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Author: Deborah Payne Fisk
Publisher: Cambridge University Press
Published: 2000-05-11
Total Pages: 326
ISBN-13: 9780521588126
DOWNLOAD EBOOKFourteen specially commissioned essays provide essential information about staging, playwrights, themes and genres in the drama of the Restoration.
Author: Deborah Payne Fisk
Publisher:
Published: 2012
Total Pages:
ISBN-13:
DOWNLOAD EBOOKThis rich and varied portrait of the drama from 1660 to 1714 provides students with essential information about playwrights, staging and genres, situating them in the social and political culture of the time. No longer seen as a privileged arena for select dramatists and elite courtiers, the Restoration theatre is revealed in all of its tumult, energy and conflict. The fourteen newly-commissioned essays examine the theatre, paying attention to major playwrights such as Dryden, Wycherly and Congreve and also to more minor works and to plays by the first professional female dramatists. The book begins with chapters on the performance of the drama in its own time, on theatres, acting and staging, and continues with the main dramatic genres and themes, with a final chapter on the critical history of the drama. The volume also includes a thorough chronology and biographies and bibliographies of dramatists.
Author: Derek Hughes
Publisher: Cambridge University Press
Published: 2004-11-25
Total Pages: 450
ISBN-13: 1139826948
DOWNLOAD EBOOKTraditionally known as the first professional woman writer in English, Aphra Behn has now emerged as one of the major figures of the Restoration. She provided more plays for the stage than any other author and greatly influenced the development of the novel with her ground-breaking fiction, especially Love-Letters between a Nobleman and his Sister and Oroonoko, the first English novel set in America. Behn's work straddles the genres: beside drama and fiction, she also excelled in poetry and she made several important translations from French libertine and scientific works. This Companion discusses and introduces her writings in all these fields and provides the critical tools with which to judge their aesthetic and historical importance. It also includes a full bibliography, a detailed chronology and a description of the known facts of her life. The Companion will be an essential tool for the study of this increasingly important writer and thinker.
Author: Deborah Payne Fisk
Publisher: University of Georgia Press
Published: 2010-12-01
Total Pages: 332
ISBN-13: 0820337897
DOWNLOAD EBOOKRanging in approach from feminist to historicist, the eleven essays in this collection share the culturalist premise that the drama of late Stuart and early Georgian England helped to constitute the dominant ideology of the period. The contributors' varied approaches allow for the reconsideration of libertinism, the politics of sexual desire, and other classic issues, as well as such newer concerns as the social construction of the first English actresses, empiricism as an emergent epistemological discourse, cultural anxiety about novelty and repetition, and shifting tropes of inherent worth. By reading well-known works in unexpected ways and focusing on less frequently studied dramatists, from Sedley, Motteux, Pix, and Behn to Manley, Trotter, and Shadwell, the contributors also test the limits of the canon. In addition, they suggest that earlier critical perceptions, perhaps even more than the “innate worth” of the plays, determined the shape of the canon. These essays present a different image of Restoration and eighteenth-century theater, one that reveals how the drama was a site as important for the negotiation of cultural meaning as were novels and verse satires.
Author: Alexander Leggatt
Publisher: Cambridge University Press
Published: 2002
Total Pages: 260
ISBN-13: 9780521779425
DOWNLOAD EBOOKAn accessible, wide-ranging and informed introduction to Shakespeare's comedies, dark comedies and romances, first published in 2001.
Author: Tracy C. Davis
Publisher: Cambridge University Press
Published: 2008-11-13
Total Pages: 361
ISBN-13: 1139828185
DOWNLOAD EBOOKSince the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Author: David Bradby
Publisher: Cambridge University Press
Published: 2006-09-14
Total Pages: 11
ISBN-13: 1139827294
DOWNLOAD EBOOKA detailed introduction to Molière and his plays, this Companion evokes his own theatrical career, his theatres, patrons, the performers and theatre staff with whom he worked, and the various publics he and his troupes entertained with such success. It looks at his particular brands of comedy and satire. L'École des femmes, Le Tartuffe, Dom Juan, Le Misanthrope, L'Avare and Les Femmes savantes are examined from a variety of different viewpoints, and through the eyes of different ages and cultures. The comedies-ballets, a genre invented by Molière and his collaborators, are re-instated to the central position which they held in his œuvre in Molière's own lifetime; his two masterpieces in this genre, Le Bourgeois gentilhomme and Le Malade imaginaire, have chapters to themselves. Finally, the Companion looks at modern directors' theatre, exploring the central role played by productions of his work in successive 'revolutions' in the dramatic arts in France.
Author: Steven N. Zwicker
Publisher: Cambridge University Press
Published: 2004-05-20
Total Pages: 322
ISBN-13: 9780521531443
DOWNLOAD EBOOKJohn Dryden, Poet Laureate to Charles II and James II, was one of the great literary figures of the late seventeenth century. This Companion provides a fresh look at Dryden s tactics and triumphs in negotiating the extraordinary political and cultural revolutions of his time. The newly commissioned essays introduce readers to the full range of his work as a poet, as a writer of innovative plays and operas, as a purveyor of contemporary notions of empire, and most of all as a man intimate with the opportunities of aristocratic patronage as well as the emerging market for literary gossip, slander and polemic. Dryden s works are examined in the context of seventeenth-century politics, publishing and ideas of authorship. A valuable resource for students and scholars, the Companion includes a full chronology of Dryden s life and times and a detailed guide to further reading.
Author: Deborah C. Payne
Publisher: Cambridge University Press
Published: 2024-05-31
Total Pages: 303
ISBN-13: 1009398210
DOWNLOAD EBOOKDeborah C. Payne explores how the duopoly of 1660 impacted company practices, stagecraft, the box office, and actors and writers.
Author: Stanley Wells
Publisher: Cambridge University Press
Published: 2002-05-30
Total Pages: 342
ISBN-13: 9780521797115
DOWNLOAD EBOOKThis 2002 Companion is designed for readers interested in past and present productions of Shakespeare's plays, both in and beyond Britain. The first six chapters describe aspects of the British performing tradition in chronological sequence, from the early staging of Shakespeare's own time, through to the present day. Each relates Shakespearean developments to broader cultural concerns and adopts an individual approach and focus, on textual adaptation, acting, stages, scenery or theatre management. These are followed by three explorations of acting: tragic and comic actors and women performers of Shakespeare roles. A section on international performance includes chapters on interculturalism, on touring companies and on political theatre, with separate accounts of the performing traditions of North America, Asia and Africa. Over forty pictures illustrate peformers and productions of Shakespeare from around the world. An amalgamated list of items for further reading completes the book.
