This text is a historical account of the political, diplomatic, ecclesiastical, economic and cultural relations between the Byzantine Empire and the peoples of Eastern Europe. It shows that these nations came to share a common cultural tradition.
Main description: An overriding assumption has long directed scholarship in both European and Slavic history: that Kievan Rus' in the tenth through twelfth centuries was part of a Byzantine commonwealth separate from Europe. Christian Raffensperger refutes this conception and offers a new frame for two hundred years of history, one in which Rus' is understood as part of medieval Europe and East is not so neatly divided from West. With the aid of Latin sources, the author brings to light the considerable political, religious, marital, and economic ties among European kingdoms, including Rus', restoring a historical record rendered blank by Rusianmonastic chroniclers as well as modern scholars ideologically motivated to build barriers between East and West. Further, Raffensperger revises the concept of a Byzantine Commonwealth that stood in opposition to Europe-and under which Rus' was subsumed-toward that of a Byzantine Ideal esteemed and emulated by all the states of Europe. In this new context, appropriation of Byzantine customs, law, coinage, art, and architecture in both Rus' and Europe can be understood as an attempt to gain legitimacy and prestige by association with the surviving remnant of the Roman Empire. Reimagining Europe initiates an expansion of history that is sure to challenge ideas of Russian exceptionalism and influence the course of European medieval studies.
The essays which comprise this book aim to identify and discuss aspects of the Byzantium heritage, whose principal beneficiaries were the Greeks, the Slavs and, most prominently, Russia. These 12 studies divide into three groups: the first is concerned with general aspects of Slavo-Byzantine relations; the second deals with the specific features of the acculturation process; and the third, which includes among others Russia's Byzantine Heritage is concerned with the contacts between Byzantium and medieval Russia.
Although Byzantium is known to history as the Eastern Roman Empire, scholars have long claimed that this Greek Christian theocracy bore little resemblance to Rome. Here, in a revolutionary model of Byzantine politics and society, Anthony Kaldellis reconnects Byzantium to its Roman roots, arguing that from the fifth to the twelfth centuries CE the Eastern Roman Empire was essentially a republic, with power exercised on behalf of the people and sometimes by them too. The Byzantine Republic recovers for the historical record a less autocratic, more populist Byzantium whose Greek-speaking citizens considered themselves as fully Roman as their Latin-speaking “ancestors.” Kaldellis shows that the idea of Byzantium as a rigid imperial theocracy is a misleading construct of Western historians since the Enlightenment. With court proclamations often draped in Christian rhetoric, the notion of divine kingship emerged as a way to disguise the inherent vulnerability of each regime. The legitimacy of the emperors was not predicated on an absolute right to the throne but on the popularity of individual emperors, whose grip on power was tenuous despite the stability of the imperial institution itself. Kaldellis examines the overlooked Byzantine concept of the polity, along with the complex relationship of emperors to the law and the ways they bolstered their popular acceptance and avoided challenges. The rebellions that periodically rocked the empire were not aberrations, he shows, but an essential part of the functioning of the republican monarchy.
In this bold approach to late antiquity, Garth Fowden shows how, from the second-century peak of Rome's prosperity to the ninth-century onset of the Islamic Empire's decline, powerful beliefs in One God were used to justify and strengthen "world empires." But tensions between orthodoxy and heresy that were inherent in monotheism broke the unitary empires of Byzantium and Baghdad into the looser, more pluralistic commonwealths of Eastern Christendom and Islam. With rare breadth of vision, Fowden traces this transition from empire to commonwealth, and in the process exposes the sources of major cultural contours that still play a determining role in Europe and southwest Asia.
Using new methodological and theoretical approaches, A Companionto Byzantium presents an overview of the Byzantine world fromits inception in 330 A.D. to its fall to the Ottoman Turks in 1453. Provides an accessible overview of eleven centuries ofByzantine society Introduces the most recent scholarship that is transforming thefield of Byzantine studies Emphasizes Byzantium's social and cultural history, as well asits material culture Explores traditional topics and themes through freshperspectives
A renowned historian addresses misconceptions about Byzantium, suggests why it is so important to integrate the civilization into wider histories, and lays out why Byzantium should be central to ongoing debates about the relationships between West and East, Christianity and Islam, Catholicism and Eastern Orthodoxy, and the ancient and medieval periods.
A collection of biographies, this book tells the story of six outstanding men--four of them acknowledged saints--who lived between the 9th and 16th centuries in East Europe and, by birth, profession, or personal circumstances, belonged simultaneously to the Greek and Slav worlds. From Clement of Ohrid, Theophylact of Ohrid, and Vladimir Monomakh, to Sava Nemanjic, Cyprian, and Maximos the Greek, Obolensky's portraits provide rich insight into the diverse cosmopolitan world of Eastern Europe, the role these men played in the history of the Byzantine cultural commonwealth, and the contribution they made to European history.
This monograph serves as an introduction to the art, architecture and literary culture of the Eastern Polish-Lithuanian Commonwealth in the 16th and 17th centuries. The geographical area under discussion comprises the regions of contemporary Lithuania, western Belarus and western Ukraine. The introduction of the Renaissance and Baroque classical revival into these lands is considered here within the political context of nationalistic and religious loyalties, as well as economic status and class. The central discussion focuses on the issue of national identity and religious loyalty in the inter-relation between the Byzantine inheritance of the Lithuanian and Ruthenian populace and the Polonizing Catholic influences entering from the west. A close study is made of the royal, noble and urban patronage of the richly-diverse visual and literary modes developed in these two centuries, as well as examining the cultural achievements of the many national groups in the Eastern Commonwealth, including Ruthenians, Lithuanians, Poles, Armenians, Jews, Karaite and Islamic Tatars. A major issue explored here is the problem of restoring and conserving the vast amount of devastated material culture in these regions, particularly in Belarus.