The Cambridge History of British Theatre
Author: Jane Milling
Publisher: Cambridge University Press
Published: 2004
Total Pages: 574
ISBN-13: 0521650682
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The Time Traveller's Guide to British Theatre
Author: Aleks Sierz
Publisher: Bloomsbury Publishing
Published: 2023-04-27
Total Pages: 321
ISBN-13: 1350429619
DOWNLOAD EBOOKBritish theatre is booming. But where do these beautiful buildings and exciting plays come from? And when did the story start? To find out we time travel back to the age of the first Queen Elizabeth in the 16th century, four hundred years ago when there was not a single theatre in the land. In the company of a series of well-characterized fictional guides, the eight chapters of the book explore how British theatre began, grew up and developed from the 1550s to the 1950s. The Time-Traveller's Guide to British Theatre tells the story of the movers and shakers, the buildings, the playwrights, the plays and the audiences that make British theatre what it is today. It covers all the great names - from Shakespeare to Terence Rattigan, by way of Oscar Wilde and George Bernard Shaw - and the classic plays, many of which are still revived today, visits the venues and tells their dramatic stories. It is an accessible, journalistic account of this subject which, while based firmly on extensive research and historical accuracy, describes five centuries of British creativity in an interesting and relevant way. It is celebratory in tone, journalistic in style and accurate in content.
Imagining Spectatorship
Author: John J. McGavin
Publisher: Oxford University Press
Published: 2016
Total Pages: 221
ISBN-13: 0198768613
DOWNLOAD EBOOKImagining Spectatorship is a highly innovative study in the emerging area of early spectatorship, focusing on the spectators' experience to offer new perspectives on early drama.
Early Modern Northern English Lexis
Author: Javier Ruano-García
Publisher: Peter Lang
Published: 2010
Total Pages: 628
ISBN-13: 9783034300582
DOWNLOAD EBOOKThe history of regional 'Englishes' in the Early Modern period still presents numerous lacunae that need to be filled, in order to provide a complete insight into the English linguistic setting at this time. This book aims to remedy these deficiencies in some measure. In particular, this monograph seeks to shed light upon the history of Early Modern Northern English vocabulary by means of the first corpus of Early Modern texts where Northern linguistic traits are used for literary purposes. It provides a linguistically documented description of Northern words from a synchronic standpoint, dealing with their distribution, etymology, as well as with some of their morphological and semantic characteristics. In addition, this study offers a discussion of the Early Modern literary representations of Northern speech. A thorough revision of the treatment that Northern lexical items are given in contemporary and modern lexicographic sources is also presented, together with a glossary that outlines the diachronic profile of the terms gathered.
The Turn of the Soul
Author:
Publisher: BRILL
Published: 2012-01-06
Total Pages: 412
ISBN-13: 9004226370
DOWNLOAD EBOOKThe religious upheavals of the early modern period and the fierce debate they unleashed about true devotion gave conversion an unprecedented urgency. With their rich variety of emotive, aesthetic and rhetoric means of expression, literature and the visual arts proved particularly well-adapted means to address, explore and represent the complex nature of conversion. At the same time, many artists and authors experimented with the notion that the expressive character of their work could cultivate a sensory experience for the viewer that enacted conversion. Indeed, focusing on conversion as one of early modern Europe’s most pressing religious issues, this volume demonstrates that conversion cannot be separated from the creative and spiritual ways in which it was given meaning. Contributors include Mathilde Bernard, John R. Decker, Xander van Eck, Shulamit Furstenberg-Levi, Lise Gosseye, Chloë Houston, Philip Major, Walter Melion, Bart Ramakers, E. Natalie Rothman, Alison Searle, Lieke Stelling, Jayme Yeo, and Federico Zuliani.
Jewish and Christian Voices in English Reformation Biblical Drama
Author: Chanita Goodblatt
Publisher: Routledge
Published: 2018-02-01
Total Pages: 422
ISBN-13: 1317111060
DOWNLOAD EBOOKEnglish Biblical drama of the sixteenth century resounds with a variety of Jewish and Christian voices. Whether embodied as characters or manifested as exegetical and performative strategies, these voices participate in the central Reformation project of biblical translation. Such translations and dramatic texts are certainly enriched by studying them within the wider context of medieval and early modern biblical scholarship, which is implemented in biblical translations, commentaries and sermons. This approach is one significant contribution of the present project, as it studies the reciprocal illumination of Bible and Drama. Chanita Goodblatt explores the way in which the interpretive cruxes in the biblical text generate the dramatic text and performance, as well as how the drama’s enactment underlines the ethical and theological issues as the heart of the biblical text. By looking at English Reformation biblical drama through a double-edged prism of exegetical and performative perspectives, Goodblatt adds a new dimension to the existing discussion of the historical resonance of these plays. Jewish and Christian Voices in English Reformation Biblical Drama integrates Jewish and Christian exegetical traditions with the study of Reformation biblical drama. In doing so, this book recovers the interpretive and performative powers of both biblical and dramatic texts.
