Selma Arlington is engaged to a wealthy widower. His heirs don’t want him to tie the knot. Perry Mason is asked by Selma to prove she is neither a gold digger nor a murderer of her first husband, but incriminating evidence comes to light.
After leading a victorious rebellion against the Uppers, Trella is forced to continue her leadership role and must help her people face a threat from outside their cube.
Perry Mason is hired to protect Mae Farr from a presumed stalker, wealthy playboy Penn Wentworth. When Mason learns that Wentworth wants Mae for forging his name on a cheque, things get complicated. But fatal gunplay leaves Wentworth dead, Mae a wanted woman and Perry Mason in trouble.
SILENCE IS MURDER Perry Mason's beautiful new client isn't giving anything away, not even her name, and he suspects that what she does choose to reveal is mostly lies. Certainly the bag full of cash she carries isn't shopping money. All the mystery woman asks is that Mason make himself available for a few days in case she needs him--for what purpose, she remains silent as the grave. In fact, his headstrong client, who identifies herself only as "36-24-36," is headed for disaster--not only into a blackmailer's clutches but into a lethal trap from which not even Perry Mason's brilliant courtroom sorcery may be able to extricate her. Alive, anyway . . . THE ORIGINAL COURTROOM NOVELS
Sybil Harlan is aware of her husband’s dalliance with an alluring business associate. Sybil asks Perry Mason to help her sour the real estate deal and win back her errant spouse. Unfortunately a blackmailer gets wind of the scheme and murder takes place.
A crafty businessman arrives incognito in a small town, where he takes up residence at a cabin. Using another name he starts buying up property. When he is found dead in his mountain cabin there is no shortage of suspects. Amateur detective Gramps Wiggins has to piece together the clues.
Morley Eden finds an unwanted guest on his property. The ex-wife of his dream house’s contractor claims that the property is one-half hers. Eden calls upon Perry Mason to resolve a dispute that is linked to murder.
Virginia Baxter is the only witness still living who can vouch for the authenticity of Lauretta Trent’s will. Lauretta Trent, a wealthy widow, is also still living. But for how long? Someone has been peppering the spicy food Lauretta loves with arsenic. Could it be the same someone who tried framing Virginia Baxter for drug smuggling? Lauretta doesn’t trust her greedy heirs. But could a scheming servant be behind a master plan to fleece her estate? It all seems to fit. But when Lauretta is murdered on the highway, all the evidence places Virginia Baxter squarely in the driver’s seat. Confused? Just think how Virginia’s lawyer, Perry Mason, must feel.
Cupid and Psyche Apuleius - Cupid and Psyche is a story from the Latin novel Metamorphoses, also known as The Golden Ass, written in the 2nd century AD by Apuleius. It concerns the overcoming of obstacles to the love between Psyche (Soul or Breath of Life) and Cupid (Desire), and their ultimate union in a sacred marriage.
White provides the most comprehensive scholarly compilation of fictional work of legal suspense in existence. Primarily a bibliography of novels, it also annotates plays, scripts for film and television, novelizations, and short-story collections about lawyers and the law. The idea behind the principal of selection is to disdain labels that reduce the variety of the legal thriller to a subgenre of mystery fiction. Novels that range from suspense thrillers through science fiction to the philosophical novel are included if justice is thematically important. It is therefore an eclectic reference source beyond a compilation of books about lawyers as protagonists. Its biographical and scholarly information about authors, major and minor, and their novels or works is traditionally encyclopedic and objective regardless of whether the work has been genre-defined, or worse—deified as a classic or denigrated as a bestseller. Many novels included are long out of print, but historically interesting for their contribution to the lineage of the courtroom drama, showing that the history of the legal thriller is one of the major branches of modern literature since the Age of Reason. The criterion of justice denoted moves beyond the fact of lawyers and courtrooms to select seminal novels like Robert Travers' Anatomy of a Murder as well as the romantic potboiler. Among the more than 2,000 works are the Perry Mason novels of Erle Stanley Gardner, John Mortimer's Rumpole series, along with a staple of fiction by major authors of the genre like John Lescroart, Lisa Scottoline, Margaret Maron, Scott Turow, and John Grisham. There are also individual works by Shakespeare, Goethe, Kafka, Camus, and Twain delineating humanity's obsession with the law as its shining prop of civilization and, alternative, béte-noire of the common individual caught up in its maw. The appendices include comments by lawyer-novelist Michael A. Kahn, a historical introduction to the legal thriller, craft notes by writers and prominent trial lawyers responding to author and lawyer questionnaires, bibliography of critical sources and articles, series characters, and the legal terminology found in courtroom dramas and novels. An essential reference tool for scholars, researchers as well as the occasional reader of legal thrillers.