The Cambridge Companion to Medieval Music

The Cambridge Companion to Medieval Music

Author: Mark Everist

Publisher: Cambridge University Press

Published: 2011-03-03

Total Pages: 982

ISBN-13: 1107495121

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From the emergence of plainsong to the end of the fourteenth century, this Companion covers all the key aspects of medieval music. Divided into three main sections, the book first of all discusses repertory, styles and techniques - the key areas of traditional music histories; next taking a topographical view of the subject - from Italy, German-speaking lands, and the Iberian Peninsula; and concludes with chapters on such issues as liturgy, vernacular poetry and reception. Rather than presenting merely a chronological view of the history of medieval music, the volume instead focuses on technical and cultural aspects of the subject. Over nineteen informative chapters, fifteen world-leading scholars give a perspective on the music of the Middle Ages that will serve as a point of orientation for the informed listener and reader, and is a must-have guide for anyone with an interest in listening to and understanding medieval music.


The Cambridge Companion to Singing

The Cambridge Companion to Singing

Author: John Potter

Publisher: Cambridge University Press

Published: 2000-04-13

Total Pages: 300

ISBN-13: 1139825771

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Ranging from medieval music to Madonna and beyond, this book covers in detail the many aspects of the voice. The volume is divided into four broad areas. Popular Traditions begins with an overview of singing traditions in world music and continues with aspects of rock, rap and jazz. The Voice in the Theatre includes both opera singing from the beginnings to the present day and twentieth-century stage and screen entertainers. Choral Music and Song features a history of the art song, essential hints on singing in a larger choir, the English cathedral tradition and a history of the choral movement in the United States. The final substantial section on performance practices ranges from the voice in the Middle Ages and the interpretation of early singing treatises to contemporary vocal techniques, ensemble singing, the teaching of singing, children's choirs, and a comprehensive exposition of vocal acoustics.


Companion to Medieval and Renaissance Music

Companion to Medieval and Renaissance Music

Author: Tess Knighton

Publisher: Univ of California Press

Published: 1997

Total Pages: 452

ISBN-13: 9780520210813

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With contributions from a range of internationally known early music scholars and performers, Tess Knighton and David Fallows provide a lively new survey of music and culture in Europe from the beginning of the Christian era to 1600. Fifty essays comment on the social, historical, theoretical, and performance contexts of the music and musicians of the period to offer fresh perspectives on musical styles, research sources, and performance practices of the medieval and Renaissance periods.


The Cambridge History of Medieval Music

The Cambridge History of Medieval Music

Author: Mark Everist

Publisher: Cambridge University Press

Published: 2018-08-09

Total Pages:

ISBN-13: 1108577075

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Spanning a millennium of musical history, this monumental volume brings together nearly forty leading authorities to survey the music of Western Europe in the Middle Ages. All of the major aspects of medieval music are considered, making use of the latest research and thinking to discuss everything from the earliest genres of chant, through the music of the liturgy, to the riches of the vernacular song of the trouvères and troubadours. Alongside this account of the core repertory of monophony, The Cambridge History of Medieval Music tells the story of the birth of polyphonic music, and studies the genres of organum, conductus, motet and polyphonic song. Key composers of the period are introduced, such as Leoninus, Perotinus, Adam de la Halle, Philippe de Vitry and Guillaume de Machaut, and other chapters examine topics ranging from musical theory and performance to institutions, culture and collections.


The Cambridge Companion to French Music

The Cambridge Companion to French Music

Author: Simon Trezise

Publisher: Cambridge University Press

Published: 2015-02-19

Total Pages: 441

ISBN-13: 0521877946

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This accessible Companion provides a wide-ranging and comprehensive introduction to French music from the early middle ages to the present.


The Cambridge Companion to the Musical

The Cambridge Companion to the Musical

Author: William A. Everett

Publisher: Cambridge University Press

Published: 2017-09-21

Total Pages: 503

ISBN-13: 1107114748

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An expanded and updated edition of this acclaimed, wide-ranging survey of musical theatre in New York, London, and elsewhere.


The Cambridge Companion to Brass Instruments

The Cambridge Companion to Brass Instruments

Author: Trevor Herbert

Publisher: Cambridge University Press

Published: 1997-10-13

Total Pages: 366

ISBN-13: 9780521565226

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This Companion covers many diverse aspects of brass instruments and in such detail. It provides an overview of the history of brass instruments, and their technical and musical development. Although the greatest part of the volume is devoted to the western art music tradition, with chapters covering topics from the medieval to the contemporary periods, there are important contributions on the ancient world, non-western music, vernacular and popular traditions and the rise of jazz. Despite the breadth of its narrative, the book is rich in detail, with an extensive glossary and bibliography. The editors are two of the most respected names in the world of brass performance and scholarship, and the list of contributors includes the names of many of the world's most prestigious scholars and performers on brass instruments.


The Cambridge Companion to Hildegard of Bingen

The Cambridge Companion to Hildegard of Bingen

Author: Jennifer Bain

Publisher: Cambridge University Press

Published: 2021-11-04

Total Pages: 351

ISBN-13: 1108471358

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This volume explores the extraordinary life and works of Hildegard of Bingen, medieval writer, composer, visionary, and monastic founder.