Pepys and The Turk” is SPECHEL’s first inroad into publication. In line with the mission embodied in its name, this book and subsequent publications will be available in ebook and print-on-demand form, making it considerably more accessible than if it were solely a physical object. “Mr Pepys and Turk” tells of English popular notions of the “Turk” through history, centring upon the diary entries of civil servant Samuel Pepys (1633-1703) and the street ballads which he loved to collect. The author’s fascination with this subject stems from his dual life as an academic/folk singer, but also from having lived and worked most of his adult life in Hungary’s only city with two domed mosques, a minaret and other Turkish remains. Hungary is a country where the Turk gets bad press through incomplete and biased formal education and popular conception, yet one of the most charming children’s rhymes of which (included here in the author’s translation) features Mehmet the Turk. Unlike Hungary, England was not invaded by the Turk, unless you count a very brief visit to the Cornish coast, the only surviving trace of which is England’s oldest public house called “The Turk’s Head”. Yet popular misconceptions abound in both cultures through various media, including a seventeenth-century English street ballad about a battle in Hungary between the European forces and the Ottoman Empire. Here, then, is the “Turk”, not a historical man but a popular concept – lustful, terrible, but also poor and innocent as English popular notions fashion and refashion him through time and perspective.