This book contains anecdotes, trivia and interesting facts on 222 railway stations in Europe, from Amsterdam to Ankara and Lisbon to Helsinki. Das Bahnhofsbuch in englischer Sprache enthält Anekdoten und interessante Fakten zu 222 Bahnhöfen in Europa.
Englischsprachige Ausgabe der kleinen Geschichten und Anekdoten zu 111 Bahnhöfen in den Alpenländern. Short stories and anecdotes about 111 railway stations in the Alpine countries.
This is the English language edition of the pocketbook `Palast der tausend Winde ́, which has short stories, anecdotes, and interesting facts about 222 railway stations in Germany. For all rail enthusiasts.
The follow-up to 'The Curious Incident of the Dog in the Nightdress', 'Should Have Got Off at Sydney Parade' finds Ross O'Carroll-Kelly dealing with the trials of parenthood.
Bridging the fields of conservation, art history, and museum curating, this volume contains the principal papers from an international symposium titled "Historical Painting Techniques, Materials, and Studio Practice" at the University of Leiden in Amsterdam, Netherlands, from June 26 to 29, 1995. The symposium—designed for art historians, conservators, conservation scientists, and museum curators worldwide—was organized by the Department of Art History at the University of Leiden and the Art History Department of the Central Research Laboratory for Objects of Art and Science in Amsterdam. Twenty-five contributors representing museums and conservation institutions throughout the world provide recent research on historical painting techniques, including wall painting and polychrome sculpture. Topics cover the latest art historical research and scientific analyses of original techniques and materials, as well as historical sources, such as medieval treatises and descriptions of painting techniques in historical literature. Chapters include the painting methods of Rembrandt and Vermeer, Dutch 17th-century landscape painting, wall paintings in English churches, Chinese paintings on paper and canvas, and Tibetan thangkas. Color plates and black-and-white photographs illustrate works from the Middle Ages to the 20th century.
Part of the regionalist movement that included Grant Wood, Paul Engle, Hamlin Garland, and Jay G. Sigmund, James Hearst helped create what Iowa novelist Ruth Suckow called a poetry of place. A lifelong Iowa farner, Hearst began writing poetry at age nineteen and eventually wrote thirteen books of poems, a novel, short stories, cantatas, and essays, which gained him a devoted following Many of his poems were published in the regionalist periodicals of the time, including the Midland, and by the great regional presses, including Carroll Coleman's Prairie Press. Drawing on his experiences as a farmer, Hearst wrote with a distinct voice of rural life and its joys and conflicts, of his own battles with physical and emotional pain (he was partially paralyzed in a farm accident), and of his own place in the world. His clear eye offered a vision of the midwestern agrarian life that was sympathetic but not sentimental - a people and an art rooted in place.