Piracy

Piracy

Author: G. H. Teed

Publisher: Lulu.com

Published: 2020-01-08

Total Pages: 100

ISBN-13: 1989788025

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Sexton Blake fights the bootleggers and pirates of America's Rum Row. A tensely-told tale of 'tec work and thrills, introducing also Mlle. Roxane. Complete! Drama, Action, Thrills-and Sexton Blake! Roxane Harfield, born in New Brunswick, Canada, is featured in this story. Her knowledge of the New Brunswick South-East shoreline, and Bay of Fundy, is a key feature of this thriller from USA prohibition days. Also included is 'The Sexton Blake Works of George Hamilton Teed' in the "Union Jack" and "The Sexton Blake Library"


Notebooks

Notebooks

Author: Athol Fugard

Publisher: Theatre Communications Group

Published: 2013-10-15

Total Pages: 239

ISBN-13: 1559367792

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"Fugard registers and captures the keen images that are the very stuff of vibrant theatre."--Time


The Culture of Medieval English Monasticism

The Culture of Medieval English Monasticism

Author: James G. Clark

Publisher: Boydell Press

Published: 2007

Total Pages: 366

ISBN-13: 9781843833215

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Examinations of the culture - artistic, material, musical - of English monasteries in the six centuries between the Conquest and the Dissolution. The cultural remains of England's abbeys and priories have always attracted scholarly attention but too often they have been studied in isolation, appreciated only for their artistic, codicological or intellectual features and notfor the insights they offer into the patterns of life and thought - the underlying norms, values and mentalité - of the communities of men and women which made them. Indeed, the distinguished monastic historian David Knowles doubted there would ever be sufficient evidence to recover "the mentality of the ordinary cloister monk". These twelve essays challenge this view. They exploit newly catalogued and newly discovered evidence - manuscript books, wall paintings, and even the traces of original monastic music - to recover the cultural dynamics of a cross-section of male and female communities. It is often claimed that over time the cultural traditions of the monasteries were suffocated by secular trends but here it is suggested that many houses remained a major cultural force even on the verge of the Reformation. James G. Clark is Professor of History at the University of Exeter. Contributors: DAVID BELL, ROGER BOWERS, JAMES CLARK, BARRIE COLLETT, MARY ERLER, G. R. EVANS, MIRIAM GILL, JOAN GREATREX, JULIAN HASELDINE, J. D. NORTH, ALAN PIPER, AND R. M. THOMSON.


Somerset Maugham and the Cinema

Somerset Maugham and the Cinema

Author: Robert Calder

Publisher: University of Wisconsin Pres

Published: 2024

Total Pages: 307

ISBN-13: 029934620X

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William Somerset Maugham (1874-1965) was one of the most prominent and productive authors of the twentieth century--and his works have been among the most cinematically transformed in history. For more than five decades, adaptations of his plays, stories, and novels dominated movie theaters and, later, television screens. More than ninety individual works were filmed, and for many filmgoers his name was a greater draw than that of the director. Works such as Of Human Bondage, "The Letter," The Painted Veil, "Rain," The Razor's Edge, and others were produced multiple times, with starring roles sought by actors like Bette Davis, Gloria Swanson, Greta Garbo, Lionel Barrymore, Charles Laughton, and Bill Murray. This study of the famous author explores the relationship between literature and film, what is involved in adaptation, and how best to judge films based on celebrated books. Robert Calder, the world's leading scholar of Maugham's work, offers fascinating production histories, insight into both fortunate and misguided casting decisions, shrewd analyses of performances and film techniques, and summaries of public and critical responses. Maugham's characters were often conflicted, iconoclastic, and morally out of step with their times, which may have accounted for the popularity of his fiction. Most of Maugham's works could be adapted to satisfy the tastes of moviegoers and the demands of the Hays Office censors, if not the expectations of their author.