The Cabinet Portrait Gallery of British Worthies, Vol. 3 (Classic Reprint)

The Cabinet Portrait Gallery of British Worthies, Vol. 3 (Classic Reprint)

Author: C. Cox

Publisher: Forgotten Books

Published: 2018-02-20

Total Pages: 374

ISBN-13: 9780656994595

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Excerpt from The Cabinet Portrait Gallery of British Worthies, Vol. 3 From that ci after a stay of only a few months, goes on All is while it appeareth that Cromwell had yet no sound taste nor judgment of religion, but was wild and youthful, without sense or regard of God and his word, as he himself was woont oft times to declare unto Cranmer, Archbishop of Canterbury, showing what a ruf fian he was in his oung days, and how he was in the wars of the Duke of ourbon at the siege of Rome and so continued, till at length by learning the text of the New Testament without book, of Erasmus's transla tion, in his going and coming from Rome (as is aforesaid) he began to be touched and called to better understand ing. But the famous sack of Rome by the Duke of Bourbon took place, as is well known, in May, 1527 so here are events which were seventeen years apart jumbled together as if the had happened in the same year. From the rest of ox's narrative it is evident that he was entirely ignorant or thoughtless of the date of this sack of Rome, at which he states Cromwell to have been present; for he brings him back to England some cars before it actually occurred. But the story is talc; in a wa equally unintelligible in an elaborate article in the ographra Britannica, ' where, after men tion of his 'curney to Rome in 1510, the narrative pro coeds Whilst he remained in Italy, he served for some time as a soldier under the Duke of Bourbon, and was at the sacking of Rome; and at Bologna he assisted John Russell, Esq., afterwards Earl of Bedford, in mak ing his escape when he had like to be betrayed into the hands of the French, being secretly in those parts about our king's affairs. And then comes the anecdote about his getting the translation of the New Testament by heart, in his journey to and from Rome. Dr. Lin gard, who seems to have consulted Roman Catholic authorities, affirms generally that Cromwell in his early youth served as a trooper in the wars of Italy; from the army he passed to the service of a Venetian merchant; and, after some time, returning to England, exchanged the counter for the study of the law.' As. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.


Dilettanti

Dilettanti

Author: Bruce Redford

Publisher: Getty Publications

Published: 2008-08-07

Total Pages: 240

ISBN-13: 0892369248

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Bruce Redford re-creates the vibrant culture of connoisseurship in Enlightenment England by investigating the multifaceted activities and achievements of the Society of Dilettani. Elegantly and wittily he dissects the British connoisseurs whose expeditions, collections, and publications laid the groundwork for the Neoclassical revival and for the scholarly study of Graeco-Roman antiquity. After the foundation of the society in 1732, the Dilettani commissioned portraits of the members. Including a striking group of mock-classical and mock-religious representations, these portraits were painted by George Knapton, Sir Joshua Reynolds, and Sir Thomas Lawrence. During the second half of the century, the society’s expeditions to the Levant yielded a series of pioneering architectural folios, beginning with the first volume The Antiquities of Athens in 1762. These monumental volumes aspired to empirical exactitude in text and image alike. They prepared the way for Specimens of Antient Sculpture (1809), which combines the didactic (detailed investigations into technique, condition, restoration, and provenance) with the connoisseurial (plates that bring the illustration of ancient sculpture to new artistic heights). The Society of Dilettanti’s projects and publications exemplify the Enlightenment ideal of the gentleman amateur, which is linked in turn to a culture of wide-ranging curiosity.


European Drawings 2

European Drawings 2

Author: George R. Goldner

Publisher: Getty Publications

Published: 1992-10-08

Total Pages: 374

ISBN-13: 0892362197

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The Getty Museum's collection of drawings was begun in 1981 with the purchase of a Rembrandt nude and has since become an important repository of European works from the fifteenth through the nineteenth century. As in the first volume devoted to the collection (published in 1988 in English and Italian editions), the text is here organized first by national school, then alphabetically by artist, with individual works arranged chronologically. For each drawing, the authors provide a discussion of the work's style, dating, iconography, and relationship to other works, as well as provenance and a complete bibliography.


Thomas Annan of Glasgow

Thomas Annan of Glasgow

Author: Lionel Gossman

Publisher: Open Book Publishers

Published: 2015-05-25

Total Pages: 194

ISBN-13: 1783741279

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In the wake of Glasgow’s transformation in the nineteenth-century into an industrial powerhouse — the "Second City of the Empire" — a substantial part of the old town of Adam Smith degenerated into an overcrowded and disease-ridden slum. The Old Closes and Streets of Glasgow, Thomas Annan’s photographic record of this central section of the city prior to its demolition in accordance with the City of Glasgow Improvements Act of 1866, is widely recognized as a classic of nineteenth-century documentary photography. Annan’s achievement as a photographer of paintings, portraits and landscapes is less widely known. Thomas Annan of Glasgow: Pioneer of the Documentary Photograph offers a handy, comprehensive and copiously illustrated overview of the full range of the photographer’s work. The book opens with a brief account of the immediate context of Annan’s career as a photographer: the astonishing florescence of photography in Victorian Scotland. Successive chapters deal with each of the main fields of his activity, touching along the way on issues such as the nineteenth-century debate over the status of photography — a mechanical practice or an artistic one? — and the still ongoing controversies surrounding the documentary photograph in particular. While the text itself is intended for the general reader, extensive endnotes amplify particular themes and offer guidance to readers interested in pursuing them further.