A fireman in charge of burning books meets a revolutionary school teacher who dares to read. Depicts a future world in which all printed reading material is burned.
Presents a study of the literary output of Sir John Suckling. This work reconstructs the various contexts in which the poems, plays, letters, and prose tracts were produced and, reveals the nature of one writer's engagement - both creative and subversive - with the social, religious, political, and cultural dimensions of Caroline England.
An original book of photography which presents a unique, minimal take on the beaches of the Hamptons in black-and-whiteThe author, Christophe von Hohenberg, is known for his photographs of the mourners at Andy Warhol's memorial in 1987 - a Who's Who of fashionable New YorkThe beaches of the Hamptons are the summertime refuge of fashionable New YorkersThe Hamptons has served as an inspiration and muse for generations of artists from William Merritt Chase to Eric FischPhotographer Christophe von Hohenberg's photographs give the impression of squinting against the glaring summer sun-bleached out details blur and feint gestures carve out the presence of figures against the vast oceanic expanse. Allowing himself to be "blinded by the light" von Hohenberg has found harmony on the beaches of the Hamptons, a place that cleanses, renews, and soothes. As delicate smears and ghostly shapes flesh out the familiar yet distant dreamscape of the beaches, von Hohenberg's photographs intimate an ineffable feeling - haunting, serene, and sublime. The White Album of the Hamptons provides a visual record of von Hohenberg's experiment in capturing the soul of the Hamptons and its unseen world of transcendent illumination through black-and-white photographs.
Abandoned junk to some, the rusty old steel shells of vehicles are treasures to others, holding memories of a bygone era, or the promise of a pristinely restored, radically customized automobile. Automotive photographer Will Shiers has captured these dreams on film for over ten years, and this volume collects his images between two covers for the first time. Here are the beautiful husks Shiers has found in the United States fields and barns, shops, and salvage yards across States. Divided into five categoriesGeneral Motors, Ford, Chrysler, Independents, and Special Vehiclesthese wrecks and relics from 1910 to the 1970s come equipped with all the relevant information: history, model, location. The most comprehensive and beautifully photographed collection of abandoned cars ever published, this volume preserves for all time the exquisite skeletons of American automotive might.
This book, written by a team of experts from many countries, provides a comprehensive account of the ways in which translation has brought the major literature of the world into English-speaking culture. Part I discusses theoretical issues and gives an overview of the history of translation into English. Part II, the bulk of the work, arranged by language of origin, offers critical discussions, with bibliographies, of the translation history of specific texts (e.g. the Koran, the Kalevala), authors (e.g. Lucretius, Dostoevsky), genres (e.g. Chinese poetry, twentieth-century Italian prose) and national literatures (e.g. Hungarian, Afrikaans).
From Tottel's Miscellany (1557) to the last twentieth-century Oxford Book of English Verse (1999), anthologies have been a prime institution for the preservation and mediation of poetry. The importance of anthologies for creating and re-creating the canon of English poetry, for introducing ‘new' programmes of poetry, as a record of changing poetic fashions, audience tastes and reading practices, or as a profitable literary commodity has often been asserted. Despite its impact, however, the poetry anthology in itself has attracted surprisingly little critical interest in Britain or elsewhere in the English-speaking world. This volume is the first publication to explore the largely unmapped field of poetry anthologies in Britain. Essays written from a wide range of perspectives in literary and cultural studies, and the point of view of poets, editors, publishers and cultural institutions, aim to do justice to the typological, functional and historical variety with which this form of publication has manifested itself - from early modern print culture to the postmodern age of the world wide web.
"In Habits of Mind, his fourth book on Ben Jonson, Robert C. Evans turns to the reading habits of one of the best-read and most-learned of all the great English poets and discovers that the impact of Jonson's reading on his own art was both immediate and strong." "Studying Jonson's markings can provide unique insights into his own thinking and creativity, Evans postulates, because the poet's reading was not a distraction, but central to his inspiration and artistic development." "The marked books that Evans discusses are a deliberately mixed lot, and the methods used in discussing them are also intentionally diverse. The chosen works represent differing periods, genres, styles, and thematic concerns, thus suggesting the impressive range of Jonson's interests as well as the continuities that seem to underlie them."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved