The Cartoon Music Book

The Cartoon Music Book

Author: Daniel Goldmark

Publisher: Chicago Review Press

Published: 2002-11

Total Pages: 337

ISBN-13: 1569764123

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The popularity of cartoon music, from Carl Stalling's work for Warner Bros. to Disney sound tracks and "The Simpsons"' song parodies, has never been greater. This lively and fascinating look at cartoon music's past and present collects contributions from well-known music critics and cartoonists, and interviews with the principal cartoon composers. Here Mark Mothersbaugh talks about his music for "Rugrats," Alf Clausen about composing for "The Simpsons," Carl Stalling about his work for Walt Disney and Warner Bros., Irwin Chusid about Raymond Scott's work, Will Friedwald about "Casper the Friendly Ghost," Richard Stone about his music for "Animaniacs," Joseph Lanza about "Ren and Stimpy," and much, much more.


Tunes for ’Toons

Tunes for ’Toons

Author: Daniel Goldmark

Publisher: Univ of California Press

Published: 2005

Total Pages: 244

ISBN-13: 0520253116

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Annotation A trade-oriented book on the music in classic cartoons from Bugs Bunny to Tom and Jerry and beyond.


Tunes for ’Toons

Tunes for ’Toons

Author: Daniel Goldmark

Publisher: Univ of California Press

Published: 2005-10-10

Total Pages: 244

ISBN-13: 0520236173

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Annotation A trade-oriented book on the music in classic cartoons from Bugs Bunny to Tom and Jerry and beyond.


Fear of Music

Fear of Music

Author: David Stubbs

Publisher: John Hunt Publishing

Published: 2024-07-26

Total Pages: 168

ISBN-13: 1803417617

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Modern art is a mass phenomenon. Conceptual artists like Damien Hirst enjoy celebrity status. Works by 20th century abstract artists like Mark Rothko are selling for record breaking sums, while the millions commanded by works by Andy Warhol and Francis Bacon make headline news. However, while the general public has no trouble embracing avant garde and experimental art, there is, by contrast, mass resistance to avant garde and experimental music, although both were born at the same time under similar circumstances - and despite the fact that from Schoenberg and Kandinsky onwards, musicians and artists have made repeated efforts to establish a "synaesthesia" between their two media. Fear of Music examines the parallel histories of modern art and modern music and examines why one is embraced and understood and the other ignored, derided or regarded with bewilderment, as noisy, random nonsense perpetrated by, and listened to by the inexplicably crazed. It draws on interviews and often highly amusing anecdotal evidence in order to find answers to the question: Why do people get Rothko and not Stockhausen?


Beyond the Soundtrack

Beyond the Soundtrack

Author: Daniel Ira Goldmark

Publisher: Univ of California Press

Published: 2007-06-08

Total Pages: 333

ISBN-13: 0520940555

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This groundbreaking collection by the most distinguished musicologists and film scholars in their fields gives long overdue recognition to music as equal to the image in shaping the experience of film. Refuting the familiar idea that music serves as an unnoticed prop for narrative, these essays demonstrate that music is a fully imagined and active power in the worlds of film. Even where films do give it a supporting role—and many do much more—music makes an independent contribution. Drawing on recent advances in musicology and cinema studies, Beyond the Soundtrack interprets the cinematic representation of music with unprecedented richness. The authors cover a broad range of narrative films, from the "silent" era (not so silent) to the present. Once we think beyond the soundtrack, this volume shows, there is no unheard music in cinema.


The Bear and the Piano

The Bear and the Piano

Author: David Litchfield

Publisher: Frances Lincoln Children's Books

Published: 2019-03-04

Total Pages: 32

ISBN-13: 178603560X

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This best-selling tale of exploration and belonging, which won the Waterstones Childrens Book Prize 2016, Illustrated Book Category, is now available in board book.