Drama in Medieval and Early Modern Europe
Author: Nadia Thérèse van Pelt
Publisher: Routledge
Published: 2019-03-28
Total Pages: 180
ISBN-13: 042951414X
DOWNLOAD EBOOKDrama in Medieval and Early Modern Europe moves away from the customary conceptual framework that artificially separates ‘medieval’ from ‘early modern’ drama to explore the role of drama and spectacle in England, France, the Low Countries, Spain, Italy, Switzerland, and the German-speaking areas that now constitute Austria and Germany. This book investigates the ranges of dramatic and performative techniques and strategies that playmakers across Europe used to adapt their work to the changing contexts in which they performed, and to the changing or expanding audiences that they faced. It considers the different views expressed through drama and spectacle on shared historical events, how communities coped with similar issues and why they ritually recycled these themes through reinvented or alternative forms that replaced or existed alongside their predecessors. A wide variety of genres of play are discussed throughout, including visitatio sepulchri (visit to the tomb) plays; Easter and Passion plays and morality plays; the French civic mystère; Italian sacre rappresentazioni performed by choirboys in the context of the church; Bürgertheater from the Swiss Confederacy; drama performed for the purpose of royal entertainment and propaganda; May and summer games; and the commercial, professional theatre of Shakespeare and Lope de Vega. Examining the strength of drama in relation to the larger cultural forces to which it adapted, and demonstrating the use of social, political, economic, and artistic networks to educate and support the social structures of communities, Drama in Medieval and Early Modern Europe offers a broader understanding of a shared European past across the traditional chronological divide of 1500. It is ideal for students of social history, and the history of medieval and early modern drama or literature.
The Routledge Research Companion to Early Drama and Performance
Author: Pamela King
Publisher: Routledge
Published: 2016-12-01
Total Pages: 681
ISBN-13: 1317043650
DOWNLOAD EBOOKThe study of early drama has undergone a quiet revolution in the last four decades, radically altering critical approaches to form, genre, and canon. Drawing on disciplines from art history to musicology and reception studies, The Routledge Research Companion to Early Drama and Performance reconsiders early "drama" as a mixed mode entertainment best studied not only alongside non-dramatic texts, but also other modes of performance. From performance before the playhouse to the afterlife of medieval drama in the contemporary avant-garde, this stunning collection of essays is divided into four sections: Northern European Playing before the Playhouse; Modes of Production and Reception; Reviewing the Anglophone Tradition; The Long Middle Ages Offering a much needed reassessment of what is generally understood as "English medieval drama", The Routledge Research Companion to Early Drama and Performance provides an invaluable resource for both students and scholars of medieval studies.
Pathos in Late-Medieval Religious Drama and Art
Author: Gabriella Mazzon
Publisher: BRILL
Published: 2018-05-23
Total Pages: 326
ISBN-13: 9004355588
DOWNLOAD EBOOKPathos as Communicative Strategy in Late-Medieval Religious Drama and Art explores the strategies employed to trigger emotional responses in late-medieval dramatic texts from several Western European traditions, and juxtaposes these texts with artistic productions from the same areas, with an emphasis on Britain. The aim is to unravel the mechanisms through which pathos was produced and employed, mainly through the representation of pain and suffering, with mainly religious, but also political aims. The novelty of the book resides in its specific linguistic perspective, which highlights the recurrent use of words, structures and dialogic patterns in drama to reinforce messages on the salvific value of suffering, in synergy with visual messages produced in the same cultural milieu.
Persia in Early Modern English Drama, 1530–1699
Author: Chloë Houston
Publisher: Springer Nature
Published: 2023-05-01
Total Pages: 300
ISBN-13: 3031226186
DOWNLOAD EBOOKThis book is a study of the representation of the Persian empire in English drama across the early modern period, from the 1530s to the 1690s. The wide focus of this book, encompassing thirteen dramatic entertainments, both canonical and little-known, allow it to trace the changes and developments in the dramatic use of Persia and its people across one and a half centuries. It explores what Persia signified to English playwrights and audiences in this period; the ideas and associations conjured up by mention of ‘Persia’; and where information about Persia came from. It also considers how ideas about Persia changed with the development of global travel and trade, as English people came into people with Persians for the first time. In addressing these issues, this book provides an examination not only of the representation of Persia in dramatic material, but of the broader relationship between travel, politics and the theatre in early modern England.
