The Cambridge Companion to Roman Satire
The Cambridge Companion to Roman Satire

Author: Kirk Freudenburg

Publisher: Cambridge University Press

Published: 2005-05-12

Total Pages: 380

ISBN-13: 9780521803595

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Satire as a distinct genre of writing was first developed by the Romans in the second century BCE. Regarded by them as uniquely 'their own', satire held a special place in the Roman imagination as the one genre that could address the problems of city life from the perspective of a 'real Roman'. In this Cambridge Companion an international team of scholars provides a stimulating introduction to Roman satire's core practitioners and practices, placing them within the contexts of Greco-Roman literary and political history. Besides addressing basic questions of authors, content, and form, the volume looks to the question of what satire 'does' within the world of Greco-Roman social exchanges, and goes on to treat the genre's further development, reception, and translation in Elizabethan England and beyond. Included are studies of the prosimetric, 'Menippean' satires that would become the models of Rabelais, Erasmus, More, and (narrative satire's crowning jewel) Swift.

Roman Satire and the Old Comic Tradition
Roman Satire and the Old Comic Tradition

Author: Jennifer L. Ferriss-Hill

Publisher: Cambridge University Press

Published: 2015-02-26

Total Pages: 313

ISBN-13: 1316240789

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Quintilian famously claimed that satire was tota nostra, or totally ours, but this innovative volume demonstrates that many of Roman satire's most distinctive characteristics derived from ancient Greek Old Comedy. Jennifer L. Ferriss-Hill analyzes the writings of Lucilius, Horace, and Persius, highlighting the features that they crafted on the model of Aristophanes and his fellow poets: the authoritative yet compromised author; the self-referential discussions of poetics that vacillate between defensive and aggressive; the deployment of personal invective in the service of literary polemics; and the abiding interest in criticizing individuals, types, and language itself. The first book-length study in English on the relationship between Roman satire and Old Comedy, Roman Satire and the Old Comic Tradition will appeal to students and researchers in classics, comparative literature, and English.

Satires of Rome
Satires of Rome

Author: Kirk Freudenburg

Publisher: Cambridge University Press

Published: 2001-10-25

Total Pages: 312

ISBN-13: 9780521006217

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This survey of Roman satire locates its most salient possibilities and effects at the center of every Roman reader's cultural and political self-understanding. This book describes the genre's numerous shifts in focus and tone over several centuries (from Lucilius to Juvenal) not as mere 'generic adjustments' that reflect the personal preferences of its authors, but as separate chapters in a special, generically encoded story of Rome's lost, and much lionized, Republican identity. Freedom exists in performance in ancient Rome: it is a 'spoken' entity. As a result, satire's programmatic shifts, from 'open' to 'understated' to 'cryptic' and so on, can never be purely 'literary' and 'apolitical' in focus and/or tone. In Satires of Rome, Professor Freudenburg reads these shifts as the genre's unique way of staging and agonizing over a crisis in Roman identity. Satire's standard 'genre question' in this book becomes a question of the Roman self.

The Cambridge Companion to Horace
The Cambridge Companion to Horace

Author: Stephen Harrison

Publisher: Cambridge University Press

Published: 2007-02-08

Total Pages: 31

ISBN-13: 1139827162

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Horace is a central author in Latin literature. His work spans a wide range of genres, from iambus to satire, and odes to literary epistle, and he is just as much at home writing about love and wine as he is about philosophy and literary criticism. He also became a key literary figure in the regime of the Emperor Augustus. In this 2007 volume a superb international cast of contributors present a stimulating and accessible assessment of the poet, his work, its themes and its reception. This provides the orientation and coverage needed by non-specialists and students, but also suggests provoking perspectives from which specialists may benefit. Since the last general book on Horace was published half a century ago, there has been a sea-change in perceptions of his work and in the literary analysis of classical literature in general, and this territory is fully charted in this Companion.

The Cambridge Companion to John Dryden
The Cambridge Companion to John Dryden

Author: Steven N. Zwicker

Publisher: Cambridge University Press

Published: 2004-05-20

Total Pages: 322

ISBN-13: 9780521531443

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John Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden s tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden s works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden s life and times and a detailed guide to further reading.

The Cambridge Companion to Seneca
The Cambridge Companion to Seneca

Author: Shadi Bartsch

Publisher: Cambridge University Press

Published: 2015-02-16

Total Pages: 379

ISBN-13: 1316239896

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The Roman statesman, philosopher and playwright Lucius Annaeus Seneca dramatically influenced the progression of Western thought. His works have had an unparalleled impact on the development of ethical theory, shaping a code of behavior for dealing with tyranny in his own age that endures today. This Companion thoroughly examines the complete Senecan corpus, with special emphasis on the aspects of his writings that have challenged interpretation. The authors place Seneca in the context of the ancient world and trace his impressive legacy in literature, art, religion, and politics from Neronian Rome to the early modern period. Through critical discussion of the recent proliferation of Senecan studies, this volume compellingly illustrates how the perception of Seneca and his particular type of Stoicism has evolved over time. It provides a comprehensive overview that will benefit students and scholars in classics, comparative literature, history, philosophy and political theory, as well as general readers.

The Cambridge Introduction to Satire
The Cambridge Introduction to Satire

Author: Jonathan Greenberg

Publisher: Cambridge University Press

Published: 2019

Total Pages: 335

ISBN-13: 1107030188

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Provides a comprehensive overview for both beginning and advanced students of satiric forms from ancient poetry to contemporary digital media.

The Cambridge Companion to the Age of Nero
The Cambridge Companion to the Age of Nero

Author: Shadi Bartsch

Publisher: Cambridge University Press

Published: 2017-11-09

Total Pages: 423

ISBN-13: 1107052203

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A lively and accessible guide to the rich literary, philosophical and artistic achievements of the notorious age of Nero.

The Cambridge Companion to Erotic Literature
The Cambridge Companion to Erotic Literature

Author: Bradford K. Mudge

Publisher: Cambridge University Press

Published: 2017-09-07

Total Pages: 297

ISBN-13: 110718407X

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This Companion offers an introduction to key topics in the study of erotic literature from antiquity to the present.

The Function of Humour in Roman Verse Satire
The Function of Humour in Roman Verse Satire

Author: Maria Plaza

Publisher: OUP Oxford

Published: 2006-01-26

Total Pages: 384

ISBN-13: 0191535842

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Maria Plaza sets out to analyse the function of humour in the Roman satirists Horace, Persius, and Juvenal. Her starting point is that satire is driven by two motives, which are to a certain extent opposed: to display humour, and to promote a serious moral message. She argues that, while the Roman satirist needs humour for his work's aesthetic merit, his proposed message suffers from the ambivalence that humour brings with it. Her analysis shows that this paradox is not only socio-ideological but also aesthetic, forming the ground for the curious, hybrid nature of Roman satire.