The Cambridge Companion to Women in Music since 1900

The Cambridge Companion to Women in Music since 1900

Author: Laura Hamer

Publisher: Cambridge University Press

Published: 2021-05-06

Total Pages: 357

ISBN-13: 1108605184

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This Companion explores women's work in music since 1900 across a broad range of musical genres and professions, including the classical tradition, popular music, and music technology. The crucial contribution of women to music education and the music industries features alongside their activity as composers and performers. The book considers the gendered nature of the musical profession, in areas including access to training, gendered criticism, sexualization, and notions of 'gender appropriate' roles or instruments. It covers a wide range of women musicians, such as Marin Alsop, Grace Williams, Billie Holiday, Joni Mitchell and Adele. Each thematic section concludes with a contribution from a practitioner in her own words, reflecting upon the impact of gender on her own career. Chapters include suggestions for further reading on each of the topics covered, providing an invaluable resource for students of Feminist Musicology, Women in Music, and Music and Gender.


The Cambridge Companion to Women Composers

The Cambridge Companion to Women Composers

Author: Matthew Head

Publisher: Cambridge University Press

Published: 2024-05-30

Total Pages: 375

ISBN-13: 110848915X

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Exploring a diverse, distinguished repertoire, and transcending the rhetoric of neglect, this book transforms understanding of women composers.


Women and Music in Ireland

Women and Music in Ireland

Author: Laura Watson

Publisher: Boydell & Brewer

Published: 2022-12-13

Total Pages: 271

ISBN-13: 1783277556

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Explores the world of women's professional and amateur musical activity as it developed on and beyond the island of Ireland.


The Routledge Companion to Women and Musical Leadership

The Routledge Companion to Women and Musical Leadership

Author: Laura Hamer

Publisher: Taylor & Francis

Published: 2024-08-13

Total Pages: 822

ISBN-13: 1040093140

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The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond provides a comprehensive exploration of women’s participation in musical leadership from the nineteenth century to the present. Global in scope, with contributors from over thirty countries, this book reveals the wide range of ways in which women have taken leadership roles across musical genres and contexts, uncovers new histories, and considers the challenges that women continue to face. The volume addresses timely issues in the era of movements such as #MeToo, digital feminisms, and the resurgent global feminist movements. Its multidisciplinary chapters represent a wide range of methodologies, with historical musicology, models drawn from ethnomusicology, analysis, philosophy, cultural studies, and practice research all informing the book. Including almost fifty chapters written by both researchers and practitioners in the field, it covers themes including: Historical Perspectives Conductors and Impresarios Women’s Practices in Music Education Performance and the Music Industries Faith and Spirituality: Worship and Sacred Musical Practices Advocacy: Collectives and Grass-Roots Activism The Routledge Companion to Women and Musical Leadership: The Nineteenth Century and Beyond draws together both new perspectives from early career researchers and contributions from established world-leading scholars. It promotes academic-practitioner dialogue by bringing contributions from both fields together, represents alternative models of women in musical leadership, celebrates the work done by women leaders, and shows how women challenge accepted notions of gendered roles. Offering a comprehensive overview of the varied forms of women’s musical leadership, this volume is a vital resource for all scholars of women in music, as well as professionals in the music industries and music education today.


The Cambridge Companion to Metal Music

The Cambridge Companion to Metal Music

Author: Jan-Peter Herbst

Publisher: Cambridge University Press

Published: 2023-10-31

Total Pages: 415

ISBN-13: 110884586X

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Exploring the musical styles and cultures of metal, this Companion is an indispensable introduction to this popular and distinctive genre.


The Cambridge Companion to Caribbean Music

The Cambridge Companion to Caribbean Music

Author: Nanette de Jong

Publisher: Cambridge University Press

Published: 2022-08-04

Total Pages: 275

ISBN-13: 1108386415

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The diverse musics of the Caribbean form a vital part of the identity of individual island nations and their diasporic communities. At the same time, they witness to collective continuities and the interrelatedness that underlies the region's multi-layered complexity. This Companion introduces familiar and less familiar music practices from different nations, from reggae, calypso and salsa to tambú, méringue and soca. Its multidisciplinary, thematic approach reveals how the music was shaped by strategies of resistance and accommodation during the colonial past and how it has developed in the postcolonial present. The book encourages a comparative and syncretic approach to studying the Caribbean, one that acknowledges its patchwork of fragmented, dynamic, plural and fluid differences. It is an innovative resource for scholars and students of Caribbean musical culture, particularly those seeking a decolonising perspective on the subject.


The Cambridge Companion to Music and Romanticism

The Cambridge Companion to Music and Romanticism

Author: Benedict Taylor

Publisher: Cambridge University Press

Published: 2021-08-26

Total Pages: 403

ISBN-13: 1108633536

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This Companion presents a new understanding of the relationship between music and culture in and around the nineteenth century, and encourages readers to explore what Romanticism in music might mean today. Challenging the view that musical 'romanticism' is confined to a particular style or period, it reveals instead the multiple intersections between the phenomenon of Romanticism and music. Drawing on a variety of disciplinary approaches, and reflecting current scholarly debates across the humanities, it places music at the heart of a nexus of Romantic themes and concerns. Written by a dynamic team of leading younger scholars and established authorities, it gives a state-of-the-art yet accessible overview of current thinking on this popular topic.


The Cambridge Companion to Tango

The Cambridge Companion to Tango

Author: Kristin Wendland

Publisher: Cambridge University Press

Published: 2024-03-28

Total Pages: 415

ISBN-13: 1108982328

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Tango music rapidly became a global phenomenon as early as the beginning of the twentieth century, with about 30% of gramophone records made between 1903 and 1910 devoted to it. Its popularity declined between the 1950s and the 1980s but has since risen to new heights. This Companion offers twenty chapters from varying perspectives around music, dance, poetry, and interdisciplinary studies, including numerous visual and audio illustrations in print and on the accompanying webpages. Its multidisciplinary approach demonstrates how different disciplines intersect through performative, historical, ethnographic, sociological, political, and anthropological perspectives. These thematic continuities illuminate diverse international perspectives and highlight how the art form flourished in Argentina, Uruguay and abroad, while tracing its international and cultural impact over the last century. This book is an innovative resource for scholars and students of tango music, particularly those seeking a diverse international perspective on the subject.


The Cambridge Companion to The Magic Flute

The Cambridge Companion to The Magic Flute

Author: Jessica Waldoff

Publisher: Cambridge University Press

Published: 2023-11-02

Total Pages: 387

ISBN-13: 1108629482

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Since its premiere in 1791, The Magic Flute has been staged continuously and remains, to this day, Mozart's most-performed opera worldwide. This comprehensive, user-friendly, up-to-date critical guide considers the opera in a variety of contexts to provide a fresh look at a work that has continued to fascinate audiences from Mozart's time to ours. It serves both as an introduction for those encountering the opera for the first time and as a treasury of recent scholarship for those who know it very well. Containing twenty-one essays by leading scholars, and drawing on recent research and commentary, this Companion presents original insights on music, dialogue, and spectacle, and offers a range of new perspectives on key issues, including the opera's representation of exoticism, race, and gender. Organized in four sections – historical context, musical analysis, critical approaches, and reception – it provides an essential framework for understanding The Magic Flute and its extraordinary afterlife.