A daring quest to find the treasure of San Brandamo leads the Campbell crew to the gates of hell. On the other side, all kinds of surprises await them. However, they're not the only ones on the trail... It's time for Campbell to come face to face with his estranged brother: the infamous Baron Inferno. Get ready for another swashbuckling adventure!
This book is a critical analysis of religion in general and Islam in particular. It covers some common misconceptions about Islam that both Muslims and non-Muslims have. The book starts with a little introduction of the author—how and why he became an ex-Muslim—and it is followed up with the importance of writing the book. The first chapter covers the importance of critical sense over common sense and how we should always invoke critical thinking when it comes to looking at the world around us. The book also covers some arguments for God and some counterarguments against God’s existence. It discusses the importance of God in keeping the morality of the society and the mental well-being of the human species. It also discusses the baggage that comes with religion, leaving our only lives here on planet earth devoid of pleasure and enjoyment. Moreover, it discusses the scientific flaws in the Quran and argues how it looks like a book written by a seventh century Arab warlord rather than the creator of the billions of galaxies. It discusses the critical and sensitive topic of the character of Allah (Muslim God) and Muhammad in light of the Quran, Hadith (collection of Muhammad’s quotes), and the biography of Muhammad. It gives a detailed account of Muhammad’s wives and violence in his life. In the last part of the book, the author discusses the rise of Islamism in the western world and its dangers. Finally, it educates its readers on how to debate with a religious apologist and some common arguments and techniques employed by them. It is a very interesting read into Islam from an ex-Muslim’s point of view and the best guide to learning Islam.
Shaped by sound literary and historical scholarship, The Broadview Anthology of British Literature takes a fresh approach to many canonical authors and includes a broad selection of work by lesser-known writers. The anthology also provides wide-ranging coverage of the worldwide connections of British literature, and it pays attention throughout to matters such as race, gender, class, and sexual orientation. The full anthology comprises six bound volumes, together with an extensive website component; a passcode to access the latter is included with the purchase of one or more of the bound volumes. A two-volume Concise Edition and a one-volume Compact Edition are also available. Highlights of Volume 5: The Victorian Era include the complete texts of In Memoriam A.H.H., The Importance of Being Earnest, Carmilla, and Strange Case of Dr. Jekyll and Mr. Hyde, as well as Contexts sections on “Work and Poverty,” “Women in Society,” “Sexuality in the Victorian Era,” “Nature and the Environment,” “The New Woman,” and “Britain, Empire, and a Wider World.” The third edition also offers expanded representation of writers of color, including Mary Prince, Mary Seacole, Toru Dutt, and Rabindranath Tagore.
From the burnt-out remains of a place she once called home, Amara—the last of her kind—suspects that the bloodthirsty enemies who decimated her people hundreds of years ago are back and hunting her once more. The urge to run is strong, but Amara has finally found a place where she feels at peace. Does she dare stay, potentially risking the lives of those she’s grown to love, or does she flee as she’s done before to lose herself within the shadows of human civilization?
Danielle Pryer’s encounter with the Drifter accelerates Bleakwood’s descent into chaos and triggers an inevitable confrontation between her and the Wardens, who are finally fed up with her constant meddling.
When Owen Blackwood is called across time to a seemingly normal home to destroy a haunted painting, it didn’t feel like anything out of the ordinary to this agent of Wolvenheart. Upon arrival, however, Owen finds himself trapped in the very painting he was called to destroy. With only a one hour window of time in which to operate, will Owen be able to save the family from certain death and destroy the painting? Or will he get lost in time and become a cross-dimensional walking ghost? Hour of the Wolf is the second thrilling title in Underworld, an all-new universe created by Mark London which also includes Revolution 9 (launching in September) and Exit City (launching in November). Each miniseries set within can be savored as a standalone serial, while serving as a stepping stone towards ENDLESS NIGHT, the must-read crossover guaranteed to blow your mind in 2025!
Years ago, a stranger came to Carraig an Bhun, a little town on the edge of the Southern Territories. The locals eventually came to see this “blow-in,” Meabh of Cklonia, as one of their own. Now, Meabh has taken over as proprietor of The Lough Inn, finding a semblance of peace after a lifetime of adventuring…however, the proposed opening of a branch of the Adventurers’ Guild risks dragging her past into the present. What would the townsfolk do if they discovered their beloved barkeep was once part of a ruthless band of rogue sell-swords masquerading as noble heroes? It’s a tragic tale of loss and redemption that asks what’s left behind long after the bodies are buried and When the Blood Has Dried.
Half-man-half-myth, the werewolf has over the years infiltrated popular culture in many strange and varied shapes, from Gothic horror to the 'body horror' films of the 1980s and today's graphic novels. Yet despite enormous critical interest in myths and in monsters, from vampires to cyborgs, the figure of the werewolf has been strangely overlooked. Embodying our primal fears - of anguished masculinity, of 'the beast within' - the werewolf, argues Bourgault du Coudray, has revealed in its various lupine guises radically shifting attitudes to the human psyche. Tracing the werewolf's 'use' by anthropologists and criminologists and shifting interpretations of the figure - from the 'scientific' to the mythological and psychological - Bourgault du Coudray also sees the werewolf in Freud's 'wolf-man' case and the sinister use of wolf imagery in Nazism. "The Curse of the Werewolf" looks finally at the werewolf's revival in contemporary fantasy, finding in this supposedly conservative genre a fascinating new model of the human's relationship to nature. It is a required reading for students of fantasy, myth and monsters. No self-respecting werewolf should be without it.
